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Nocturnes/Iberia/Faun/Claire D

~ Claude Debussy (Composer), Leopold Stokowski (Conductor), Leopold Stokowski Symphony Orchestra (Orchestra), London Symphony Orchestra (Orchestra), L'Orchestre National de la Radiodiffusion Francaise (Orchestra), et al.

5.0 out of 5 stars See all reviews (2 customer reviews)

Price:	CDN$ 15.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details

Performer: Julius Baker
Orchestra: Leopold Stokowski Symphony Orchestra, London Symphony Orchestra, L'Orchestre National de la Radiodiffusion Francaise
Conductor: Leopold Stokowski
Composer: Claude Debussy
Audio CD (Nov 7 2000)
SPARS Code: ADD
Number of Discs: 1
Label: Angel
Run Time: 62 minutes
ASIN: B00004TIPT

Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)

Amazon.ca Sales Rank: #14,711 in Music (See Bestsellers in Music)
Popular in these categories:
#50 in Music > Classical > Historical Periods > Modern, 20th, & 21st Century > Forms & Genres > Symphonies
#51 in Music > Classical > Featured Composers, A-Z > ( D ) > Debussy, Claude

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1. Prld A L'Apres-Midi D'un Faune - Julius Baker

2. Trois Nocturnes: I. Nuages - LSO/Leopold Stokowski

3. Trois Nocturnes: II. Fetes - LSO/Leopold Stokowski

4. Trois Nocturnes: III. Sirenes - LSO/Leopold Stokowski

5. Ste Bergamasque: Clair De Lune - Leopold Stokowski SO/Leopold Stokowski

6. Images Pour Orch: Iberia, No.2: I. Par Les Rues Et Par Les Chemins - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski

7. Images Pour Orch: Iberia, No.2: II. Les Parfums De La Nuit - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski

8. Images Pour Orch: Iberia, No.2: III. Le Matin D'un Jour De Fete - L'Orch Nat De La Radiodiffusion Francaise/Leopold Stokowski

On this CD:

Pr�lude � l'apr�s-midi d'un faune (Prelude to the Afternoon of a Faun), for orchestra, L. 86
Composed by Claude Debussy
Performed by Leopold Stokowski Symphony Orchestra
with Julius Baker
Conducted by Leopold Stokowski
Nocturnes, for female chorus & orchestra, L. 91
Composed by Claude Debussy
Performed by Leopold Stokowski Symphony Orchestra, London Symphony Orchestra
Conducted by Leopold Stokowski
Suite bergamasque, for piano, L. 75 Clair de Lune
Composed by Claude Debussy
Performed by London Symphony Orchestra
Conducted by Leopold Stokowski
Ib�ria, for orchestra, L. 122/2
Composed by Claude Debussy
Performed by L'Orchestre National de la Radiodiffusion Francaise
Conducted by Leopold Stokowski

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Customer Reviews

2 Reviews

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1 of 1 people found the following review helpful:

5.0 out of 5 stars very distinctive Debussy!, Aug 10 2002

By	R. J. Claster "rjclaster" (Van Nuys, CA United States) - See all my reviews (REAL NAME)

The word that most readily comes to mind for me to describe these performances (in full bodied early stereo sound) is passionate. No detachment or distancing a la Boulez but instead, a very overt engagement with both the sensual aspects of the music, as in his performance of the Prelude to the Afternoon of a Faune, the Three Nocturnes and the slow movement of Iberia, and the fiery ones, as in the first and third movements of Iberia. Only Munch's Debussy has the same degree of overt emotionality, though with a more Berlioz like nervous intensity instead of the molten sensual flow of Stokowski. A definite recommendation for both Stokowski and Debussy lovers.

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1 of 1 people found the following review helpful:

5.0 out of 5 stars Sublime Stokie!, Nov 26 2000

By	"jdflynnno" (New Orleans, LA) - See all my reviews

When it comes to creating orchestral magic, there really was no else like Leopold Stokowski. With an orchestral master like Debussy, this is a match made in heaven. These old Capitol recordings from the late 1950s are a pure delight. Julius Baker's flute on "Prelude" is in a class by itself, and although I prefer Boulez's recent DG recording of "Nocturnes", Stokowski's performance is wonderful just the same with otherworldly BBC Women's Chorus singing in the third movement. The recording, naturally for Stokowski, is in excellent 1950s stereo and not a hiss is to be found. Stokowski's transcription of "Clair de Lune" is not too gooey, and "Iberia" has plenty of Spanish sizzle. Debussy fans might have their more favorite conductors, but Stokowski shows once again there were few pieces of music (Mahler, for example) he couldn't make his own. Anyone interested in Debussy and/or Stokowski should not hesitate.

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