Most helpful customer reviews
|
|
4.0 out of 5 stars
When you're in the right mood..., Jun 25 2004
Is the other reviewer serious about the "R" rating in the USA? In Australia this film has been rated PG - which means children can watch it but it is recommended that parents guide them. That's the same rating as "Home Alone" and other such innocuous Hollywood comedies. Weird.Anyway, this production certainly is colorful. In the right mood I find it a riot. In the wrong mood I find it unsubtle and overdone, even gauche. But Terfel's Falstaff is tremendous in spite of absurdly unrealistic stomach padding. Frittoli's Alice is beautifully sung and acted, and Mistress Quickly's motif was still impressed on my mind the day after watching it, such is Bernadette Manca di Nissa's fruity tone. Fenton (Kenneth Tarver) and Nannetta (Desiree Rancatore) make an enchanting pair physically and vocally, flirting with the kind of extrovert style encouraged by the production. I've never heard anything badly done by Haitink - he is a reliably excellent conductor and this is no exception. The Covent Garden orchestra articulate the shifting motifs of Verdi's score splendidly. In the right mood, a very enjoyable night at the opera.
|
|
|
5.0 out of 5 stars
Terfel is unique in Covent Garden hilarious 2001 production, Mar 7 2004
English people have a special affinity to this opera being based on a Shakespeare play (Merry Wives of Windsor). So it is small wonder it was picked for a special new production at the newly renovated Covent Garden. And it is certainly a very good production and probably the best one available in a visual format.
Specifically, the direction is highly innovative(dir. Graham Vick) and the sets by Paul Brown are very imaginative and brilliant with primary colors (there is something of a circus about it) which introduces the necessary lightheartedness and humour, so often missed in other productions. Just to mention a few examples: the first act scene 1. takes place on a huge red bed tilted towards the audience and there are several trapdoors opening in and out.(The bed is like a huge trampoline upon which people bounce up and down, while Falstaff is sitting or lieing on it, drinking wine -absolutely hilarious.) The second act scene 2. is also very colourful with a big yellow baldachine over the bed and the third act scene one with several hunting trophies in a row used as a hiding places and taking a life of their own at a most unexpected moment, is truly inspired humour.The elements of surprise here are remarkable.
Musically, this is Bryn Terfel's finest hour in the role of Falstaff. His voice and characterisation are beyond comparison. Barbara Frittoli's youthful soprano voice , terrific acting and good looks as Alice Ford, are worthy foil to Terfel. Roberto Frontali as Mr. Ford is a strong baritone; his duet and famous aria in the 2nd act comes off well. The other, supporting, roles are no less creditable.Manca di Nissa as Mrs Quickly should probably require a special mention.
Haitink is definitely up to the task in this contrapunctal score (again I am referring to the Meistersinger which is no less contrapunctal). Verdi must have learned something from Wagner, but his synthesis has an Italian quality and this points to his genius.
Haitink does well with the 'a capella' ensembles in the first act and in the final fugato finale. These are a real tests for a good conductor.
This performance should be very satisfying to most viewers. There are of course stick- in- the mud pedants, who cannot relate to anything but the traditional, but I am sure there will be many listeners who would welcome a change. Most enjoyable.
|
|
|
5.0 out of 5 stars
Incredible Falstaff!, Dec 18 2003
Please, don't listen to the reviewer below who says the production is disgusting. He must be a person scared of everything original or slightly different, please don't listen to him.First, the cast. No need to say anything save that it's great, spearheaded by Bryn Terfel and Barbara Frittoli. Second, the music, just incredible, with the RPO conducted by Bernard Haitink, just amazing! Now, the sets: This part may be the most controversial, if anything just because of it being original (and very clever, I'd say). The sets are very colorful and cartoonlike, which only adds to the comic feeling of this greatest of comic operas. David McVicar is I think, the greatest set designer of our time. Trust me, you can't go wrong with this one.
|
|
|
Most recent customer reviews
|
