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I Was Looking at the Ceiling &
 
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I Was Looking at the Ceiling & [Cast Recording] [Import]

~ John Adams (Composer, Conductor), Welly Yang (Performer), Seppo Kantonen (Performer), Jari-Pekka Karvonen (Performer), Marin Mazzie (Performer)
3.4 out of 5 stars  See all reviews (11 customer reviews)
Price: CDN$ 19.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details


1. I Was Looking at the Ceiling and Then I Saw the Sky - John Adams
2. Sermon on Romance - Darius de Haas, Angela Teek
3. Consuelo's Dream - Audra McDonald
4. Mike's Song About Arresting a Particular Individual - Richard Muenz
5. Tiffany's Solo - Marin Mazzie
6. Song About the On-Site Altercation - Marin Mazzie, Michael McElroy, Richard Muenz, Angela Teek
7. Song About the Bad Boys and the News - Audra McDonald, Angela Teek
8. Your Honor My Client He's a Young Black Man - Michael McElroy, Welly Yang
9. Leila's Song: Alone (Again or at Last) - Angela Teek
10. Three Weeks and Still I'm Outta My Mind - Darius de Haas, Angela Teek
11. Crushed by the Rock I Been Standing On - Darius de Haas, Marin Mazzie, Audra McDonald, Welly Yang
12. Dewain's Song of Liberation and Surprise - Michael McElroy
13. Este Pais!/This Country - Audra McDonald, Michael McElroy
14. One Last Look at the Angel in Your Eyes - Audra McDonald, Michael McElroy
15. Finale - All

On this CD:
  1. I Was Looking at the Ceiling and Then I Saw the Sky, songplay
    Composed by John Adams
    with Welly Yang, Seppo Kantonen, Seppo Kantonen, Jari-Pekka Karvonen, Marin Mazzie
    Conducted by John Adams


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Customer Reviews

11 Reviews
5 star:
 (3)
4 star:
 (4)
3 star:    (0)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (11 customer reviews)
 
 
 
 
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4.0 out of 5 stars credible effort, April 21 2001
By Sean M. Kelly (Portland, Oregon United States) - See all my reviews
(REAL NAME)   
It took me several listens to gather the full effect of what Adams was trying to accomplish on this opera/musical. I'm not sure that this recording fully harnesses it all, but it is an excellent recording.

As most people know, the recording is based on the 1994 major earthquake in California, and the structure of the recording reflects this, as movements 2-14 are meant as either solos or duets to reflect points of view. These pieces are sandwiched by ensemble numbers (part 1 and 15) that show off some of Adams' minimalist leanings but quickly switch over to pop and jazz sensibilities.

At moments, it's difficult to follow the flow of the action, especially on those parts that have no dialogue to connect sections. I suppose that is a nit-pickey point, all in all, but it was a noticable flaw as i heard it.

With Adams conducting, the cd shows off a different side of Adams. No, he's no Lloyd-Webber or Sondheim (thankfully) but the performance IS an interesting melding of opera and musical. While this concept, in my opinion, pales in comparison to his other operatic works, the work is a confident one, and is well worth listening to.

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5.0 out of 5 stars Unexpected pleasures, Dec 4 1999
By D. G. H. Haslett "dghhaslett" (Berlin) - See all my reviews
(REAL NAME)   
This work falls between two stools - on the one hand the style is eclectic, encompassing gospel, rock, sprechstimme, opera, musical theatre. On the other it could have been written by no one but Adams. He takes a variety of musical styles and makes them his own. I was initially puzzled by it but many subsequent hearings have confirmed that here is a wonderful piece of musical theatre, finding a depth of emotion that is light years ahead of the vacuousness of modern musical theatre (no names....!) If it recalls anyone other than the composer himself then it would be Sondheim - there is something of the New York composer in the small musical cells, subjected to numerous repetitions; but Adams' melodic gift is greater. As the wonderful title of the piece indicates, this is a piece about trnscending the mundane and finding spirituality in the most unlikely situations. I have played it countless times and it never fails to move and excite.
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2.0 out of 5 stars Uch!, Aug 12 1999
By A Customer
Is this what we can expect from Mr. Adams in the future? I hope not, he's no match for the folks on Broadway.
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Most recent customer reviews

4.0 out of 5 stars Typically subtle pop-inflected Adams, but no West Side Story
When this was playing up in Berkeley, Paul Hertelendy of the San Jose Mercury News compared it to Bernstein's West Side Story -- i.e. Read more
Published on Mar 23 1999

5.0 out of 5 stars Something different... and wonderful
When I first heard this piece, a huge smile filled my face. I picked it up expecting another Nixon in China or Klinghoffer (which I loved), but what I got was wonderfully fresh... Read more
Published on Mar 14 1999

2.0 out of 5 stars Okay, but he's done better
Not the best work from this fine artist. It seems slight indeed in comparison with the Violin Concerto or Grand Pianola Music. Read more
Published on Jan 11 1999

1.0 out of 5 stars A real little stinker!
How depressing that Nonesuch would waste money on recording this dud. The cast tries valiantly -- however the material just isn't there (and the PC 'libretto/lyrics' are... Read more
Published on Jan 9 1999

4.0 out of 5 stars A Stunning New Work
John Adams' works have always been interesting, and with "Ceiling/Sky", he once again offers a challenging and original score. Read more
Published on Dec 26 1998

5.0 out of 5 stars This is what we've been waiting for.
This music might be rather striking when you first hear it, possibly because it has not been writen before, which is always striking to an ear who has never experienced such a... Read more
Published on Dec 23 1998

1.0 out of 5 stars Evita Meets Stavinsky's "Rake's Progress"!
In true Hollywood fashion, this work musically would be "Evita Meets Stavinsky's "Rake's Progress"! Read more
Published on Nov 23 1998 by Swanekj@pfrd.co.orange.ca.us

4.0 out of 5 stars ALWAYS interesting!
John Adams has created a bizarre masterpiece with this work. I started listening to Adams seven years ago, and from Shaker Loops to Common tones, to Nixon in China to Hodoo... Read more
Published on Nov 5 1998

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