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Glengarry Glen Ross
 
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Glengarry Glen Ross

Al Pacino , Jack Lemmon , James Foley    DVD
4.5 out of 5 stars  See all reviews (190 customer reviews)

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5 new from CDN$ 15.00 3 used from CDN$ 39.95

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Additional Features

Befitting the film's subject matter, the bonus features on the 10th-anniversary special-edition DVD of Glengarry Glen Ross provide an even balance of topical and behind-the-scenes exploration. James Foley's commentary, like his acclaimed adaptation of David Mamet's play, is concise, articulate, and richly observant on the topics of theme, direction, and rehearsal. The same is true of shorter commentaries by Alec Baldwin, Alan Arkin, director of photography Juan Ruiz Anchia, and production designer Jane Musky--all are intelligent and generous in sharing their artistic approach to Mamet's rich material. The interview documentary "Always Be Closing" attempts, with adequate success, to draw parallels between the revealing anecdotes of real-life salesmen and a survey of salesmen in drama, from Death of a Salesman to Tin Men and beyond. Pennsylvania filmmaker Tony Buba's short documentary "J. Roy: New and Used Furniture" is a quirky but welcomed inclusion, with its vintage portrait of a small-time entrepreneur. The "Tribute to Jack Lemmon" is touching, funny, and deeply affectionate (Peter Gallagher's anecdotes are particularly amusing; Chris Lemmon's are appropriately moving). Lemmon himself is included in a 1998 excerpt from Inside the Actor's Studio and a Charlie Rose interview. All of these features are well conceived and sharply organized; David Mamet's predictable absence is this DVD's only minor drawback. --Jeff Shannon

Amazon.com Essential Video

Like moths to a flame, great actors gravitate to the singular genius of playwright-screenwriter David Mamet, who updated his Pulitzer Prize-winning play for this all-star screen adaptation. The material is not inherently cinematic, so the movie's greatest asset is Mamet's peerless dialogue and the assembly of a once-in-a-lifetime cast led by Al Pacino, Jack Lemmon, and Alec Baldwin (the last in a role Mamet created especially for the film). Often regarded as a critique of the Reagan administration's impact on the American economy, the play and film focus on a competitive group of real estate salesmen who've gone from feast to famine in a market gone cold. When an executive "motivator" (Alec Baldwin) demands a sales contest among the agents in the cramped office, the stakes are critically high: any agent who fails to meet his quota of sales "leads" (i.e., potential buyers) will lose his job. This intense ultimatum is a boon for the office superstar (Pacino), but a once-successful salesman (Lemmon) now finds himself clinging nervously to faded glory. Political and personal rivalries erupt under pressure when the other agents (Alan Arkin, Ed Harris) suspect the office manager (Kevin Spacey) of foul play. This cauldron of anxiety, tension, and sheer desperation provides fertile soil for Mamet's scathingly rich dialogue, which is like rocket fuel for some of the greatest actors of our time. Pacino won an Oscar nomination for his volatile performance, but it's Lemmon who's the standout, doing some of the best work of his distinguished career. Director James Foley shapes Mamet's play into a stylish, intensely focused film that will stand for decades as a testament to its brilliant writer and cast. --Jeff Shannon

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Customer Reviews

190 Reviews
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3 star:
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2 star:
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1 star:
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Average Customer Review
4.5 out of 5 stars (190 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
4.0 out of 5 stars Goes to show the importance of actors, Jun 29 2007
By Jenny J.J.I. "A New Yorker" (That Lives in Carolinas) - See all my reviews
This movie has been brought to my attention several days ago and thought I give it a "look-see" At first, it's confusing for some minutes until you figure out the real estate lingo, but once you get past the ordinary phrases used by the businessmen, you love it. Basically the movie takes place in a real estate company on its last leg. During the night, someone breaks into the building to steal the Glengarry Leads. The good leads.

