Chamber Music Vol. 1

~ Arthur Foote (Composer), James Barbagallo (Performer), Jerilyn Jorgensen (Performer), Kay Kirelis (Performer), Katharine Knight (Performer), et al.

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Product Details

Performer: James Barbagallo, Jerilyn Jorgensen, Kay Kirelis, Katharine Knight, Margaret Miller
Composer: Arthur Foote
Audio CD (Mar 1 1999)
SPARS Code: DDD
Number of Discs: 1
Label: Nam
Run Time: 76 minutes
ASIN: B00000DHTD
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Amazon.ca Sales Rank: #71,912 in Music (See Bestsellers in Music)

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1. Piano Quintet In A Minor, Op. 38: Allegro giusto: appassionato

2. Piano Quintet In A Minor, Op. 38: Allegretto -Trio: Molto piu allegro

3. Piano Quintet In A Minor, Op. 38: Scherzo: Vivace - Trio: Un poco meno mosso

4. Piano Quintet In A Minor, Op. 38: Allegro giusto

5. String Quartet No. 2 In E Major, Op. 32: Allegro giocoso

6. String Quartet No. 2 In E Major, Op. 32: Scherzo: Vivace - Trio: Piu vivace

7. Tema con variazioni: Andante espressivo, ma con moto - Var 1: L'istesso tempo - Var. 2: Allegro marcato: alla Tarantella - Var. 3: Tranquillo, ma con moto - Var. 4: Maetoso, alla Marcia - Var. 5: Vivace - Var. 6: Allegro assai: molto marcato

8. String Quartet No. 2 In E Major, Op. 32: Allegro Assai

9. String Quartet No. 3 In D Major, Op. 70: Allegro

10. String Quartet No. 3 In D Major, Op. 70: Scherzo: Capriccioso

11. String Quartet No. 3 In D Major, Op. 70: Andante espressivo

12. String Quartet No. 3 In D Major, Op. 70: Andante espressivo - Allegro non troppo, marcato

On this CD:

Piano quintet in A Minor, Op 38
Composed by Arthur Foote
with James Barbagallo, Jerilyn Jorgensen, Kay Kirelis, Katharine Knight, Margaret Miller
String Quartet, No 3 in D, Op 70
Composed by Arthur Foote
with Jerilyn Jorgensen, Kay Kirelis, Katharine Knight, Margaret Miller

Product Description

From Amazon.com

Arthur Foote (1853-1937) was not a prolific composer; his work nevertheless places him on the fringes of the American music repertoire. Naxos's box mentions several romantic composers Foote reminds us of, leaving out some others whose names come to mind during the Second Quartet (especially Schubert, who seems to inhabit the variations movement). None of this music sounds very original, although the last quartet seems further to develop some of Reger's relentless chromaticism. Probably the best piece is the Piano Quintet, in which fervent playing from Barbagallo (this is his last recording) helps drive the music. The Da Vinci Quartet plays very well, and this is certainly an economical way to explore a corner of the repertory. --Leslie Gerber