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Poulenc, Francis
 
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Poulenc, Francis


3.9 out of 5 stars  See all reviews (7 customer reviews)
List Price: CDN$ 69.99
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French composer Francis Poulenc was both an ardent Catholic and a free-loving homosexual, making the achievement of his intensely personal opera, Dialogues des Carmélites, even more remarkable. Although widely known as a mere purveyor of endlessly charming and witty music (including some of the most perfectly constructed songs of the entire 20th century), Poulenc also wrote many substantial compositions, of which the three-act Carmélites ranks highest. Based on Georges Bernanos's story about young Blanche, a selfless nun martyred along with the rest of her convent during the French Revolution, Carmélites, thanks to its composer's considerable musical and dramatic skills, is one of the most emotionally direct and unapologetically moral of all modern operas.

For this 1999 production at the Opéra national du Rhin in Strasbourg, France, actress-turned-director Marthe Keller does a superlative job of conveying Poulenc's intentions. Her spare staging effectively evokes the austere world of the cloistered nuns, and there are many striking images, notably the opera's final tragic moments when the women literally drop, one by one, to the musical sound of the guillotine's blade. In a first-rate cast, Anne Sophie Schmidt is an especially touching Blanche, and conductor Jan Latham-Koenig has masterly control over the emotional ebb and flow of Poulenc's score. The DVD sound is full and rich, the subtitles are adequate, and Don Kent's video direction includes visual felicities--like slow-motion, still images, and black and white--that underscore the preordained doom without overdoing it. --Kevin Filipski



Synopsis

Francis Poulenc's famous opera tells the story of a wealthy young heroine, Blanche de la Force, struggling with her decision to join a Carmelite convent. Set during the French Revolution, the libretto and highly emotional score deal with themes of political power and freedom, personal spirituality, redemption, and ultimate sacrifice. It is performed here by the Strasbourg Philharmonic Orchestra conducted by Jan Latham-Koenig, with soprano Anne-Sophie Schmidt in the leading role. ~ Sarah Welsh, All Movie Guide

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Customer Reviews

7 Reviews
5 star:
 (3)
4 star:
 (2)
3 star:    (0)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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5.0 out of 5 stars Do better, ArtHaus!, Jan 27 2004
By Scott Andrew Hutchins (Staten Island, NY, USA) - See all my reviews
This is one of the most powerful opera productions I've ever seen, hindered by poor quality video and audio. the audio isn't as bad as on their DVD of Salieri's _Falstaff_, where the speakers sound constantly overloaded, though it's still a problem. The digital artifacting is even worse. It's a great opera, powerfully staged and filmed, but it looks like a budget DVD that ought to sell for $3.99. They're taking advantage of opera fans on the assumption that they are rich, and putting out shoddily authored DVDs of great productions. Unless they do a serious reauthoring of the disc, I'll try to find it used, whcih isn't bloody likely. The presentation quality isn't worth what they're asking for it.
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5.0 out of 5 stars Haunting opera, lovely performance, Jan 3 2004
By S. J McKenna "JussiLover" (San Francisco, CA USA) - See all my reviews
(REAL NAME)   
Enjoy this essentials-only poetic production. There are many heart rending moments here and the music is simply entrancing.
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4.0 out of 5 stars Excellent for Minimalist Staging, Feb 7 2002
By "arvin200" (Edina. MN) - See all my reviews
This opera doesn't lose much from minimalist staging, which is exactly what it gets in the Opera du Rhin's production. I compare it to a production that the Lyric Opera of Boston did a few years ago, also minimalist, and equally effective. It's all psychology, fear of life versus fear of death, religious conviction versus the expedience of bowing to the popular will, etc. None of this requires elaborate sets or costumes. All that matters are the singers' voices and mannerisms, and in this production they are more than adequate. Not every opera has to be a Met extravaganza to work.
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Most recent customer reviews

4.0 out of 5 stars Beautiful and very moving
I must state from the git-go that I love this opera, and that this is a very good performance. There are many of us who cut their teeth on the Metropolitan Opera production some... Read more
Published on Jun 19 2001 by Dean Rishel

5.0 out of 5 stars Excellent performance, terrific cast
Apparently the reviewers below had no prior exposure to this work before viewing the DVD in question. That can be a handicap when coming to a work such as "Carmelites. Read more
Published on Jun 6 2001 by Michael K. Halloran

2.0 out of 5 stars Boring
I think it was Noel Coward who said that PELLEAS ET MELISANDE is like PARSIFAL, only without the jokes. He could have updated the quip to include DIALOGUES DES CARMELITES. Read more
Published on April 10 2001 by Noam Eitan

2.0 out of 5 stars Carmelites
The opera dragged on and I didn't think it was ever going to end. The voices were wonderful but the cast was horrble. I do not reccomend this opera at all.
Published on Mar 11 2001 by delgadogeo

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