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Operettas
 
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Operettas [Import]

~ Stefan Wolpe (Composer), Werner Herbers (Conductor), Franziska Hirzel (Performer), Harry van der Kamp (Performer), Michael Kraus (Performer), et al.
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Product Details


1. Zeus und Elika, Op. 5a: Charleston
2. Zeus und Elika, Op. 5a: Uberleitung
3. Zeus und Elika, Op. 5a: Tango
4. Zeus und Elika, Op. 5a: Boston
5. Zeus und Elika, Op. 5a: Rezitativ I
6. Zeus und Elika, Op. 5a: Uberleitung
7. Zeus und Elika, Op. 5a: Foxtrott (jazz-duett)
8. Zeus und Elika, Op. 5a: Rezitativ II
9. Zeus und Elika, Op. 5a: Coda
10. Zeus und Elika, Op. 5a: Konzert mit Variationen
11. Zeus und Elika, Op. 5a: Uberleitung
12. Zeus und Elika, Op. 5a: Blues (solo und duett mit chor)
13. Zeus und Elika, Op. 5a: Fortsetzung
14. Zeus und Elika, Op. 5a: Rezitativ III
15. Zeus und Elika, Op. 5a: Csardas
16. Zeus und Elika, Op. 5a: Stretta
17. Zeus und Elika, Op. 5a: Coda (potpourri)
18. Schone Geschichten, Op. 5b: Wissenschaft
19. Schone Geschichten, Op. 5b: Religion oder die Geschichte von der Begegnung mit dem lieben Gott
20. Schone Geschichten, Op. 5b: Recht oder die Geschichte vom Herrn Tannenbaum
See all 27 tracks on this disc

On this CD:
  1. Zeus und Elida, musical grotesque for soloists, speaker, chorus & orchestra, Op. 5a
    Composed by Stefan Wolpe
    with Franziska Hirzel, Harry van der Kamp, Michael Kraus
    Conducted by Werner Herbers

  2. Schöne Geschichten, chamber opera, Op.5b
    Composed by Stefan Wolpe
    with Daniel Reuss
    Conducted by Werner Herbers

  3. Blues - Stimmen aus dem Massengrab - Marsch, for chorus & orchestra
    Composed by Stefan Wolpe
    Conducted by Werner Herbers


Product Description

From Amazon.co.uk

Better known for the prickly avant-garde works of his later American career, Stepan Wolpe had a disreputable youth in the surrealist cabarets of Weimar Berlin, a time when everyone tried at least some of the time to write like Weill, Eisler or Hollander. The two longer pieces here--a vaudeville in which the god Zeus comes to Potsdam Square and tries to pick up a particularly laid-back whore, and a series of short sketches in which everything from knowledge to love to patriotism is shown as corrupted by lazy bourgeois thinking--are more effective theatrically than musically, being more spoken than sung, with accompaniment that is typical of a time and place as much entirely memorable. These are fine pieces which deserved rediscovery; the real find here though is the anti-war "Stimmen aus dem Massengrab" which is a fine piece of anguished protest-writing, bracketed with two fine little genre pieces in which Wolpe entirely gets into the spirit of his time. --Roz Kaveney

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