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Sym 3/Happy Forest
 
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Sym 3/Happy Forest

~ Arnold (Sir) Bax (Composer), David Lloyd-Jones (Conductor), Royal Scottish National Orchestra (Orchestra)
4.4 out of 5 stars  See all reviews (8 customer reviews)
Price: CDN$ 6.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Usually ships within 4 to 6 weeks.
Ships from and sold by Amazon.ca. Gift-wrap available.

10 new from CDN$ 5.92 3 used from CDN$ 5.99

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Sym 3/Happy Forest + Sym 5/Tale the Pine Trees Knew + Sym 2/November Woods
Price For All Three: CDN$ 20.97

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  • This item: Sym 3/Happy Forest ~ Arnold (Sir) Bax

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  • Sym 5/Tale the Pine Trees Knew ~ Arnold (Sir) Bax

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  • Sym 2/November Woods ~ Arnold (Sir) Bax

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Product Details


1. Symphony No. 3: Lento moderato - Allegro moderato - Allegro feroce - Lento moderato - Allegro moederato - Piu lento - Allegro
2. Symphony No. 3: Lento
3. Symphony No. 3: Moderato - Epilogue: Poco lento
4. The Happy Forest: Nature Poem For Orchestra

On this CD:
  1. Symphony No.3
    Composed by Arnold (Sir) Bax
    Performed by Royal Scottish National Orchestra
    Conducted by David Lloyd-Jones

  2. Happy Forest, tone poem for orchestra
    Composed by Arnold (Sir) Bax
    Performed by Royal Scottish National Orchestra
    Conducted by David Lloyd-Jones


Product Description

From Amazon.co.uk

Here's an irresistible opportunity to acquaint yourself with one of the most loveable of all British symphonies in a finely engineered performance of infectious dedication and impressive power. Bax completed the Third of his seven symphonies in early 1929. It's one of his very best scores, crammed full of bewitchingly beautiful melody (nowhere more so than in the wonderfully serene epilogue with which the work closes) and thrillingly evocative of the rugged coastline and mountains in and around Morar (Bax's Scottish winter retreat). David Lloyd-Jones's bright-eyed interpretation is, on balance, the most satisfyingly lucid since Sir John Barbirolli's wartime premier recording with the Hallè. Moreover, the Royal Scottish National Orchestra rise to the challenge with unstinting fervour and impressive polish. For a fill-up we get a enjoyably robust, at times boisterous reading of the earlier, toothsome tone-poem The Happy Forest, its gorgeous central portion lacking just a fraction in rapt wonderment. Overall, though, yet another British music winner from Naxos, and an absolute must at the price. --Andrew Achenbach

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Customer Reviews

8 Reviews
5 star:
 (6)
4 star:    (0)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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5.0 out of 5 stars The best contemporary recording, April 17 2004
David Lloyd-Jones gives a commanding and sensitive performance of the 3rd Symphony. It flows easily, sensitive in delicate moments, rising to passion and vehemence in the climaxes. His tempi and treatment are closest to the Barbirolli interpretation on Dutton transferred from 78s - obviously not the definitive recording but definitive performance in my view, as Bax and Barbirolli were great friends. Lloyd-Jones fully captures the magic of the second movement and the lyrically beautiful, if simple, epilogue to the third movement. He also brings off the contrast and tension between moments of respite and violent outbursts, characterising this sympony, with finesse.
This is a superior performance to Bryden Thompson's with his well-known quirky tempi (he managed to make Elgar's 2nd Symphony last 1/4 hour longer than anyone elses - now thankfully deleted). Thompson makes a complete hash of the third movement, his tempi bear no resemblance to Bax's score markings. Further, Thompson's rendering was recorded in a venue with almost a cathedral acoustic - fine for works conforming to early harmonic principles but far too blurry for chromatically romantic composers such as Bax. It almost sounds like Bax played in the Sistine Chapel without its drapes.
So, for sheer value for price, the Lloyd Jones performance is outstanding.
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2.0 out of 5 stars buy Bryden Thomson's version, Jan 29 2002
I'm sorry to disagree, but this is a great symphony, agruably Bax's best, in a mediocre performance and murky recording. Especially disappointing is the all important third movement.

The standard against which all performances must be judged is Bryden Thomsons Chandos version, followed by the recently reissued Dutton Barbirolli from 60 some years ago. The latter is a very different perfomance, marred some by the technical quality of this mono recording, entirely understandable for it's age.

The chief virtue of this Naxos recording is it's price.

Maybe people who haven't heard Bax before will but it, like it and go on the the magical, mystical, crystal clear Thomson recordings of the Bax symphonies.

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5.0 out of 5 stars Bax would have approved of this!, Aug 11 2001
By "wilde-one" (Provence, France) - See all my reviews
Bax's third symphony is not an easy work; it is full of tempo changes and subtle rubati that make the job of the conductor difficult. From the interpretation viewpoint, it is compounded by the total absense of metronome markings in the score.

David Lloyd-Jones does an excellent job. But what persuades me about his version is that it most closely approximates John Barbirolli's interpretation back in the early 1940s. Bax had heard this symphony performed many times in the 1930s (it was famous enough for the British Council to award it a recording grant); he was a friend of Barbirolli and it is fair to say that Barbirolli's version closely met with Bax's approval.

Lloyd-Jones' reading is certainly an improvement over the quirky, idiosyncratic version put out by Bryden Thomson (and recorded in an echoing acoustic that makes a mess of Bax's harmonic rhythm (and even the physical rhythm where it counts in the first and third movements). It is also better than Downes' impersonal, passion-free version back in the 1970s where he succeeds in completely losing any sense of climax. This work is torn between angry outbursts and long periods of respite and reflection, and Lloyd-Jones has the right touch to bring this off. He does not lose the climax of the first movement which everyone else seems to and he maintains the tensions such that those moments of tranquil feel well-earned. The Epilogue (which almost amounts to a 4th movement), like the opening of the second movement, is magical. What's even more magical is the price.

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Most recent customer reviews

5.0 out of 5 stars Splendid Conductorial Control
Two or three of Sir Arnold Bax's (1883-1953) big works suffer from the embarrassment of a too-complicated first movement. Read more
Published on Oct 5 2000 by Thomas F. Bertonneau

5.0 out of 5 stars Worth value, if just for the first movement
The first movement of the 3rd symphony justifies the investment on the CD

The music is so distant, and at the same time so close, that drives you into the description. Read more

Published on Jun 1 2000 by Santiago Barcon

5.0 out of 5 stars Very fine performances at a superb price.
Sir Arnold Bax's symphonies have been a tough nut to crack for some. The lush late romantic melodies and fine ear for orchestration are ever present but they must be handled... Read more
Published on May 12 2000 by NNNNN

3.0 out of 5 stars Bax Symphony No3 & 'The Happy Forest'
It seems only a few years ago when Arnold Bax was considered to be an unfashionable and neglected composer. Read more
Published on Feb 19 2000 by K. Farrington

5.0 out of 5 stars Fabulous tone painting
Probably the most famous example of literary landscape painting is the opening chapter of "The Return of the Native. Read more
Published on Feb 15 2000 by F. Behrens

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