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Italian Opera Arias
 
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Italian Opera Arias [Import]

~ Giacomo Puccini (Composer), Alfredo Catalani (Composer), Francesco Cilea (Composer), Gianandrea Gavazzeni (Conductor), London Symphony Orchestra (Orchestra), et al.
4.0 out of 5 stars  See all reviews (1 customer review)
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1. Le Villi: Non ti scordar di me
2. Manon Lescaut: In quelle trine morbide
3. Manon Lescaut: Sola, perduta, abbandonata
4. La Boheme: Quando m'en vo' soletta
5. Suor Angelica: Senza mamma, o bimbo, tu sei morto
6. Gianni Schicchi: O mio babbino caro
7. La Wally: Ebben? Ne andro' lontana
8. Adriana Lecouvreur: lo son l'umile ancella del genio creator
9. Adriana Lecouvreur: Poveri fiori
10. La rondine: Ch'il bel sogno di Doretta
11. Lodoletta: Flammen perdonami
12. Iris: Un di (ero piccina) al tempio
13. EDGAR: Addio, addio, mio dolce amor!
14. Madama Butterfly: Un bel di, vedremo
15. Madama Butterfly: Tu, tu, piccolo iddio!
16. Il Segreta di Susanni: Respiro, e andanto...O gioia la nube leggera
17. Il Segreta di Susanna: Ti colgo questa volta! (Duet)
18. Adriana Lecouvreur: E sia! Non risponde (Duet)

On this CD:
  1. Le villi, opera Non ti scordar di me
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  2. Manon Lescaut, opera In quelle trine morbide
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  3. Manon Lescaut, opera Sola, perduta, abbandonata
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  4. La bohème, opera Quando m'em vo' soletta (Musetta's Waltz)
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  5. Suor Angelica, opera Senza mamma, o bimbo, tu sei morto
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  6. Gianni Schicchi, opera O mio babbino caro
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  7. La Wally, opera Ebben? Ne andrò lontana
    Composed by Alfredo Catalani
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  8. Adriana Lecouvreur, opera lo so l'umile ancella del genio creator
    Composed by Francesco Cilea
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  9. Adriana Lecouvreur, opera Poveri fiori
    Composed by Francesco Cilea
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  10. La rondine (The Swallow), opera Ch'il bel sogno di Doretta
    Composed by Giacomo Puccini
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  11. Lodoletta, opera Flammen perdonami
    Composed by Pietro Mascagni
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  12. Iris, opera in 3 acts Un di (ero piccina) al tempio
    Composed by Pietro Mascagni
    Performed by London Symphony Orchestra
    with Renata Scotto
    Conducted by Gianandrea Gavazzeni

  13. Edgar, opera Addio, addio, mio dolce amor!
    Composed by Giacomo Puccini
    Performed by New York Opera Orchestra
    with Renata Scotto
    Conducted by Eve Queler

  14. Madama Butterfly (Madame Butterfly), opera Un bel dì, vedremo
    Composed by Giacomo Puccini
    Performed by Philharmonia Orchestra
    with Renata Scotto
    Conducted by Lorin Maazel

  15. Madama Butterfly (Madame Butterfly), opera Tu, tu, piccolo iddio!
    Composed by Giacomo Puccini
    Performed by Philharmonia Orchestra
    with Renata Scotto
    Conducted by Lorin Maazel

  16. Il segreto di Susanna, opera Respiro, e andanto...O gioia la nube leggera
    Composed by Ermanno Wolf-Ferrari
    Performed by Philharmonia Orchestra
    with Renata Scotto
    Conducted by Sir John Pritchard

  17. Il segreto di Susanna, opera Ti colgo questa volta!
    Composed by Ermanno Wolf-Ferrari
    Performed by Philharmonia Orchestra
    with Renato Bruson, Renata Scotto
    Conducted by Sir John Pritchard

  18. Adriana Lecouvreur, opera E sia! Non risponde
    Composed by Francesco Cilea
    Performed by Philharmonia Orchestra
    with Yelena Obraztsova, Renata Scotto
    Conducted by James Levine


Product Description

From Amazon.com

The bulk of this wonderful CD was recorded in l974, before the top of Scotto's voice--always a bit acidic--had turned positively treacherous. Selections from six Puccini operas, Catalani's La Wally, and Mascagni's Lodoletta and Iris find her not only in good voice, but with her usual searing insights. Never one to shirk an emotion, Scotto makes us feel for Suor Angelica and Wally in a very special way, and the other characterizations are hardly less interesting. Arias and duets from later takes--one from Carnegie Hall in '77 and others from commercial recordings up to l978--still offer good vocalism and fascinating viewpoints--Scotto's high notes may occasionally make us cringe, but she's never uninvolved or uninvolving. This is a fine intro to this complicated soprano and a must for her fans. --Robert Levine.

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4.0 out of 5 stars One Of The Truly Great Aria Recitals, Sep 13 2003
By "classicalfanindc" (Washington DC) - See all my reviews
This is one of the truly great aria recitals, ever, and perhaps the greatest aria recital from the Italian repertory since Maria Callas in her 1954 EMI Puccini disc under Serafin.

Not all of the disc is at the same level. The arias from "Le Villi", "Manon Lescaut", "Suor Angelica", "La Wally", "Lodoletta", "Iris" and "Adriana Lecouvreur" should enjoy legendary status. They are exhibitions in how to present arias from the post-Verdi period. I have never heard them done as well as here.

The other items are excellent, but not quite in such a magical league. I believe it must be noted that Scotto's voice was not sufficiently opulent to do full justice to all of these arias. Occasionally more radiance is needed, especially in the "La Rondine", "La Boheme", "Gianni Schicchi" and "Madama Butterfly" selections.

This is nevertheless an essential disc for its demonstration of great artistry from a singer whose voice, in its later years, was not always up to the artistic requirements Scotto demanded of herself. Scotto has no equal among today's generation of bland vocalists.

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