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3 of 3 people found the following review helpful:
5.0 out of 5 stars
Buck 65 Takes it further, Sep 17 2005
Following on the successes of Buck 65's 'Alt-folk-hip-hop' mash of Talkin' Honky Blues (2003) and the more-recent release of the reworking of his greatest hits, This Here is Buck 65 (2004?)... Secret House Against the World takes Rich's passion for record-making to a new level of sexy french-filled noir beats and bits. Having spent time in the closest metropolis he calls a Canadian home-town, Halifax, and knowing at least part of his collaborative team (Charles Austin, great job), I can see and feel where he gets at least part of his 'new sound'. It doesn't fit the classic definition of hip-hop anymore, but rather a courageous extention truely showing that Buck 65 is an original artist, still speaking over seductive rhythms, but featuring less emphasis on turntablism and displaying none of the top-40 major-label threats/treats placed upon him by being supported by a major label (hey, there is a lot of plinky piano involved). Nice choice of involving Tortoise on the production of this album, wrapped up nicely.Buy the album if you've enjoyed Buck 65, buy the album if you like experimental music, buy the album if you want to stay awake in a foreign country, don't buy the album if you are looking for the next Eminem. My favorites are: Devil's Eyes [Piano Version] Drawing Curtains <!> Surrender to Strangeness Drunk Without Drinking Blanc-Bec <I'm imagining Buck's first Hollywood soundtrack appearance for next years 'Ghost Rider' movie, maybe the opening theme, it is a good track> When are Buck 65 and Kid Koala going to hook up for something? Seriously?
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3.0 out of 5 stars
A self-described 'detour' - that's about right, Oct 2 2007
It's hard to call this album a step backwards for Buck 65, since it extends him into so many new musical territories. There's everything here from breakneck punk/hip-hop fusion to decadent French chansons. Yet the themes and lyrical vision often seem narrower and less inspired than on some past efforts; and the fact is, this record is an uneven, self-indulgent mish-mash when compared to its predecessor (the mind-blowing 'Talkin' Honky Blues'). On Buck's website he describes this album as a 'detour.' Yep.
Having said that, it's not without merit. For instance, 'Blood of a Young Wolf' ranks with Buck's best work - hell, with anybody's best work, really. It alone is worth the sticker price. His vocals are great throughout. But it's a bit of bummer to witness Buck, after years of building up the style that culminated in THB, suddenly veering away from much of what makes him great.
A good album with some great moments and a few unlistenable ones. If you're new to Buck, start with Talkin' Honky Blues, not this.
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5.0 out of 5 stars
Brilliant, lyrical, melodic and original, Jul 21 2006
All I can say is WOW! Finally a Canadian artist that can make the hair stand on my arms, shake my head in disbelief and continuously murmer 'brilliant' under my breath.
Lyrically, in my opinion, it just doesn't get any better than this. Amused to Death by Roger Waters and the Future by Leonard Cohen (another Canadian artist I respect alot) were on the top of my list as lyrical masterpeices. This album is now right up there with them. I can't say enough about it.
I saw Rich by accident when my girlfriend took me to a Moby show last year and he was the opening act. I enjoyed him WAY more than Moby but sort of kept it distinctly as a memory.
I decided to purchase this album after hearing a radio broadcast of him and haven't looked back.
The album is really well recorded, has great dynamics and that three dimensional depth that is so rare in modern music. The musical passages are oftem melodic in a dark, beautiful sort of way.
I love almost all the songs on the album, with my favorites being:
Surrender to Strangeness
Blood of a Young Wolf
Drawing Curtains
I would say this is more of an intimate album than anything. Something you listen to with headphones on, while your driving or in the dark with a glass of wine. In other words, it's not dinner or dance music. But to me, that's what real music is: art and expression; and this album oozes with it.
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