This movie kept my attention greatly and Lemmon as Shelly gives an emotional and stirring performance. His facial expressions and his movements add to the whole effect of his character and it showed he could still act in major motion pictures. Arkin as George may have the hardest character to play as he plays a shaky and often on-his-toes salesmen, a good performance. Harris as Moss gets to do most of the screaming in the movie and that's always easy for Harris, he always does a good job. Baldwin as Blake has a short scene but makes an impact and it lasts. You just listen and stay attentive when Baldwin is speaking. It's that good. Spacey as Williamson has to play an embarrassed and often ridiculed office manager but Spacey's performances are always electric.

Finally, the Oscar nominated performance of Al Pacino as Ricky Roma is quite possibly my favorite movie character ever. Pacino's usual swagger is there but this time it's there with an attitude. His screen impact is matched by no one in this movie and you'll love this character. With the exception of possibly Serpico, this is Pacino's best performance of his career and should've won the Oscar and probably would've if he didn't win for Best Actor that year.

If you don't mind strong language and you love pure acting and dialogue and possibly the greatest cast ever assembled, you'll love this movie. I give my recommendation to anyone who likes Lemmon, Pacino or just fantastic acting in general. This movie should be considered one of the greatest ever but it always gets passed up. Watch it and you'll see why you.
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5.0 out of 5 stars Best Sales Movie Ever, Jun 30 2004
By johnnyitalian@aol.com (Bergen County, NJ USA) - See all my reviews
Exaggeration & Repetition: Performance keys to live by

There are two keys to being a good performer, whether you are writing or telling a story, whether you are selling something or selling yourself: Always exaggerate things by one thousand percent, and use repetition at least 500 percent.

Those who understate a story or product that may not be very strong in the first place, will fall victims to making that story or product look weak. The way to avoid making yourself or whoever/whatever you are representing look weak is to follow the aforementioned keys. The way to do that when the product or story is weak is to learn how to "B.S." That is where being a good performer comes in...

You are an actor, and being outgoing and to the extreme will always give the impression that whatever you are talking about is "the best." A good actor can do this perfectly and not come off as overly co.cky or obnoxious. Always say what the other person wants to hear. The customer is always right. Do whatever you can to "nail the gig."

There is something else to keep in mind when doing this particular form of "B.S.-ing," and that is the "K.I.S.S." method of "keep-it-simple-stupid." That may sound like a contradiction to the keys, but it is not. Keeping it simple, is not disclosing the real specifics, but still making your case sound like it's above and beyond every other possible option. This comes in handy particularly when someone asks you a question that you may not know the full answer to. That is where "filling" comes in---something that students do when writing an English essay on a test. If you have a general idea of what you want to say but don't have a specific reply to a portion of the question, you "fill" that essay with long winded run-on sentences. However, the whole thing must be coherent, and if your essay is well-written and has a good amount of clever puns and humor, you cannot lose. If you are a slick actor or writer, you can fool even the best of English teachers into at least giving you an "E" for effort.

Another thing to keep in mind is that you will never lose if you can "meet in the middle." What that means is this: Suppose a shirt looks like it is worth $15 to a customer but you build it up so much and make it sound like it's worth $50... By the end of the conversation, if you are doing your job, you are going to get them to meet you in the middle and the final conclusion will be that the price of the shirt is around $25. The real worth may be no more than $15 (and maybe even less), and certainly nowhere near $50, but you still get the "E" for effort and earn $25. You aren't really getting into details on why the shirt is worth so much more than the customer thinks, but you are pounding it into their head that it's worth $50. You are exaggerating and repeating. You are using adjectives that may or may not apply to that shirt but you are making it sound great and far above what it's worth. So finally, they will concede a price of $25. You were stretching the truth about the shirt being worth $50 and they may have been undervaluing it at $15. Essentially, you are both lying and both playing a game with one another, but finally, a minimum of $25 is agreed upon. No one may ever find out the true value, but it's irrelevant anyway. This works in any situation.

Exaggeration and repetition. But remember to K.I.S.S.

These keys could have been discussed in one paragraph, but it took an entire page, yet you as the reader were compelled to hang onto each word from start to finish. So I succeeded as a writer in that this essay was read from start to finish and my point was proven.

