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Das Lied Von Der Erde
 
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Das Lied Von Der Erde [Import]

~ Gustav Mahler (Composer), Otto Klemperer (Conductor), New Philharmonia Orchestra (Orchestra), Philharmonia Orchestra and Chorus (Orchestra), Christa Ludwig (Performer), et al.
4.9étoiles sur 5  Voir tous les commentaires (16 évaluations de client)

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Les détails du produit


1. Das Trinklied Vom Jammer Der Erde
2. Der Einsame Im Herbst
3. Von Der Jugend
4. Von Der Schonheit
5. Der Trunkene Im Fruhling
6. Der Abschied

Sur ce CD :
  1. Das Lied von der Erde, symphony for alto (or baritone), tenor, & orchestra
    Composé par Gustav Mahler
    Joué par New Philharmonia Orchestra, Philharmonia Orchestra and Chorus
    avec Christa Ludwig, Fritz Wunderlich
    Dirigé par Otto Klemperer


Descriptions du produit

Amazon.com essential recording

Mahler considered The Song of the Earth his most personal work, and indeed it is one of his greatest and most moving. Its six sections, sung alternately by the mezzo-soprano and tenor, are set to seven poems from The Chinese Flute, a collection of Chinese lyrics translated into German by Hans Bethge, which echo Mahler's love of nature and contrast the earth's renewal each spring with the transience of human life. Composed after he lost his beloved 4-year-old daughter and was diagnosed with a serious heart ailment, the music encompasses heart-rending anguish and sublime ecstasy; conceived in the shadow of death, it is suffused with a sense of sorrowful, reluctant leave-taking finally transformed into resigned renunciation. The scoring for a large orchestra is masterful and includes many solo passages; melodic, harmonic, and instrumental devices at times create an oriental flavor. Among the work's many recordings, this is certainly one of the best. The orchestra is splendid; its wonderfully transparent sound, together with Klemperer's extremely leisurely, deliberate tempi, allows many apparently brand-new lines and details to come out and gives the second tenor solo a strikingly Chinese character. Moreover, the singers can be clearly heard, and they are incomparable: vocally glorious, musically deeply involved, sensitive to every expressive nuance and subtlety of words and music, they follow Mahler to the heights and depths of emotion, making the performance an overwhelming, unforgettable experience. --Edith Eisler

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L'avis des consommateurs

16 évaluations
5 étoiles:
 (14)
4 étoiles:
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3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.9étoiles sur 5 (16 évaluations de client)
 
 
 
 
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4.0étoiles sur 5 One Of The Great Ones, Mai 21 2004
Par Jeffrey Lipscomb (Sacramento, CA United States) - Voir tous mes commentaires
(REAL NAME)   
Edith Eisler's headnote strikes me as a very fair and well-reasoned assessment. I feel this is one of the great accounts of "Das Lied." Ludwig is at her most musicianly, and Wunderlich's beautiful voice is yet another sad reminder of what was lost by his early death. I heard him live just once, in a 1966 " Magic Flute," where he was even better than in his studio recording with Bohm. Klemperer opts for some stately tempos, but in general I find him far more sympathetic here than was his Mahler norm.

Is there a "definitive" recording? I don't feel that any one recording says it all in this extraordinary music. I grew up with the old Walter/Vienna recording with Kathleen Ferrier & Julius Patzak - the original London LPs still sound far sweeter and more natural than any of the later CD transfers. The problem there, for me, was the playing of the Vienna Philharmonic - the ensemble was at times distressingly poor. Walter's first one with Thorborg & Kullman was in some ways even better: both are preferable to the stereo version with Haefliger (very fine) and Mildred Miller (not so fine).

If I had to pick just three recordings for Ye Olde Desert Island, I would probably opt for the following:

1. Ferrier & Set Svanholm with Walter and the NY Phil. (1948), which is available in that orchestra's 10-disc CD set "The Mahler Broadcasts." This was, along with Mitropoulos's searing Mahler 6th, the best item in that set. Ferrier is even better than in her Vienna account - and Svanholm did the best singing I have ever heard from him.

2. The live 1939 recording with the Amsterdam Concertgebouw (Mengelberg's orchestra), conducted by Carl Schuricht. Kerstin Thorborg was the alto, even better here than she was in 1936 with Walter. Carl Martin Ohman was a true Heldentenor - I think his is the most masterly tenor account of all. The sound is rather antiquarian but adequate - mine is on a Minerva CD.

3. The Horenstein was recorded in concert (1972) with the BBC Northern Symphony. It features Alfreda Hodgson and John Mitchinson. Both singers do a wonderful job, but the real star is Horenstein - his is the most eloquent exposition of the orchestral part I have ever heard. Late in life, Horenstein remarked that his greatest regret about dying was that he would never be able to hear "Das Lied von der Erde" again. This is a very special, tremendously moving account. It is the one stereo version that I would recommend without qualification.

