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5.0 out of 5 stars
Good Muscial. Good History. Good Fun., Jul 16 2004
"Is anybody there? Does anybody care? Does anybody see what I see?" John Adams (William Daniels, St. Elsewhere, among other things) musically muses in 1776. He is frustrated and believes that the cause of independence may be lost over the issue of slavery. 1776 is a good musical. Maybe it's not the best musical of all time, but pretty darn good. It's fun, it's witty, it's a little naughty in places, and it's very close in historical accuracy. It is a tradition in my household to watch it every 4th of July, to remind ourselves that the holiday is more than just picnics and firework displays. The music is special too, because it has meaning to the character(s) that sing it and meaning for us. For instance, when Martha Jefferson (Blythe Danner) sings her song, "He Plays the Violin", it has a poignancy to it, because she sings "Say I died loving bride, loving life, loving wife..." and we are reminded that she dies before Jefferson ever sees the Presidency. The exchanges between John and Abigail Adams show us both the love and friendship they shared and the hardship that the wives and families of the revolutionary leaders suffered. When Edward Rutledge of South Carolina (John Collum, Northern Exposure) incredible performance "Molasses to Rum to Slaves", tells us both something about the economics of the times, the compromises that policymakers have to make, and the tragedy of slavery that haunted our nation until the American Civil War and still has repercussions resounding in our ears. He chastises Thomas Jefferson (Ken Howard) on Jefferson's hypocrisy, "You, sir, are a practitioner." Tough words there but true! 1776 isn't only about colonial history; it was written during the American involvement in the Vietnam War. The young messenger (Stephen Nathan) that carries the dispatches from George Washington, sings "Mama, Look Sharp." This sad, dirge-like song is so moving, because it tells us that while the policymakers are quibbling and quarrelling in Philadelphia (or Washington, D.C.), someone is out there dying for the policies and decisions they have implemented. Something to note is that the song "Cool, Cool, Considerate Men" comes right before the Messenger's song and he walks through them, but the cool men don't even seem to see him. No wonder Nixon wanted it taken out of the picture! But stop all the doom and gloom. There are fun, rousing songs as well like "Sit Down, John", "The Lees of Old Virginia", and "The Egg". I love this musical, because it makes the founding fathers seem more real than any history book has ever done. This musical captures perfectly the anxiety that shadowed the birth of the United States of America. Whether they were on the left or the right, I feel such love for the idiosyncratic, irascible, dynamic men that helped create this ever-evolving democratic republic.
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5.0 out of 5 stars
Never Thought History Could Be So Much Fun!, Jul 6 2004
Witty and wonderful songs help tell the story of the trying times leading to the writing and signing of the Declaration of Independence. Definitely helps explain how America's founders could want independence, while still tolerating slavery. The sound quality is far superior to earlier releases. This is an opportunity to see "Cool, Cool, Considerate Men," the production number which President Richard Nixon had Jack Warner cut from the original production. It certainly adds to the impact, and should NOT have been cut! Includes Screen Tests and Trailers. Best of all, it also includes an option to hear a full Director and Screenwriter Commentary on the production. Why were'nt our history classes this informative AND FUN?!
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5.0 out of 5 stars
A Patriotic Lump In The Throat, Jul 5 2004
What a wonderful combination of history, theater, and music. "1776" has been one of my favorite musicals since the late '60's. To some, a musical version of the signing of the Declaration of Independence must seem odd and truly out of place, perhaps blasphemous. True, the music is not by Rodgers and Hammerstein, so there will be nothing from this film to whistle in the shower. But I can imagine this film, to most viewers anyway, ranking up there with "Yankee Doodle Dandy" as required viewing every 4th of July.I am impressed with how the film (and play) stay close to history, although, for the sake of art, some details are changed. The characters come alive, away from the dusty history books, and show humor and a great desire to do something wonderful for the world. The commentary is very informative. How interesting it is to learn that, on President Richard Nixon's suggestion, friend Jack Warner (the film's producer) cut all references in the film showing conservatives standing in the way of independence. Fortunately, the original, director's cut edition has been restored to DVD, and presents a film more fluid than what was found on the edited, pan-and-scan tape. If you don't care for the music, at least watch this great film to see what our Founding Fathers were up against in "1776". If patriotic films bring a tear to the eye, keep a box of red, white, and blue tissues handy.
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