The "Whale"

A whale is a customer that you pull in, hook, line and sinker and mount on the wall. He is a golden nugget, a superstar, a monster. This type of customer that you get lucky enough to snag will be your customer for life. That means, you will either be set up for life from one deal you strike up or you will have him as a repeat customer that you can call back as a strong possible prospect forever.

Sometimes it is tough to spot a whale, he may not always be overly outgoing or obvious about being a "buyer." So anyone can be a whale. The way to learn if someone is a whale or not is to simply get into their home and learn about their life and about them. So anything you can do to get your foot in the door will work.

Start off small and discuss something that may appeal to their interest and work your way into their world. Don't pre-judge them until you learn about them. This will take time and patience, but all you need is a small "in" and then you can build on that and if you win the whale's trust, all it takes is one big deal to set you up for life.

So practice the "A.B.C." method of "always be closing" with everyone, because anyone can be a prospect. While the impression may be given that you genuinely care about them, the main objective is getting them to sign on the dotted line.

Of course the obvious "Gordon Gecko" type whales who go around showboating their spending habits and their skills are the true whales that if you are lucky enough to somehow snag, you are set.

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5.0 out of 5 stars Put that coffee down!, May 1 2004
If you're looking for car crashes, gun fights and naked people you won't find them here. But if great dialogue and raw emotion hold your interest, it doesn't get any better than this. Every one of these guys should have won an award for their roles in this movie. Not sure if this particular DVD contains the interview with Jack Lemmon that was included after one of the cable TV broadcasts of the film. If not, it should!
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Most recent customer reviews

1.0 out of 5 stars A play trapped inside a movie.
'Glengarry Glen Ross' has good dialogue and good acting by the fine actors, but this is actually a play trapped inside a movie. They should not have made it into a movie.
Published on Jun 4 2004 by Dhaval Vyas

5.0 out of 5 stars ABC = A I D A
The best sales person giude to closing. An All Star line up. Ed Harris, Al Pacino, Kevin Spacey, Jack Lemmon and Alec Baldwin can't get better then this. Read more
Published on May 12 2004 by Rassool Auckbaraullee

5.0 out of 5 stars Always Be Closing!
Most people think of explosions, car chases and action/adventure films as guy movies. Well, maybe, but those are for boys. Read more
Published on April 23 2004 by James R. Mckinley

4.0 out of 5 stars "Don't Open Your Mouth 'till You Know What the Shot is!"
Six desperate men, one week to keep their jobs by closing more leads for Premier Properties. The new and lucrative Glengarry leads are only available to closers. Read more
Published on April 15 2004 by Kevin Currie-Knight

5.0 out of 5 stars Get It
Should be every sales organizations beginning presentation to break in new salesmen! You have got to watch this DVD. Read more
Published on April 8 2004

1.0 out of 5 stars ABC - awfully boring crapola
I heard people refer to this movie when they were enthusiastically trying to illustrate a point about sales or something along those lines. Read more
Published on Feb 26 2004

3.0 out of 5 stars Fairly Disappointed
After hearing rave reviews of this movie for the last couple of years, I finally rented it. After nearly two hours of absolutely nothing, other than a good line or two from Al... Read more
Published on Feb 26 2004 by A. Vegan

4.0 out of 5 stars If you are in Business see this one
This is an insightful movie into what motivates in a sales environment. Baldwin coming in with a sales contest after Jack Lemmon was such a successful sales employee for so many... Read more
Published on Feb 20 2004 by Joseph J. Slevin

4.0 out of 5 stars Coffe is for Closers
The DVD version of this film is superb. David Mamet, one of the few terrific playwrights we have now makes it all come true. Read more
Published on Feb 1 2004 by Charles Pope

1.0 out of 5 stars I cannot figure out what everyone is raving about....
This movie was just awful. I kept waiting for something to happen and then the movie just ended. A star studded cast sitting around an office dropping F-bombs. Read more
Published on Jan 17 2004 by Brad Lazorka

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