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Italian Opera Arias from: Tosca/Trovatore/Aida/&
 
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Italian Opera Arias from: Tosca/Trovatore/Aida/&

~ Salvatore Licitra (Artist)
3.4 out of 5 stars  See all reviews (14 customer reviews)
Price: CDN$ 17.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details


1. Puccini: Tosca: E lucevan le stelle
2. Puccini: Turandot: Nessun dorma
3. Puccini: La Fanciulla Del West: Ch'ella mi creda
4. Puccini: Toasca: Recondita armonia
5. Puccini: Manon Lescaut: Donna non vidi mai
6. Puccini: Madama Butterfly: Addio fiorito asil
7. Verdi: Aida: Celeste Aida
8. Verdi: La Forza Del Destino: La vita e inferno...Oh tu che in seno
9. Verdi: Simon Boccanegra: Sento avvampar nell'anima
10. Verdi: Un Ballo In Maschera: Baccarole: Di tu se fedele
11. Verdi: Un Ballo In Maschera: Forse la soglia attinse
12. Verdi: Macbeth: Ah! La paterna mano
13. Verdi: Il Trovatore: Manrico? Che?...Di quella pira

Product Description

From Amazon.com

Tenor Salvatore Licitra recently made headlines when he stepped in at the last moment for the, sad to say, probably finished Luciano Pavarotti at the Metropolitan Opera's final Toscas of the season. In fact, there's little Licitra could have done wrong under the circumstances, but he was a great success, and judging from his recent Trovatore and this recital CD, he will be most welcome. The good-sized, somewhat dark-hued voice is appealing--and truly Italian--with an innate caressing quality and sense of line, even from top to bottom (he takes the very low option in the Ballo Barcarolle, which most tenors take up an octave), and nice and free on top. He has a bit of trouble with Rodolfo's high C at the close of "Che gelida manina," but the aria as a whole is so sensitively sung that you feel bad about complaining. He has no trouble sustaining the high tessitura (or big sound and broad phrases) of Alvaro's aria from Forza; he sounds sincerely regretful as the caddish Pinkerton, and might even be the Dick Johnson (in Fanciulla) we've been looking for. This is an impressive debut recital, recommended for those who have been waiting for Italian opera to fall back into the hands of an Italian tenor. --Robert Levine

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Customer Reviews

14 Reviews
5 star:
 (3)
4 star:
 (4)
3 star:
 (4)
2 star:
 (2)
1 star:
 (1)
 
 
 
 
 
Average Customer Review
3.4 out of 5 stars (14 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
1.0 out of 5 stars Amateurish, April 5 2004
By A Customer
I'm sorry, but how he made it to the professional stage alludes me? His voice is unsupported and weak and lacks any natural tone or quality. His placement is all over the map, his tone is hollow and it sounds like he never had a voice coach. It's not even a good God given instrument that has a dimension of soul.

Sorry, this guy is a hack!

Good luck to him non the less.

