Most helpful customer reviews
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5.0 out of 5 stars
More than a good recording., May 16 2003
By A Customer
This issue is a strong addition to one of the most crowded works in the recorded repertoire. Lopez Cobos beautifully stretches out the first movement to over 20 minutes without an exposition repeat. Overall, the conductor's approach is slower, and a throughly measured interpretation of the symphony. This approach does not detract in any manner from the climactic junctures that listeners expect from this work.This recording compares well with other recently issued or re-issued recordings. I compare it below to some others I have heard recently: -Previn, Telarc, reissue: surpassed by this one.
-RCA, St. Petersburg Ph.: distinct but equally excellent.
-Previn, EMI, reissue: surpassed by this one (I just do not get it as to why the old Previn recording is regarded as so great).
-Jansons, EMI: surpassed by this one.
-Ashkenazy, Decca: still the benchmark.
-Bychkov, Philips: distinct, equally excellent, and sadly unavailable. I do not find the need to turn up the volume as other reviewers have stated. On a 60 watt receiver, and 88dB speakers, this recording delivers spectacular acoustics at slightly above 1/4 volume (9 o'clock on the volume knob.) At any rate, the Telarc engineers have delivered a nearly unbeatable sound quality with this recording.
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5.0 out of 5 stars
Splendid, Warm Rachmaninoff 2, Oct 19 2001
Read the chapter on Sergei Rachmaninov in the old two-volume Pelican survey of "The Symphony," edited by the late Robert Simpson, and you will find that, by the mid-1960s, the Russian's reputation had reached its nadir. Simpson, who himself wrote the chapter, calls the Second Symphony (1908) "diffuse" and refers to the composer's tendency to "take the easy way out." Simpson stints the Third (1936) even more than the Second, while reserving some praise for the (then) newly discovered First (1897). Perhaps the underestimation comes from Simpson's having been a totally different kind of composer from his subject; but Simpson's assessment might have been made by many another at that date. Of Rachmaninov's three symphonies, one heard only the Second in the concert hall, and then only in a performing edition with many cuts. On record, the situation differed but little. Things have changed a great deal in forty years. All three of Rachmaninov's symphonies have found their way back into the repertory and are especially well represented in the compact disc catalogues. The current critical consensus probably places them above the piano concertos in musical seriousness. New recordings appear all the time, and the Second, with the cuts restored, exists in many recorded editions. The new release from Telarc with Jésus López-Cobos leading the Cincinnati Symphony certainly takes its place in the front rank of "R2's." In sumptuous sound, it rivals Valéri Polyanksy's performance with the Russian State Orchestra on Chandos. (The Telarc recording is via one of those proliferating new processes -- whatever the explanation, it booms out magnificently from the speakers.) The Second's First Movement begins with an introduction that glowers darkly; it's Rachmaninov at his most melancholy. It then blossoms out into a gorgeous, insinuating theme that the composer develops leisurely but ingeniously. Many performances push the First Movement and press the climaxes for all that they're worth. López-Cobos holds back (as does Polyansky) so that greater weight can be placed on the three remaining movements. The Slow Movement glows; the Scherzo is wild, and so is the terrific Finale, which, at last, bears the full weight of the composition. The sound is wonderful, with plentiful detail and a spacious "stage." The "Vocalise" is likewise nicely done, coming across as more serious than it usually does. Marvelous. Recommended.
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4.0 out of 5 stars
Another Fine Recording from Cinncinati, and Lopez-Cobos, April 25 2001
This recording from Telarc featuring the Cinncinati Symphonyunder Jesus Lopez-Cobos is one of the better perfomances of the Rachmaninioff Symphony no. 2 that I have heard in a long while. Maestro Lopez-Cobos lets the work breathe and unfold in a natural manner, the music is never forced or rushed. The inner orchestral sounds are allowed their time in the spotlight. While some will say that this recording will not replace the ones by Ormandy, Previn, or others, I say that it can be placed along side of them and not have to feel like it is second best. It can hold its head high with any other recording of these works.
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