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Saving Private Ryan (Widescreen)
 
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Saving Private Ryan (Widescreen)

Avec : Tom Hanks, Tom Sizemore Réalisateur : Steven Spielberg MPAA Rating: R
4.3étoiles sur 5  Voir tous les commentaires (1,127 évaluations de client)

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Saving Private Ryan (Widescreen)
72% buy the item featured on this page:
Saving Private Ryan (Widescreen) 4.3étoiles sur 5 (1,127)
Saving Private Ryan
16% buy
Saving Private Ryan 5.0étoiles sur 5 (1)
CDN$ 21.49
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Les détails du produit


Descriptions du produit

Additional Features

This "special edition" contains the 25-minute featurette Into the Breach. Besides interviews with the film's actors, there are interviews with D-day veterans and World War II historian Stephen Ambrose. Real D-day footage is edited together with scenes from the film that have been changed to black and white. The highlight is a glimpse of Steven Spielberg's early films. Using his dad's camera and his friends, the teenage Spielberg made two relatively impressive short war films, Escape to Nowhere and Fighter Squad. There are also home movies his dad made while stationed in the Pacific and a short visit with the Nilands, a family that lost four brothers during the war. --Doug Thomas


Amazon.com Essential Video

When Steven Spielberg was an adolescent, his first home movie was a backyard war film. When he toured Europe with Duel in his 20s, he saw old men crumble in front of headstones at Omaha Beach. That image became the opening scene of Saving Private Ryan, his film of a mission following the D-day invasion that many have called the most realistic--and maybe the best--war film ever. With 1998 production standards, Spielberg has been able to create a stunning, unparalleled view of war as hell. We are at Omaha Beach as troops are slaughtered by Germans yet overcome the almost insurmountable odds.

A stalwart Tom Hanks plays Captain Miller, a soldier's soldier, who takes a small band of troops behind enemy lines to retrieve a private whose three brothers have recently been killed in action. It's a public relations move for the Army, but it has historical precedent dating back to the Civil War. Some critics of the film have labeled the central characters stereotypes. If that is so, this movie gives stereotypes a good name: Tom Sizemore as the deft sergeant, Edward Burns as the hotheaded Private Reiben, Barry Pepper as the religious sniper, Adam Goldberg as the lone Jew, Vin Diesel as the oversize Private Caparzo, Giovanni Ribisi as the soulful medic, and Jeremy Davies, who as a meek corporal gives the film its most memorable performance.

The movie is as heavy and realistic as Spielberg's Oscar-winning Schindler's List, but it's more kinetic. Spielberg and his ace technicians (the film won five Oscars: editing (Michael Kahn), cinematography (Janusz Kaminski), sound, sound effects, and directing) deliver battle sequences that wash over the eyes and hit the gut. The violence is extreme but never gratuitous. The final battle, a dizzying display of gusto, empathy, and chaos, leads to a profound repose. Saving Private Ryan touches us deeper than Schindler because it succinctly links the past with how we should feel today. It's the film Spielberg was destined to make. --Doug Thomas


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L'avis des consommateurs

1,127 évaluations
5 étoiles:
 (771)
4 étoiles:
 (123)
3 étoiles:
 (88)
2 étoiles:
 (64)
1 étoiles:
 (81)
 
 
 
 
 
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4.3étoiles sur 5 (1,127 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
1 internautes sur 1 ont trouvé ce commentaire utile :
2.0étoiles sur 5 Downright stupid, Nov. 8 2001
This review is from: Saving Private Ryan (VHS Tape)
This movie, like many American productions (with the notable exception of "Full Metal Jacket" and some parts of "Platoon"), is a farce.

First of all, many scenes of combat are totally unrealistic. I could produce a long list of inconsistencies, but I shall content myself with mentioning the obvious ones. The first 20 minutes are very well shot with hand-held cameras and represent the best part of the movie, but even then the shifting fortunes of the fight are conveyed showing only American losses at the beginning, then -- after the destruction of the main bunker -- only German ones. There usually was no hand-to-hand combat in the trenches. In one of the most ludicrous scenes, a wall crumbles and two groups of soldiers - one American and one German - caught in the act of planning strategy in adjacent rooms, look at each other and challenge the enemy to surrender for long seconds before somebody starts firing. This is science fiction, point.

