Amazon.com essential recording
If you need some pointy-headed pundit to sell you on the merits of
Pet Sounds, your money might be better spent on an ear specialist. Brian Wilson's gift to 20th-century music elevated this pop album into a beguiling musical and emotional cogency that still operates outside pop culture's fickle space-time continuum--and limited critical lexicon. There's never been another record to compare (
Rubber Soul, its inspiration, is close;
Sgt. Pepper's, its response, misses the point), and certainly no album has been as dissected, overanalyzed, and predigested for public consumption. In 1997 Capitol Records devoted an entire four-disc box set,
The Pet Sounds Sessions, to its thorough deconstruction. The techno-marvel centerpiece of that project--the album's first true stereo mix, painstakingly conjured out of multitape session sources by producer-engineer Mark Linett (under Wilson's supervision)--was at once heresy and revelation. Now the label has gratifyingly seen fit to offer both mixes on a single disc (along with alternate versions of "Hang On to Your Ego," the original title of "I Know There's An Answer"), an idea that should please the orthodox and heretics alike. And while the album has always clearly been The Brian Wilson Show featuring the Beach Boys, David Leaf's concise new notes attempt to be more inclusive of a wider band perspective. The result (three of the five band members claim credit for the album title) sometimes resembles
Rashomon. If
Pet Sounds forever crystallized the band's various creative (in)differences, it also became Wilson's grand karmic joke on his band mates; its burgeoning reputation (
Mojo magazine's panel of pop experts once elected it greatest album of all time) guaranteed they would sing its songs--and praises--until the end. And if putting two different versions of the same album on one disc seems like overkill, look at the bright side: it's a perfect excuse to listen to the glorious
Pet Sounds twice.
--Jerry McCulley
Un Essentiel Amazon.fr
Le disque de référence pour tout vrai amateur de pop music. Paul McCartney l'a d'ailleurs offert à chacun de ses enfants, c'est dire ! En 1966, les Beach Boys sont les rois de la musique surf mais leur leader génial, Brian Wilson, jaloux des Beatles et de leur album
Rubber Soul ne se satisfait plus de cette suprématie plutôt vaine; il laisse le groupe tourner sans lui et se consacre à la composition de véritables symphonies pour adolescents. "Caroline No", "God Only Knows","You Still Believe In Me" : toutes ces merveilles sont à des années lumière des chansons à succès de l'époque, elles doivent plus à des compositeurs comme George Gershwin et Burt Bacharach ou au producteur Phil Spector qu'à Chuck Berry, l'influence initiale des Beach Boys. Après avoir chanté la plage et les voitures, Brian Wilson aborde de nouveaux thèmes, plus adultes et plus spirituels : la place de l'artiste, Dieu, la durée d'un amour... même une chanson anodine et légère comme "Sloop John B", classique du folklore américain, atteint des sommets de perfection, embellie par des harmonies vocales et des contrepoints orchestraux d'une rare finesse. Tout concourt à faire de ce disque un chef-d'œuvre indispensable.
--Hubert Deshouse
~ Marvin Gaye
~ Brian Wilson
~ Clash
~ Bob Dylan
~ Bob Dylan
