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Sasha Plays Romantic Russian
 
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Sasha Plays Romantic Russian

~ Henryk Wieniawski (Composer), Sergey Prokofiev (Composer), Sergey Rachmaninov (Composer), Pyotr Il'yich Tchaikovsky (Composer), Olga Sitkovetsky (Performer), et al.
3.3étoiles sur 5  Voir tous les commentaires (3 évaluations de client)

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3 neufs à partir de CDN$ 13.95 2 d'occasion à partir de CDN$ 44.88

Les détails du produit


1. Wienawski: Souvenir De Moscow, Op. 6
2. Prokofiev: Cinderella: Waltz
3. Prokofiev: Cinderella: Gavotte
4. Prokofiev: Cinderella: Passe Pied
5. Prokofiev: Cinderella: Winter Fairy
6. Prokofiev: Cinderella: Mazurka
7. Rachmaninov: Daisies
8. Tchaikovsky: Song Without Words, Op. 2 No. 3
9. Rachmaninov: Hungarian Dance, Op. 6 No. 2
10. Gliere: Romance, Op. 3
11. Glinka: Mazurka
12. Rachmaninov: Romance, Op. 6 No. 1
13. Zimbalist: Fantasy On A Theme From Le Coq D'or

Sur ce CD :
  1. Souvenir de Moscou for violin & piano, Op. 6
    Composé par Henryk Wieniawski
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  2. Cinderella, ballet, Op. 87 Waltz
    Composé par Sergey Prokofiev
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  3. Cinderella, ballet, Op. 87 Gavotte
    Composé par Sergey Prokofiev
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  4. Cinderella, ballet, Op. 87 Passe pied
    Composé par Sergey Prokofiev
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  5. Cinderella, ballet, Op. 87 Winter Fairy
    Composé par Sergey Prokofiev
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  6. Cinderella, ballet, Op. 87 Mazurka
    Composé par Sergey Prokofiev
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  7. Daisies, song for voice & piano, Op. 38/3
    Composé par Sergey Rachmaninov
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  8. Chant sans paroles ("Song without words", from "Souvenir de Hapsal"), for piano, Op. 2/3
    Composé par Pyotr Il'yich Tchaikovsky
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  9. Pieces (2), for violin & piano, Op. 6 No. 2, Hungarian Dance
    Composé par Sergey Rachmaninov
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  10. Romance, Op 03
    Composé par Reyngol'd Moritsevich Gliere
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  11. Work(s) Unspecified Mazurka arr. for violin & piano by V. I. Safonov
    Composé par Mikhail Glinka
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  12. Pieces (2), for violin & piano, Op. 6 No. 1, Romance
    Composé par Sergey Rachmaninov
    avec Olga Sitkovetsky, Alexander Sitkovetsky

  13. Fantasy on Rimsky-Korsakov's "Coq D'or" for violin & orchestra
    Composé par Efrem Zimbalist
    avec Olga Sitkovetsky, Alexander Sitkovetsky


Descriptions du produit

From Amazon.com

Musical talent often runs in families--Bach's and Mozart's come readily to mind. Alexander Sitkovetsky represents the youngest of three generations of famous Russian musicians, including a violinist grandfather and uncle, and a pianist grandmother and mother. Indeed, his mother performs with him on this, his debut recording. Sitkovetsky started playing violin at the age of 6 and he was performing two years later. Yehudi Menuhin, impressed by his talent, invited him to study at his school and took him under his wing. He has embarked on a flourishing career as a teenager.

He is indeed a most successful young violinist, with the technique and flair of a virtuoso, but also the lyrical soul of a poet. The program on this disc is well-suited to his years, but it's of very uneven musical quality, featuring mainly encore pieces. Some are too long, some are cheap and corny, most are often dubious transcriptions--they are showpieces that display Sitkovetsky's brilliant technique. The most remarkable aspect of his playing, however, is that he approaches the music with total seriousness, without a hint of sentimentality or condescension; he even slides with restraint and discretion. His tone is austere, pure, never sweet or throbbing, and he can vary it instantly to fit mood and character. Thus, he succeeds in concealing the banality and bringing out the charm and expressive lyricism of these musical trifles. Prokofiev's Five Pieces from the ballet Cinderella are most engaging; Zimbalist's Fantasy on a theme by Rimsky-Korsakov, an empty bravura piece, is least satisfying. No matter--the playing's the thing. It will be very interesting to see what this arresting, appealing player does with more substantial repertoire. --Edith Eisler


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L'avis des consommateurs

3 évaluations
5 étoiles:
 (1)
4 étoiles:    (0)
3 étoiles:
 (1)
2 étoiles:
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1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
3.3étoiles sur 5 (3 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
3.0étoiles sur 5 Very good for someone his age, Avril 27 2004
There are some good qualities in this guys playing though at times works sounded 'fake' as if he were playing things because he was told to do so and therefore occasionally did not sound natural. Perhaps at such a young age this is not always possible.
The piano player whom I think is some relation to him was disappointing. In fact, many highly established musicians and colleague's of mine after listening to it have commented on this pianist saying it has ruined the overall CD by its colorless, dull and lifeless playing with an obvious lack of musicianship like a digital machine. I do however think this violinist will mature into something bright. Let's hope he doesn't use that piano player...
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2.0étoiles sur 5 does the soul matter?, Janv. 12 2003
Par Un client
This CD was given to me as a sort of joke/gift by a friend because I had found the picture on the cover to be really cute and had commented that I'd almost buy it for the picture. Well, for christmas, my friend bought it for me!

In essence, I find his playing to be unhumanly accurate and clean. However, after two listenings, I come away with no memory of, or attraction to his violinistic soul. He sounds utterly over-trained. I cannot pick out anything 'wrong' with his playing....the tempos are good, intonation is insanely accurate, there isn't anything unmusical. But it is so plain and without passion. Where are the operatic glissandi? Where is the violins ability to display an unmatchable variety of colors, vibratos, rubato? I only feel more respect towards the violin culture of past days (think Kreisler, Elman, young Menuhin, Seidl) where intensity of your personality and your interpretation mattered most and the violin was trying to emulate the most exquisite human operatic voice. Now the violin culture seems intent on emulating the most accurate digital note producing equipment.

IN fact, I think I'd almost get the same effect of this recording if it were recorded with digital equipment and not an acoustic violin.

But, to end on a good note....bravo for his incredible technical achievements.

..................

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5.0étoiles sur 5 Wicked Wicked Cool, Janv. 26 2002
Par Courtney (Braintree, MA USA) - Voir tous mes commentaires
This album is one of the best that I have bought in a while. It is sooooooooooo good. He is so amazing and if you don't have this album yet, what are you waiting for??? Go get it! You will love it!
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