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Cyrano De Bergerac (1922)
 
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Cyrano De Bergerac (1922)

Avec : Angelo Ferrari, Umberto Casilini Réalisateur : Augusto Genina
4.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)
Prix éditeur: CDN$ 43.99
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Les détails du produit


Descriptions du produit

Video Details

The most beloved of all love stories! Edmond Rostand's play "Cyrano de Bergerac" was a triumph from the moment of its premiere on December 28, 1897. It has become the most popular play of the modern French theater, and Cyrano, despite an ugly visage dominated by an enormous nose, has become a world-beloved symbol of generosity, magnanimity of spirit and beauty of soul. In adapting "Cyrano de Bergerac" to the silent cinema, director Augusto Genina and scenarist Mario Camerini retained the beloved poetic language of Rostand's original work. The grandeur of costume, setting and action is captured not only in impressive staging and sensitive performances but also through the filmmakers' bold decision to present almost the entire work in the highly stylized and beautiful Pathe Stencil Color process. Three years were devoted to the by-hand coloring of "Cyrano de Bergerac," so that this 1922 film was not fully released until the Fall of 1925! With this beautiful release, this rarely-seen silent classic can take its place with the all-time greats!


Synopsis

This color film remained completely faithful to the play, down to its tragic ending. Being an Italian production, it was heavy on spectacle. Cyrano de Bergerac is one of the greatest swordsmen of 17th century Paris, but his courage, poetry, and wit can't make up for his grotesque nose. Although he is in love with his cousin, Roxanne (Linda Moglia), he keeps it a secret. The handsome Christian (Angelo Ferrari), however, is eager to declare his love for the fair Roxanne, but he doesn't have the gift for words that Cyrano does. So de Bergerac offers to help him out, and Christian wins her. Both men go to war, and Christian, who discovers that Cyrano loves Roxanne, allows himself to die in battle. Cyrano, however, still does not confess the truth. Roxanne herself finds out years later, after the former hero has been reduced to poverty. Cyrano dies of wounds he has received in a fight with his enemies. ~ Janiss Garza, All Movie Guide

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L'avis des consommateurs

2 évaluations
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4.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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4.0étoiles sur 5 Silent Cyrano Easily Holds Its Own., Sep 23 2001
Par Chip Kaufmann (Asheville, N.C. United States) - Voir tous mes commentaires
This review is from: Cyrano De Bergerac (VHS Tape)
I have always been attracted to the story of CYRANO DE BERGERAC. I first encountered it as a Classics Illustrated comic book in the early 60's (which I still have). Later there was the famous 1950 film with Jose Ferrer which appeared on television many times while I was growing up. In college I had the opportunity to read Edmond Rostand's original play (but not in French). Years later came Steve Martin's adaptation ROXANNE and finally the 1990 Gerard Depardieu film which for me is the definitive version. Now comes the 1925 Italian film which I first saw in 1996 shortly after it was released on video. This silent CYRANO can easily hold its own against the others. Of main interest is the incredible Pathe' Hand Coloring used which involves a variety of techniques including stencil coloring and hand painting. This is one of the few surviving examples of this lost art and is worth it alone just for that. But there is much more. The performance by Pierre Magnier as Cyrano is the heart and soul of the film as it needs to be. He strikes just the right balance of cocky arrogance and heart on sleeve romanticism. Linda Moglia and Angelo Ferrari are fine as Roxanne and Christian although there is little for them to do except advance the plot. The performances are remarkably free of the histrionics which are usually associated with silent films. Even Cyrano's "nose job" is understated and quite believable. The look of the film is ideal. You really feel as if you've been transported to the France of Louis XIII. The director Augustino Genina would later make Louise Brooks' last major film PRIX DE BEAUTE'. While the Depardieu vehicle remains the best version, the 1925 CYRANO DE BERGERAC provides an excellent alternative. One of the best introductions I know of to the art of the silent film. Contrary to what it says on the box, the film is subtitled in Spanish (not French) and English. The effective score by Carlo Moser sounds a little weak in performance. Perhaps that is why the ensemble is listed as the Alan Smithee Orchestra conducted by ALAN SMITHEE (the fictional name used when a director wants his/her name removed from a project).
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5.0étoiles sur 5 Phenominal color achievement, Déc 6 2000
Par James Middleton "The Animating Apothecary" (Battle Creek, MI USA) - Voir tous mes commentaires
(REAL NAME)   
Too often films of the silent era come to us in chopped, cropped, and abused formats. "Cyrano" is flat out gorgeous with its detailed Pathecolor process, giving the scenes a fairy-tale coloration that easily rivals the old two-strip Technicolor. The performances are without the silent hyperbole or melodramatic flairs; in fact, when Pierre Magnier's Cyrano becomes expansive with his flourishes, he seems to be parodying the conventions we might expect after a diet of D. W. Griffith epics. The director, Augusta Genina, later went on to direct Louise Brooks' final European film, "Prix de Beaute," and his gifts with both spectacle and introspective moments are in strong evidence here. An amazing find!
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