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Naive & Sentimental Music/Mother of the Man/&
 
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Naive & Sentimental Music/Mother of the Man/&

~ J. Adams (Artist)
4.5étoiles sur 5  Voir tous les commentaires (8 évaluations de client)
Price: CDN$ 17.99 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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Les détails du produit


1. Naive and Sentimental Music
2. Mother of the Man
3. Chain to the Rhythm

Descriptions du produit

From Amazon.com

Dedicated to conductor (and fellow composer) Esa-Pekka Salonen, John Adams's Naïve and Sentimental Music is an awe-inspiring work of ambitious scope. It seeks to tackle the polarity between the naïve and the sentimental artist (the former oblivious to her place in nature, the latter preoccupied with location in the order of things) and uses wild juxtapositions to advance Adams's investigation. A wafting flute and harp open the three-part, 44-minute piece, but they are overcome by lurching brass, rumbling percussion, reedy woodwinds, and a palpable urgency. The second movement, "Mother of the Man," is, by vivid contrast, an almost ambient piece, floating on broad-stroked violins, bowed vibraphone, bell-struck percussion, and David Tannenbaum's textured guitar work. And then comes the final movement, "Chain to the Rhythm," the most recognizably minimalist excursion in what amounts to a symphony--in every way but its name. Cells of sound, oboes, cellos, vibraphones jut out as clarinets oscillate and twitter. There's a shimmer, a stammering vibrational effect, and a return to the first movement's growing urgency. Has the naïve artist discovered, anxiety-ridden, the insurmountable pressure of the sentimental artist? It's for the composer to know and the listener to find out. In any event, Naïve and Sentimental Music stands out singularly as Adams's most astonishing large-scale instrumental work, a piece that demands repeated listens and never disappoints. --Andrew Bartlett


Chronique amazon.fr

Si John Adams n'avait qu'un seul don, ce serait celui de rendre accessible la musique contemporaine : un atout des plus importants, quand on sait à quel point les mélomanes non aguerris aux subtilités du langage musical de notre temps se détournent des œuvres d'aujourd'hui. Certes, le compositeur américain ne fait pas l'unanimité. Champion de la musique répétitive dont il est l'un des plus illustres représentants, on lui reproche souvent de simplifier outrageusement sa technique de composition, afin de mieux séduire. Ses thuriféraires, eux, lui tressent des lauriers. Ce disque s'adresse bien sûr à ces derniers. Ils trouveront l'alpha et l'oméga de l'art de leur héros, dans cette œuvre : un voyage intérieur, fait d'instants drôles et graves à la fois. Pour servir Naïve et Sentimental music, l'Orchestre philharmonique de Los Angeles et Esa-Pekka Salonen, sont ses dédicataires. --Pierre Guillaume

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L'avis des consommateurs

8 évaluations
5 étoiles:
 (5)
4 étoiles:
 (2)
3 étoiles:
 (1)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
Évaluation du client type
4.5étoiles sur 5 (8 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
5.0étoiles sur 5 Atonal Greatness, Mai 15 2004
Par M. Fant (South Carolina) - Voir tous mes commentaires
(REAL NAME)   
Somehow, Adams does it. I heard the piece for the first time aftering buying the album and just 'going for it' as I like to say. I had heard of Adams in a magazine, but never heard anything besides "Short Ride in a Fast Machine." So I had an idea of what I was getting into, but no clue as to how amazing it truly would be. I didn't expect the music to be as mature as it sounds - after all the title is "Naive.. Sentimental." I expected something more subdued or at least subtle. The second movement may pass as subdued or subtle - but the other two are rides, be sure to hang on. It's good music, it really is - it's good stuff that you need to look into.
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4.0étoiles sur 5 Why am I reminded of Jarmush's Dead Man atmosphere ?, Fév 23 2003
I guess I might be alone in my perception of John Adams' Naive and Sentimental music, but I shall say more about that later.

I heard this extraordinary music on the radio (only some 4 minutes of the first part's middle section) and I was instantly hooked. I searched the radio station's website the next day to discover what they were playing and I discovered an artist I never heard of before, but who is actually a very important figure in contemporary classical music as I learned soon. When I got the CD I discovered a whole new musical world, somewhere between tonal romanticism, minimalistic "repetitive" building layers of music and "atonal" (I don't belive there is such thing)contemporary composition.
Postmodern modernism could be the word.

