Cat And The Canary

This is not a movie for everyone. People who need special effects that leave nothing to the imagination, sound systems that capture every bullet casing hitting the floor or editing to hold those with short attention spans should not buy this movie. Well, they should, but they won't and they wouldn't enjoy it if they did.

For those who grew up watching Chiller Theater on Friday nights, this is a great movie to turn the lights down, prop the popcorn bowl on the knee, crack open a cold frosty and sit back for a pleasant evening.

The Cat and the Canary is just plain fun to watch. The hero doodling as the lawyer drones on is worth the price of the DVD alone. It's also amazing to see how silent actors and actresses can convey so much with a raised brow or a dimpled smile than many of today's Hollywood stars can with reams of scripts to read.

The Harold Lloyd short also is another pleasant haunted house comedy that develops at a leisurely pace like a stroll through a park that builds into a madcap dash.

"The Cat and the Canary" originally started off as a Broadway play in 1922 and was made into (as far as I know) three films. The most famous being the 1939 adaptation starring Bob Hope. But this 1927 version just dazzles you with its techinal achievements. It has inspiring cinematography by Gilbert Warrenton and remarkable editing from Martin G. Cohn. There are plenty of shots I'm willing to bet were ahead of their time, mostly dealing with fade in's and out's.

If you were to ask me, is this movie scary? I would have to answer no. "The Cat and the Canary" is just too dated to scare anyone. We've seen this far too many times for it to give us "thrills and chills", but, what makes this movie so entertaining to watch is it is an exercise in style and atmosphere. It is the cinematography and the mood the film creates that will capture your attention. This film set-up what we now refer to as "haunted house" movies.

Paul Leni, for those who don't know is revered as one of the great German expressionist through such films as "The Man Who Laughs" and "Waxworks". And these three films are seen as the last of there kind.

"The Cat and the Canary" as I said help establish what we now refer to as "haunted house" movies. The plot revolves around the death of Cyrus West, a millionair who's relatives hounded him like cats around a canary (hence the title). His will, as ordered by him, will be opened twenty years after his death. So a few of them show up to his dark eerie castle where legend has it is haunted by his spirit. The movie stars Laura La Plante as Annabelle West. She was very much in demand during the silent era and made some sound pictures including "Show Boat" and "The King of Jazz" (featuring Paul Whiteman). and Creighton Hale as Paul Jones (after you see his performance you'll understand perfectly why they remade it as a Bob Hope vehicle). He too was once popular but when sound came in, he was reduced to very small bit parts often going "uncredited". As you watch the movie you can expect every cliche attempt at horror you can think of. Some of which are still used today. Creepy hands appearing out of nowhere, the "offbeat" looking characters who you just suspect are evil and as mentioned before, that eerie atmosphere.

Fans of silent films or even young film students I urge you to see this movie. You will be impressed.

Bottom-line: As far as I'm concerned should be considered one of the most influential films of all-time due to its impressive cinematography and editing. An exercise in style and atmosphere that actually works.

Paul Leni's expressionistic directing does wonders with the story although its stage origins are apparent. Had Leni not died in 1929, I wonder what he might have done with DRACULA as early Universal publicity claimed he would direct it.

The DVD contains a great bonus of an early Harold Lloyd short, HAUNTED SPOOKS, from 1920. Consistently inventive, this film is chilling on its own terms because Lloyd lost the thumb and index finger of his right hand during the filming. He was posing for publicity photos and was holding a lighted but supposedly dud bomb. It went off. Despite his hospitalization and the obvious trauma he suffered, Lloyd was back at work on HAUNTED SPOOKS within a few weeks, wearing a flesh-colored glove on his right hand with a prosthetic thumb and finger. It's interesting to compare footage that is clearly "before and after" based on how he uses his right hand. This tragedy didn't stop Lloyd from making this film into a top comedy or from going on to be a star of feature films, enjoying a popularity that was second only to Charlie Chaplin. Now that's REAL determination!