The final battle in the town brings in the worst of the movie. No competent German commander would move two Tiger tanks straight in the town (where every window could hide a sniper armed with AT weapons), in violation of basic WWII tactics. After entering the town, the German squads usually advance in a single row, at minimal distance from each other and without providing suppression fire, allowing the Americans to mow them down. Spielberg even provides the viewer with a furious hand-to-hand fight with drawn blades between an American and a German soldier, rolling on the floor in a death embrace - he could supply them with swords, shields and maybe a few spells to cast at each other, and his effort of imagination would be complete. The ways the Tiger tanks are destroyed are also unrealistic.

If that were all, the movie would only be childish and unrealistic. But, typically, Spielberg has the vulgarity to convey a moral message (rather than encouraging the viewer to formulate his own answers). He purports to convey two kinds of
myths: a pacifist and an anti-nationalsocialist one. That he does in a most insipid way, reviving the standardized stereotype of the "plebeian hero", or, to express the same concept in different words, the "citizen soldier" celebrated by another popular historian and upholder of the religion of human rights & mass democracy, Stephen E. Ambrose.

The standard American tactic in France consisted in withdrawing their troops at the slightest sign of serious resistance, levelling the area with fighter-bombers and artillery, and then advancing on the rubbles. That would be a realistic portrayal of war on the Western Front, but, of course, it would hardly be a celebration of the virtues of the American crusaders, come "over there" to liberate their brethen from the chains of racism and
oppression. That's why the citizen soldiers - all ordinary people with no military traditions or special penchant for patriotism - suddenly discover extraordinary qualities of courage and willpower within their hearts, choosing to sacrifice their young lives in behalf of the Cause, and offering a (once more, totally unrealistic - in the real world fifty elite SS troopers armed with heavy equipment and supported by Tiger tanks would effortlessy wipe away Ryan's small detachment) long and hardened resistance, till the forces of Good - in the Happy End of standard Hollywood tradition - come and rescue the lone survivor.

I would like to compare this movie with Nazi or Communist (or -- Taleban!) propaganda - it's stupid, it's popular, it works in impressing moral feelings on the herd's minds. And has lots of expensive special effects and is commercially successful -- a typically American movie in true Spielberg fashion.

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5.0étoiles sur 5 Shocking, Nov. 22 2005
Par Un client
Shocking even for an ex infantry man...the first 20 minutes on the beaches of Normandy had me on the edge of my sit with tears rolling down my face. I recall the anxiety I was feeling watching the soldiers get hammered on the French beach. It was a totally brilliant cinematic sequence which places you first person in the middle of a battle.
I truly beleive this is a must see for the younger generation who may not know what their grandparents/ great grandparents did to save the world from Nazi Germany 60+ years ago.
For the war movie fan you can't miss it.
One of the all time great war movies.
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4.0étoiles sur 5 extremely well done but americanized..., Fév 3 2005
Par H-F H "ghettohf" (Canada) - Voir tous mes commentaires
(TOP 1000 REVIEWER)   
spielberg has done what other directors should have done: not to be cliche.

at first, i was kinda perplexe: why would the army send an unit to retrieve a single guy? i found it very illogical with what was happening. if it was the case, they would have done a lot of those kind of missions, which would have been even more illogical.

battle scenes do not have music score (which is what others should have done) and we see what we would have seen in real combat: horror of war. nothing clean or any platoon leader think he's the best like those '60s war movie.

it is also very americanized with the american flag at the beginning and at the end. it is a tribute to the american effort of the war but it also makes a small felling that lowers the effort of all the other allies: british, canadian, french resistance, chinese, australians and so on, because the flag makes you focus on USA (especially the amount of time your looking at the flag).

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5.0étoiles sur 5 All you people who complain don't appreciate what this movie is and you don't appreciate the soldiers who died!
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