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Alpine Sym
 
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Alpine Sym

~ R. Strauss (Artist)
5.0 out of 5 stars  See all reviews (2 customer reviews)
Price: CDN$ 7.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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2 Reviews
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5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5.0 out of 5 stars An artifact of the best kind, Oct 25 2002
By Bruce Hodges (New York, NY) - See all my reviews
(REAL NAME)   
These performances have been around for awhile, but never sounding as sumptuous as they do here. The glorious "Alpine Symphony" was recorded in 1941 in Munich, and the "Don Juan" is from an astonishing 1929. (A performance of waltzes from "Rosenkavalier" is also included.) This disc shows that Strauss was not only a great composer but a superb conductor; his "Alpine Symphony" is as beautifully phrased as any I've ever heard (and there are many fine Strauss interpreters out there), and the Bavarian orchestra sounds lovely.

What struck me immediately about this disc is the brass timbre: much firmer, with almost no "wobble" than you typically hear in recordings of this era. There is a presence that one usually hears only in later, more modern efforts. And with the "Don Juan," recorded even earlier, it is quite amazing that this is listenable at all, but Dutton's engineers have managed to squeeze the most possible out of the tape.

However, it must be said that some listeners will still be impatient with the sound and require more contemporary recordings (such as those by von Karajan, Haitink or Blomstedt, for example), simply because with better sonics, the colossal orchestration of these pieces is shown to much better advantage.

This caveat is no reflection whatsoever on Dutton's magnificent work; the company has done the best job imaginable with the material. For many fans this will be an essential document, thanks to Dutton's amazing engineers who have given it seemingly magical new life.

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5.0 out of 5 stars Richard Strauss At His Night Job, Oct 25 2002
By NNNNN "xxxxxxxxxxxxxxxxxx" (xxxxxxxxxxxxxxxxxx) - See all my reviews
In this age of specialization many listeners tend to forget that in the pre World War II era most major composers were also active conductors and not just of their own works. Richard Strauss was one of them. His day job may have been composer but his night one was conductor. Some have said that Strauss was more interested in the paycheck or (as George Szell once said) the card game after the concert so he took some very fast tempos. Not really. In these recordings his tempos are in keeping with his own score markings. The ALPINE SYMPHONY and ROSENKAVALIER WALTZES were recorded in 1941 and the DON JUAN in 1929. If , like myself initially, you think the 1929 recording might not be that great then you are in for a surprise. Anyone who has heard any of Michael Dutton's remastering know that he can work near miracles and the sound on all of these recordings are quite full and clear.
The performances? Well it will be quite evident why Strauss had a very fruitful career as a conductor. These are vibrantly alive performances that have the feel of freshly minted works. By the time Strauss made these recordings (they are studio ones I should add) he had conducted these pieces for 25 to 35 years but there is no hint of routine or boredom. He may have been near 80 when these recordings were made but he conducts like someone half his age. Very nice packaging with the notes being British critic Lionel Salter's obituary for Strauss that originally appeared in the October 1949 issue of the Gramophone.
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