So, back to the title of this review. The massive, "alienated" music, that reminds at times of "american" film-score classics, with strong dark tones, powerful outbursts of energy and sparkling, floating parts of music with "elvish" (since we're in the age of Lord of the Rings histeria - which I approve somehow)
undernotes. So, what is the artist trying to say? He moved me to some other state of counciousness and inspired visual worlds coherent with the design of the CD, which somehow transport me to some endless, dreamy "Americana" dream(land)scape similar to Jarmush's Dead Man movie setting and atmosphere.

Great work by Esa Pekka Salonen and LA Philly.

I wish Adams would venture even further into those "twilight" realms and maybe abandon the "layering principle" in favour of more rhytmically and sylistically diverse principles as exemplified by Stravinsky and other greats of symphonic invention. But I deeply admire his melodic invention and orchestration ideas. Go beyond, if you read this Mr.Adams.

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3.0étoiles sur 5 Chiefly inconsequential music...?, Sep 23 2002
Par MartinP "MartinP" (Nijmegen, The Netherlands) - Voir tous mes commentaires
It is a pity that in terms of overall structure John Adams's compositions tend to fall into the same category so often, that of the long drawn out orchestral crescendo. The first movement of this piece is the latest of these: rather like a latter-day Bolero, only more dissonant and without the tunes. Fortunately Adams's music is nothing if not pleasing to the ear, so it is no punishment to sit through these 45 minutes or so of "Naive and sentimental music". But underneath that selfconsciously ironic title and the glittering surface I'm not sure there is very much there, certainly nothing that adds anything of substance to his previous works (many of which I consider to be among the best things to be written in our time). In style and sound I found this piece very similar to El Dorado and the Violin Concerto; only less powerful or purposeful than the first, less mysterious or haunting than the latter, and less clear in its arguments than either. The second and third movement let me down after a promising start. The slow second part begins as fascinating music of the spheres, with a hint of Coplandesque wide-open-spaces. There is also a striking affinity with Neptune from Holst's Planets. But then the guitar solo enters and things degenerate into, well yes, sentimentality. The third movement opens in wide eyed wonder and with a tremendous sense of expectation, like the final part of Harmonielehre - only to fall flat on its face after the first few minutes, stumble to its feet again, and meander noisily towards its close. There is a large percussion section here which according to the booklet is used mainly to generate subtle shadings of timbre, not sheer power. Don't be surprised if your neighbours do not share that view! Adams here seems convinced that a musical message is best conveyed by having bass drums hammer it into the listener. It is a pity, because we know he has a so much subtler side. After his intensely moving El Niño, this is a distinct disappointment and certainly not, in my view, the masterpiece it has been made out to be. Adams has successfully escaped the repetitions of minimal music; I hope he manages to steer clear of the repetitions that befall the uninspired composer.The playing of the LA orchestra, by the way, is beyond criticism. The recording is a bit dense though, and does not cope too well with big climaxes.
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Commentaires client les plus récents

5.0étoiles sur 5 A beautiful work spectacularly performed
Ah, John Adams! I've been tracking this dude's work since I lived in Berkeley in the mid-70s, and it really hasn't let me down yet. Read more
Publié le Sep 5 2002 par Jeff Abell

4.0étoiles sur 5 A VERY MEMORABLE WORK
This is a very enspiring, deep and full of feeling work. Very enjoyable.
Publié le Aoû 26 2002 par Boris Zubry

5.0étoiles sur 5 The Definitive Recording of a Major Masterpiece
John Adams has been gathering increasing audiences since his earliest works which were applauded more because of their originality than because of their innate musicality. Read more
Publié le Aoû 26 2002 par Grady Harp

5.0étoiles sur 5 Rock Solid
This is the finest orchestral writing of John Adams' career. I have to agree with the newspaper critic who commented that while there are no real departures here from the... Read more
Publié le Aoû 7 2002 par Daniel Johnson

5.0étoiles sur 5 Neither naive nor sentimental
This CD is a jewel. Highly listenable contemporary music, magnificently performed by EPS and the LA Phil. Read more
Publié le Aoû 7 2002

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