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3.0 out of 5 stars Its okay, Jan 2 2004
I was really excited to listen to this new tenor, and I have sincerely mixed feelings about his abilities. I shall say to start that he seems to be flawed in vocal production just a little. He has a bit of a warble come in on the bottom of his voice when he tries to get that extra dynamic level. He is uncomfortable in his Passagio and his notes between that delicate switch can be far to covered and unhealthy sounding. The very top is very very good, and very very big. It is a sincere improvment over the top notes of Watson or Bocelli or any of the popera fodder.
I agree with the other reviewers that he is at his very best in the Verdi. The Celeste Aida is a fine track with some real trickery in his final B flat. The rest, expecially the Ballo and the Forza, just made me miss the Jose Carreras interpretation. I listened to my 1976 Carreras Ballo after hearing Licitra and there is no comparison. Licitra seems uneven in his registers when compared. The Di Quella Pira is exiting as it always in. I was exprecially impressed with the aria from Macbeth which was done very well.
The Puccini section was a mixed bag. I did not enjoy the transposed and wobbly Nessun Dorma nor did I understand the reason for the transposition, (One usually reserved for aging legends like Domingo or Carreras and vocal newbie crossover stars like Russel Watson.) Licitra could have certainly done it with the B natural. The recondita Armonia and the Donna non vidi mai both were forced and wobbbly. Chella Mi Creda was on the other hhand fabulous and licitra seems well suited to the role of Nick Johnson.
Overall Licitra cannot compare to any of the three tenors in their primes. The recordings of Carreras and Domingo on the mid-period Verdi and Pavarotti's Pucinni are all superior.
Nevertheless buy this CD because Salvatore is new and his interpretations are authentic. He is new and it is exciting to hear a new voice. The voice is enjoyable despite some flaws and it is nice to see new talent. He certainly belongs on stage singing these roles which is more than I can say for some of the other tenors floating around recording this stuff.
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5.0 out of 5 stars The Hype is Justified!!!, Aug 28 2003
By Jerry Rodgers (Reading, PA USA) - See all my reviews
Let's all pray for a long life for Licitra, and the care, keeping, and development of this dazzling instrument. The man's ability to convey the widest range of emotions, especially in the Verdi selections, is wondrous. For comparison, only the greats Callas, Price, & Bergonzi come to mind.

One can understand what the man is singing--his phrasing and diction are impeccable. He is every bit as good as Domingo at floating the soft sounds over the orchestra.

I do have a quibble with the conducting, but the mans talent overcomes this handily.

Please, give us more!

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Most recent customer reviews

4.0 out of 5 stars Very good. But not great.
After reading about the famous 'Pavarotti debacle' at the Met (and listening to his La Scala Trovatore), I decided to give this album a try. Read more
Published on Jul 11 2003 by Aidan

4.0 out of 5 stars The 'tenor of tomorrow'? We'll see...
Undoubtedly everybody knows the story by now. In May 2002 a flu-ridden Luciano Pavarotti cancelled the Met's Closing Night Gala performance of 'Tosca', and Salvatore Licitra, a... Read more
Published on Jul 4 2003 by Joy Fleisig

2.0 out of 5 stars Nice.... just nice.
He's competent in the verdi, and nearly competent in the puccini...... but the hype? all these review excerpts on the cover? are we really that desperate? Read more
Published on Jun 1 2003 by John bloggs

2.0 out of 5 stars The Disappointment
Like so many others I was drawn to listen to this CD after reading about the "Pavarotti debacle" at the Met. Read more
Published on Dec 18 2002 by Theodore Deacon

5.0 out of 5 stars a welcome voice!
Folks, those of you who don't like Licitra's singing, consider what's going on in the recording world with Watsons, Bocellis, Amantes, et al "bringing opera to the masses"... Read more
Published on Dec 11 2002

3.0 out of 5 stars The future?
Listening to Salvatore Licitra's rather pretentiously (and portentiously) titled recital disc I thought, "If this is the future, we're in big trouble! Read more
Published on Sep 17 2002

3.0 out of 5 stars Nice debut, but...
The man has a lovely voice, of that there is no question. Another reviewer mentioned that he's got a perfect voice for Verdi and Puccini. Verdi, yes. Puccini? Read more
Published on Aug 28 2002 by John Patrick Schutz

5.0 out of 5 stars PURE JOY
A previous reviewer points out that Salvatore Licitra is no Pavaroti. He's right and thank goodness. Read more
Published on Aug 9 2002

3.0 out of 5 stars Licitra is no Pavarotti
Without a doubt Licitra has a beautiful, velvety instrument that is obviously comfortable and well suited for Puccini and Verdi roles. Read more
Published on Jul 16 2002

4.0 out of 5 stars Another Great Sicilian Tenor ...
I truly believe Mr. Licitra will be a worthy successor to the One and Only Luciano. Maybe it will take a century to find a voice and timbre like Pavarotti's, but Salvatore's... Read more
Published on Jul 13 2002 by V. Palermo

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