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Ali: Fear Eats The Soul
 
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Ali: Fear Eats The Soul

Starring: Rainer Werner Fassbinder, Hark Bohm Director: Rainer Werner Fassbinder
4.8 out of 5 stars  See all reviews (6 customer reviews)
List Price: CDN$ 66.99
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  • This item: Ali: Fear Eats The Soul DVD ~ Rainer Werner Fassbinder

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What do customers ultimately buy after viewing this item?

Ali: Fear Eats The Soul
81% buy the item featured on this page:
Ali: Fear Eats The Soul 4.8 out of 5 stars (6)
CDN$ 60.49
Amarcord (Criterion Collection)
19% buy
Amarcord (Criterion Collection) 4.4 out of 5 stars (33)
CDN$ 44.99

Product Details


Product Description

Video Details

Rainer Werner Fassbinder, already the director of almost twenty films by the age of 29, paid homage to his cinematic hero, Douglas Sirk, with this updated version of Sirk's All That Heaven Allows. Lonely widow Emmi Kurowsky (Brigitte Mira) meets Arab worker Ali (El Hedi ben Salem) in a bar during a rainstorm. To their own surprise (and to the shock of family, colleagues, and drinking buddies) they fall in love. In Ali: Fear Eats the Soul (Angst essen seele auf), Fassbinder expertly uses the emotional power of the melodrama to underscore the racial tensions threatening German culture.


On the DVD

New digital transfer, with restored image and sound
Original theatrical trailer
New and improved English subtitle translation
Introduction by director Todd Haynes
Interviews with actress Brigitte Mira and editor Thea Eymsz
Short film Angst isst Seele auf (2002)
From the BBC: "Signs of Vigorous Life: New German Cinema"
Excerpt from The American Soldier featuring Margarethe von Trotta
Optimal image quality: RSDL dual-layer edition
16-page booklet, featuring a new essay by critic Chris Fujiwara and a reprint of Michael Tteberg's introduction to the published screenplay

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Customer Reviews

6 Reviews
5 star:
 (5)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.8 out of 5 stars (6 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars An intimate portrayal, May 8 2004
By Hiram Gomez Pardo (Valencia, Venezuela) - See all my reviews
(TOP 1000 REVIEWER)    (REAL NAME)   
Undoubtly, Fassbinder made this film thinking in Douglas Sirk. The script is carefully made, around a woman in her third age who decides breaking the rules.
"It's easier to break an atom instead a prejuice". The Einstein's statement is translated to this picture with all its consequences.
Once more , Fassbinder becomes in the warning voice of a troubled Germany surrounded by past phantoms.
A simply movie , but in hands of Fassbinder reached the major possible level.
Watch this film. It will let you thinking.
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4.0 out of 5 stars a stereotyping habit has consequences, April 25 2004
By R. beranek "icehockey" (Gardiner, NY) - See all my reviews
(REAL NAME)   
As Lisa Nary elsewhere points out, the actor was the director's lover. Gee whiz.... It is a woman, Lisa Nary who notices this insignificant detail, not an "Inquirer" reporter. Homosexuality is important to her, as it would be to other rewievers of the "everyman" disposition. Yet, Fassbinder had commited suicide in a supremely liberal society that let him explore subjects no Spielberg would touch in the U.S. with a ten-foot pole.
(...)
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5.0 out of 5 stars Brilliant film, Mar 6 2004
By Lisa Shea "LisaShea.com" - See all my reviews
(TOP 500 REVIEWER)   
Ali - Fear Eats the Soul is a somber German tale by Rainer Werner Fassbinder of racism in Munich of the 1970s. An older woman, a widow, happens into an Arab bar to escape the rain. This is post-1972 Munich, where the bombing of the Olympic games by Islamic terrorists is still fresh in peoples' minds. But this woman is Emmi, who married a Polish worker years ago despite her own family's prejudices. She raised 3 children with him before he died of an ulcer. Now she's ready to love again.

And love she does - she falls for Ali, a Moroccan worker with a gentle soul and a partial command of the German tongue. Ali is 20 years younger than her, but he falls for her gentle ways. They sleep together on the first night, and despite the hostility of her family, her co-workers and local group, she marries him quickly. They are very happy together, but the anger of all around her wear her down. Finally she goes off on a vacation with Ali, promising him that when they return everything will be better.

An in an amazingly bizarre plot device, things ARE better. Suddenly everyone who was mean to them before finds reasons to be nice - selfish reasons. The grocer wants her money back. Her son wants her to care for the granddaughter. The apartment-mates need help moving equipment. Emmi doesn't care - she's just happy that everybody is being nice again. But Ali is getting frustrated. He gave up his soul to be with Emmi, and while Emmi is regaining her friends again, Ali has nothing. He is still stuck with a foreign tongue, living in a foreign landscape. All he asks for is some cous cous to remind him of hime - and Emmi harsly tells him to get used to German cooking.

So Ali, who is a drifting reed through most of this story, drifts back into his Arab world. He hooks up with a female Arab friend of his who cooks the food he loves and who snuggles with him at night. He plays cards with his Arab buddies while listening to Arab music. Emmi realizes her loss and comes after him. She tells him it's OK if he has other women, other friends. All she wants is his love and his presence, to fight off the loneliness. And Ali admits to her that he loves only her, that he doesn't know how this got so confusing.

Then Ali collapses with an ulcer, just like Emmi's immigrant husband did. The doctor tells Emmi that he can't help Ali at all - he can only fix him for now, send him off and expect him to return in 6 months with another ulcer. But Emmi promises that she will make this work - she will reduce the stress so Ali is happy.

I really enjoyed this movie, especially in modern day times with all the arguments going on about gay and lesbian marriages. It wasn't that long ago that the color of your skin was enough to bar you from marrying. It's very scary to think that, with so many people hoping someday to find happiness, that we would put barriers in the way of any two human beings who have managed to find it, even if they are years apart in age, or shades apart in color.

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Most recent customer reviews

5.0 out of 5 stars Moving and beautiful.
This movie is not simply about racism, xenophobia, or any soap box preaching - these are simply the background. Read more
Published on Jun 25 2004 by Imran Currah

5.0 out of 5 stars Want some couscous?
Ali: Fear Eats the Soul is a wonderful story with a strong socioeconomic message that can be compared to Douglas Sirk's All That Heaven Allows (1956) and Far From Heaven (2002) by... Read more
Published on Feb 13 2004 by Kim Anehall

5.0 out of 5 stars MOULDINGS ........
Considering all of the hoopla surrounding "Far From Heaven" - excellent though it is - one should not forget this earlier tribute to Douglas Sirk - and in some ways more... Read more
Published on Jan 6 2003

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