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The Fox and the Hound marked the last collaboration between Disney's older artists, including three of the "Nine Old Men" (Frank Thomas, Ollie Johnston, and Woolie Reitherman), and the young animators who would make the record-breaking films of the '90s. Based on a book by Daniel P. Mannix, the film tells the story of a bloodhound puppy and a fox kit who begin as friends but are forced to become enemies. Tod and Copper barely establish their friendship before Copper begins his training as hunting dog. Unfortunately, neither character develops much of a personality, which makes it difficult to care about them. The screen comes alive near end of the film, when Tod and Copper have to join forces to fight off an enormous bear. It had been years since Disney produced a sequence with this kind of feral power--and years would pass before they surpassed it.
The Fox and the Hound ranks as one of the studio's lesser efforts, but it suggests that better films were soon to follow. (Ages 5 and older)
--Charles Solomon
Review
Produced during an acknowledged "slump" period after Walt Disney's death, The Fox and the Hound is a warm and amusing, if slightly dull, entry in the Disney animated canon. The story is conventional and generally predictable; in other hands, it would have been a fine framework for a cartoon, but here the characters are undistinguished and the dialogue is exactly what is expected, no more. Pacing is also problematic, with several portions of the film sluggish. These are balanced, however, by some very good moments: the sorrowful segment when Tod is taken to the game reserve, the climactic bear fight, and the final bittersweet parting. The animation in the bear sequence in particular is good, as is the extraneous (and unfortunately not very funny) running gag involving a caterpillar. Buddy Baker's score is exceptionally weak, but the invaluable Pearl Bailey still manages to make her numbers into rousers. Mickey Rooney and Kurt Russell also turn in fine vocal performances, as do Sandy Duncan and Jack Albertson in smaller roles. Two of the directors, Richard Rich and Ted Berman, would next direct The Black Cauldron, a less successful but more ambitious project. ~ Craig Butler, All Movie Guide