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5.0étoiles sur 5 One of THE best Mahler recordings ever!, Déc 16 2003
Par John Dziadecki (Louisville, CO USA) - Voir tous mes commentaires
(REAL NAME)   
Everyone has their own opinion of which Mahler "Erde" is best. The Walter/Ferrier/Patzak/VPO is brilliant and I wouldn't want to be without it. It was my first exposure to "Erde" and recorded beautifuly in magnificent mono. Bernstein/Fischer-Dieskau/King/VPO is fabulous. If you prefer baritone to alto, this is definitely the best. Bernstein knows Mahler and this recording proves it. Both have been remastered in recent years and sound better than ever.

I've heard many recordings of this moving work over the years but I find I keep coming back to Klemperer. The Klemperer recording is rich, broad and expansive. The remastered sound is fresh and clear. The VPO is marvelous. Klemperer balances the orchestral forces and the vocalists admirably. Wunderlich and Ludwig pour their soul into the libretto. The music envelopes the listener. This is a transcendant experience.

A great recording of the century indeed. Mahler at his finest. Most highly recommended.

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5.0étoiles sur 5 ONE OF THE TWO BEST, Sep 27 2003
One of Mahler's darkest and sadest works finds here its definitive recording.

Klemperer as always conducts with slow, deeply profound and expressive tempi and manages to create an atmosphere of shadows in the darkest forest...

Fritz Wunderlich shines like a true gem of the lyrical tenor he was.

Christa Ludwig will indeed make you think you are listening to one of the most important Interpreters ever... Her voice reminds you of a Shining Crystal underneath of which lies Black Velvet. Her musicianship is UNSURPASSED, her feeling for the composer's style is unmistakable and her vocal colors are the darkest and subtlest ever. Indeed she makes an Unforgettable "duet" with Klemperer's orchestra and together they make one of the Best Recordings of the 20th century. In this kind of singing you do not need to understand the words at all. Ludwig is so expressive first in Einsam in Herbst (The Lonely one in Autumn) and then in Der Abschied (The Farewell).

The other definitive rcording is the legendary Kathleen Ferrier/Bruno Walter one which surely stands besides this one and together they comprise two of the best recordings ver.

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Commentaires client les plus récents

5.0étoiles sur 5 Buy it!!!
I owned a recording of this work for some years! It was one of those medium priced Sony Classical recordings, I think that it was directed by Mehta. Read more
Publié le Avril 26 2003 par Julio Castro Karg

4.0étoiles sur 5 Charming , but not the best
I have heard a few interpretations of "Lied von der Erde," with Michael Schade/Boulez, Rene Kollo/Bernstein, James King/Bernstein, etc. Read more
Publié le Mars 19 2003 par carol France

5.0étoiles sur 5 A stunner
This Great Recording is a stunner. The incomparable Fritz Wunderlich with the incomparable Christa Ludwig. Read more
Publié le Déc 29 2002 par dan

5.0étoiles sur 5 Mahler ohne Schmaltz
I'm 55 now so I calculate I've listened to this performance for 3/4 of my life. When I was 16 or 17, I first bought the Bruno Walter performance with Mildred Miller and Earnst... Read more
Publié le Mars 14 2002 par Dennis R. Winter

5.0étoiles sur 5 the best
I've heard several recordings of this and I must say none touch this one. I had this on records for such a long time and I finally upgraded to CD. Read more
Publié le Janv. 28 2002 par Baker Sefton Peeples

5.0étoiles sur 5 A truly Great Recording of the XX. Century
If a recording truly does honour to EMI's "Great Recordings of the Century" collection it is certainly this one. Read more
Publié le Oct. 22 2001 par Plaza Marcelino

5.0étoiles sur 5 Suicide Music
"Will it make people want to do away with themselves?" Herr Doktor Gustav Mahler (1860-1911) asked his assistant conductor the highly esteemed Herr Doktor Bruno Walter... Read more
Publié le Mars 26 2001 par catherine guelph

5.0étoiles sur 5 A very fine version
Great voices for a great piece. It is great to have two singers of an equal standard. Christa Ludwig and Fritz Wunderlich have gorgeous voices that are well matched and... Read more
Publié le Jui 27 2000

5.0étoiles sur 5 Amazing....
A real Mahlerite should have both this and the Bruno Walter version of the work....But if you want just one...or don't know were to begin, this is it ! Read more
Publié le Jui 20 2000 par José Eduardo

5.0étoiles sur 5 Deeply moving and inspired
It is rare for everything to come together as it has on this performance. The interpretation from Klemperer shows him at his finest. Read more
Publié le Déc 23 1999 par Satoshi Akima

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