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Piano Concertos Op. 13
 
 
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Piano Concertos Op. 13

~ Johann Christian Bach (Composer), Anthony Halstead (Performer), Hanover Band (Performer)
5.0 out of 5 stars  See all reviews (1 customer review)

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Product Details
1. Piano Concerto Op. 13,1 In C Major: Allegro
2. Piano Concerto Op. 13,1 In C Major: Rondeau: Allegretto
3. Piano Concerto Op. 13,2 In D Major: Allegro
4. Piano Concerto Op. 13,2 In D Major: con spirito
5. Piano Concerto Op. 13,2 In D Major: Andante - Allegro non tanto
6. Piano Concerto Op. 13,3 In F Major: Allegro con brio
7. Piano Concerto Op. 13,3 In F Major: Rondeau: Allegro
8. Piano Concerto In E-Flat Major: Allegro
9. Piano Concerto In E-Flat Major: Andante
10. Piano Concerto In E-Flat Major: Andante - Rondeau: Tempo di Minuetto
On this CD:
  1. Keyboard Concerto in C major, Op.13/1, T295/1
    Composed by Johann Christian Bach
    with Anthony Halstead, Hanover Band

  2. Keyboard Concerto in D major, Op.13/2, T295/1
    Composed by Johann Christian Bach
    with Anthony Halstead, Hanover Band

  3. Keyboard Concerto in F major, Op.13/3, T295/1
    Composed by Johann Christian Bach
    with Anthony Halstead, Hanover Band

  4. Keyboard Concerto in E-flat major, Op.13/6, T295/1
    Composed by Johann Christian Bach
    with Anthony Halstead, Hanover Band

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5.0 out of 5 stars Now we know why Mozart admired JC Bach so much., Mar 5 2003
By Chaconnesque "chaconnesque" (Singapore, Singapore Singapore) - See all my reviews
These concertos were written for the fashionable public in London and Paris in the mid-1770s. As such they had to be 'popular' in style. But nonetheless it takes a master of JC Bach's stature to make them stand out even amongst other 'trifles' of the period. Here are more than just glimpses of the future Mozart. The works are the foundation on which Mozart was to build his series of Viennese concertos of the 1780s. Taken on their own, they are immensely enjoyable and do not deserve their current neglect. JC Bach was a pioneer who broke with the old North German style of his father and brothers to embrace and perfect the new Italianate Galant style, in which he was unequaled and which Mozart was his successor.
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