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Carmen-Comp Opera
 
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Carmen-Comp Opera [Import]

~ Georges Bizet (Composer), Sir Thomas Beecham (Conductor), Jean-Christophe Benoit (Performer), Ernest Blanc (Performer), Marcelle Croisier (Performer), et al.
4.5 out of 5 stars  See all reviews (6 customer reviews)

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1 new from CDN$ 243.12 2 used from CDN$ 161.85

Product Details


Disc: 1
1. Carmen: Prelude (Orchestre)
2. Carmen: Sur la place (Choeur - Morales - Micaela)
3. Carmen: Avec la garde montante (Choeur d'enfants - Morales - Jose)
4. Carmen: C'est bien la, n'est-ce pas (Zuniga - Jose)
5. Carmen: La cloche a sonne... Dans l'air, nous suivons des yeux la fumee (Choeur)
6. Carmen: Quand je vous aimerai? L'amour est un oiseau rebelle (Carmen - Choeur)
See all 14 tracks on this disc
Disc: 2
1. Carmen: Entr'acte
2. Carmen: Les tringles des sistres tintaient
3. Carmen: Messieurs, Pastia me dit
4. Carmen: Vivat ! vivat le Torero !
5. Carmen: Votre toast, je peux vous le rendre
6. Carmen: La belle, un mot
See all 14 tracks on this disc
Disc: 3
1. Carmen: Entr'acte
2. Carmen: Ecoute, ecoute, compagnon, ecoute
3. Carmen: Reposons-nous une heure ici, mes camarades
4. Carmen: Melons ! Coupons !
5. Carmen: Eh bien ?
6. Carmen: Quant au douanier, c'est notre affaire
See all 15 tracks on this disc


Product Description

From Amazon.com

As remastered for EMI's Great Recordings of the Century series, this classic 1959 Carmen sounds marginally better than its previous silver disc incarnation. Tape hiss is reduced, but without any compromise in residual overtones. A/B comparisons also tipped the scales in favor of the present reissue for newfound clarity and character among the lower-pitched instruments and the choral forces. Like many conductors of his generation, Beecham viewed Carmen as grand opera, instead of opera comique, and opted for the once-ubiquitous, now-discredited Guirard recitatives. But the great conductor's ebullient pacing and light-handed orchestral balancing galvanizes his splendid cast to idiomatic heights. Victoria de los Angeles gets under the skin of the complex title role as few mezzos have--so much so that it is easy to take for granted her alluring timbre and meticulous musicianship. Nicolai Gedda's ardent and alive Don José is vocally fresher but a tad less insightful than his 1964 remake partnering Callas. Well sung but less individually portrayed are Ernst Blanc's Escamillo and Janine Michaeau's Micaela. Carmen sets of more recent vintage offer more authentic presentations of Bizet's text, to be sure. Yet Beecham's theatrical flair still burns brightly and will enrich Carmen lovers who have yet to experience this delightful, ageless recording. --Jed Distler

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Customer Reviews

6 Reviews
5 star:
 (4)
4 star:
 (1)
3 star:
 (1)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.5 out of 5 stars (6 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
3.0 out of 5 stars Not enough SEX, Mar 11 2003
The good stuff: Nicolai Gedda is in absolutely glorious voice. His high spinto-like tone presents an alternative to the often gruff Don Joses one hears elsewhere. The voice here is fresher than on his recording with Callas. The duet with Micaela is superb.

The conducting and pacing by Beecham provides a sheen over the entire recording. But...

There is the matter of De Los Angeles. Normally, one of my favorite singers. Fabulous with Bjoerling in La Boheme and, especially, Madama Butterfly. Exquisite recording of Canteloube's Songs of the Auvergne. But the problem here is that she has no allure. Her slides in the Habenera are forced. Her attempts at sarcasm in singing fall flat. There is just nothing "sexy" about her.

There are two fine alternatives to this recording. The best all-around is Grace Bumbry, in the inexpensive Black Dog series. Now there is some "sexy" singing! And a big, buff Jon Vickers turned into a little lap dog by it! Mirella Freni is fine (if rather vanilla) Micaela. And their French is excellent.

If poor French doesn't bother you, Leontyne Price as Carmen is a revelation! Big chesty low tones, with a terrific "come on" appeal. Corelli is in fine voice. Best of all, Robert Merrill remains the best Escamillo ever recorded. Von Karajan takes a rather Wagnerian approach to the score, and it works very well.

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5.0 out of 5 stars Enjoy it!, Jun 11 2002
By "saskita" (Uruguay) - See all my reviews
Really I must say this verion of Carmen is one of the best ones If not the best.
Victoria de los Angeles portrays the character beautifully, even not having the dark timber that I like in Carmen her singing is just glorious and makes you feel that she is acting while she sings on the studio. A seductive Carmen with an exelent pronunciation of French by de los angeles.
I must say that Gedda is a very convincing Don Jose, you can really feel his suffering, one of the greatest with Corelli (althought his french is a disaster).

The one I loved too in this version is Blanc's Escamillo, showing the listener that the true hero in this opera is him and not Don Jose. Toreador song is exelently interpretated.

The one thing that didn't convinced me at all is Micheau's Micalea. She dosen't put all that tender in the carachter and sound at moment very weak, but still nice.

Beecham isn't my very first choice If you ask me in this Carmen but I must say that he does a great job. Maybe I found out the prelude to act free too fast and four very slow, as well as Carmen an Don Jose's last duet in act two. But the rest is Great job from the orchestra!!

Please enjoy, and listen to the Carmen cheerful and seductive in the first two acts by de los Angeles and not to the bad humorous Carmen's of other versions.
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5.0 out of 5 stars Still classic after all these years, Dec 6 2001
Beecham's conducting and the performance of Victoria de los Angeles in the title role raise this performance of this much-performed and recorded opera to the level of one for the ages. Both of them realize, as many others do not, that Carmen was and is a French as well as Spanish heroine in Bizet's incarnation, and that Carmen the opera was originally conceived as an _opéra comique_, not a grand opera. Thus, there is a lightness and even humor to their reading that makes the more starkly dramatic and violent moments all the more telling in contrast. Even the use of the tired Guiraud recitatives cannot detract from the validity of their basic conception.

Victoria de los Angeles has been described as "a Carmen in a thousand" and the description still holds true after more than four decades. She applies her naturally beautiful voice, untaxed by high notes, to create a bewitching, alluring heroine. She is well-supported by her male colleagues, Nicolai Gedda and Ernest Blanc; only Janine Micheau disappoints slightly, sounding too mature and vocally not altogether comfortable in her big third-act aria. All this is not to say that there are no other performances of Carmen worth hearing; but as a totality this one has stood the test of time and more.

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Most recent customer reviews

5.0 out of 5 stars "I love her to distraction," sings Escamillo the toreador.
Put this "Carmen" in your trolley and you'll become the owner of exactly what the packaging says, a "Great Recording of the Century". Read more
Published on Dec 8 2000 by John Austin

4.0 out of 5 stars A great Carmen. Blanc: an extraordinary surprise.
The star-system of Beecham (missing -of course- the swedish tenor Jussi Bjoerling) make an impressive performance of the Bizet's opera. Read more
Published on Aug 16 2000 by Arturo

5.0 out of 5 stars French unity of conception
Let's just start with saying that this is a wonderful 'Carmen'. And that is probably because everyone who was involved with this recording turned in stunning performances. Read more
Published on Aug 16 2000 by Mr JB

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