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Number 17/Ring
 
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Number 17/Ring

Starring: Carl Brisson, Lillian Hall-Davis Director: Alfred Hitchcock
2.8 out of 5 stars  See all reviews (5 customer reviews)

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2 used from CDN$ 2.20

Product Details


Product Description

On the DVD

Introduction by Tony Curtis
Bonus clip of the original theatrical trailer from Hitchcock's 1953 film, I Confess, with Montgomery Clift, Anne Baxter and Karl Malden
Digitally mastered from the best available sources for the highest quality possible


DVD Menu

  • Side #1 --
    • Number Seventeen
    • The Ring
    • Scene Index
      • Number Seventeen
      • The Ring
    • Subtitles
      • Spanish
      • Japanese
      • Chinese
      • Subtitles: Off
    • Bonus Trailer
    • Tony Curtis Intro

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Customer Reviews

5 Reviews
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Average Customer Review
2.8 out of 5 stars (5 customer reviews)
 
 
 
 
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3.0 out of 5 stars Marred by poor technical quality, April 15 2004
By L. F. Bailey (Leeds United Kingdom) - See all my reviews
(REAL NAME)   
Laserlight claim to have used the best available source material for the "best possible" transfer to DVD. I find this hard to believe. The picture lacks black/white contrast, is noticeably cropped and slightly rotated in the field of view. If you can get hold of a UK Universal copy of 'Number 17', you won't have any of these problems. (American readers beware that if you get a UK video it will be in PAL VHS format.) I haven't seen any other copy of 'The Ring', but I suspect the same criticism will hold.

I rather like both these films. The Ring is very much a 1920s period-piece, but Hitchcock throws in occasional odd filming angles that seem ahead of their time. Number 17 does have a plot (despite disbelief elsewhere!), and there's a summary on the box. The scene where the hero and heroine are handcuffed to the bannister of a gallery in the Number 17 house is very Hitchcock. Worthwhile, but it needs a better transfer than this.

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3.0 out of 5 stars Interesting, to say the least...., Feb 6 2003
By melvin (Central Il) - See all my reviews
I tend to dwell more on the technical side of the these Hitchcock Laserlite DVDs, than the movies themselves and this one may end up being that way for no better reason than the fact that this movie is just plain confusing! My recent viewing of the film "Number 17" was only the second time I'd ever seen it and I can easily assure any reader of this essay that I am more confused than I was after the first viewing. I can't decribe the plot because I don't really know what's going on. It starts with a tramp and a seeming gentleman finding a dead body in an old house, then the victim's daughter happens upon the two men, the body disapears, some jewel theives come to the house and cause havoc, then somehow they all (including the dead man who's not dead) end up in a train which leads to the grand finale: a chase between the train and a tour bus that comes out of nowhere. The special minerature effects at the end have often gotten flack for looking fake, but I believe now, as I did with my first viewing, that they don't look any worse than King Kong's stop motion animation on top the Empire State Building.

The second feature, "The Ring," is a lesser known and surprisingly entertaining Hitchcock silent drama about a circus ticket girl torn between two potential lovers: one a prize fighter, the other his sparring partner who happens to be the only man that can beat him. The plot sounds typical and forgettable, but don't let that fool you. Hitchcock adds a lot of very innovative visual flair to the film and the acting is pretty passionate not overly dramatic as a lot of silent acting performances tend to be.

The DVD transfer of "Number 17" is fair. The sound is full of annoying hiss which can be reduced by turning off the surround sound and turning up the bass up on your stereo, the contrast is annoyingly jumpy (too bright in some scenes and too dark in others,) however, it does remain flat for the most part, which is better than scenes being washed out all the time like some film transfers. Of "The Ring," I understand that not everyone can handle the silent treatment, but the intelligently chosen mucial accompaniment by Laserlite makes the movie an easy one to get through, even though the film was transferred at a slow speed, making the movie about 15 miutes longer than it was intended to be.

Rumor is Hitchcock was forced to do "Number 17" and even though it's far from his best film, it's almost just as far from his worst film too, and since it's obscure enough that it probably wont get a full-on restoration any time soon, it deserves a better treatment than what Laserlite has given it. But, to Laserlite's defense is the fact that they didn't have to release it at all and the low price tag on the disc plus the addition of "The Ring" makes it a good collectible for the budget-minded Hitchcock nut.

3 stars to Hitchcock for his confusing but, at times, entertaining film "Number 17," and his entertaining Silent treat "The Ring" and 3 stars to Laserlite for trying but not trying harder.

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3.0 out of 5 stars Fun with Alfred, Nov 30 2002
By Daryl Stenhouse (LAUNCESTON, TAS Australia) - See all my reviews
(REAL NAME)   
I haven't seen The Ring - these comments apply to Number 17. This feels like a series of short films, each with their own texture, rather than a coherent whole. The opening sequence is a demonstration of the power of silent film (with the right music) to create tension - nothing has happened yet, but the suspense climbs tremendously: classic Hitchcock! Later sections are more relaxed, and Hitchcock indulges in some jokes at the viewer's expense, before finishing off with a full-on action finale - and the shoddy special effects may have been part of Hitchcock's playfulness. I really think he had a great time making this film, and I had a great time watching it.
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Most recent customer reviews

3.0 out of 5 stars You Decide
I'm going to sit right in the middle of the fence on this one. I rather like Number 17 despite its all-too-apparent flaws. Read more
Published on Oct 22 2000 by J. Center

2.0 out of 5 stars Oh Dear
'Number 17' is surely a contender for Hitchcock's worst ever film. Good points? Well I suppose it is of interest to Hitchcock enthusiasts and to any die-hard early British film... Read more
Published on Jun 27 2000 by E. Parsons

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