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Words and Music
 
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Words and Music

Avec : June Allyson, Harry Antrim Réalisateur : Norman Taurog
5.0étoiles sur 5  Voir tous les commentaires (2 évaluations de client)
Prix éditeur: CDN$ 24.95
Price: CDN$ 22.49 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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  • Cet article : Words and Music DVD ~ Norman Taurog

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Les détails du produit


Descriptions du produit

From Amazon.com

The plot is a hokey whitewash of the careers of Richard Rodgers and Lorenz Hart, with characters talking in stilted phrases ("Gee, Larry, that's marvelous, really and truly") and complexities reduced to ground zero. But Rodgers and Hart comprised one of the greatest song-writing teams of the 20th century, and Words and Music (1948) is an excuse for a gang of Hollywood's top performers to have their way with the tunes. Mel Tormé croons a melancholy "Blue Moon," June Allyson twinkles through "Thou Swell," and a climactic ballet to "Slaughter on 10th Avenue" features Gene Kelly and Vera-Ellen in slinky, kicky form. As is often the case in MGM musicals of this period, Lena Horne steals the show with a self-contained sequence (so it could be snipped out in theaters in the U.S. South), here contributing stunning versions of "The Lady Is a Tramp" and that most mysterious of American pop songs, "Where or When."

The film's sense of time is deranged: Perry Como plays an early friend of R&H, then decades later, himself; Garbo's Camille is shown as a silent film, although it was released 10 years after sound came in; and the grown-up Judy Garland plays herself in a period when she would have been a child. The upside is that Garland romps through "Johnny One Note," one of many examples of Lorenz Hart's lyrical dexterity. Tom Drake is a dull Rodgers, but Mickey Rooney's buzz-saw energy and crazed appetite might have made a brilliant Larry Hart. In a better movie, that is. --Robert Horton



Review

Hollywood biopics have justifiably been criticized for playing fast and loose with the facts, especially when dealing with composers and lyricists. Words and Music is an extreme example of this, the historical accuracy of which is practically nil. This wouldn't have really mattered had the resulting screenplay been more palatable, blessed with more interesting characters, or possessed of witty and sparkling repartee. Unfortunately, it's a clichd story with lines the viewer can finish before they're out of the characters' mouths. Matters aren't helped by the leads; Tom Drake is dull and Mickey Rooney annoying. What saves the film are the songs and their performers. Richard Rodgers and Lorenz Hart wrote some of the finest songs of their day, each imbued with Rodgers' incredible melodic facility and Hart's astounding wordplay, and most of the interpreters present do them full justice. Judy Garland and Lena Horne win highest marks, with a vigorous "Johnny One Note" and a blazing "The Lady Is a Tramp," respectively. "Slaughter on Tenth Avenue" is truncated somewhat, but danced brilliantly by Gene Kelly and, cast surprisingly well against type, Vera Ellen. Even June Allyson, singing "Thou Swell," turns in a superior performance. Production values are high, as expected of an MGM musical of the period, and the vocal arrangements are a lot of fun. Words and Music would be followed the next year by Night and Day, a film about Cole Porter that was also largely fictionalized. ~ Craig Butler, All Movie Guide

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L'avis des consommateurs

2 évaluations
5 étoiles:
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4 étoiles:    (0)
3 étoiles:    (0)
2 étoiles:    (0)
1 étoiles:    (0)
 
 
 
 
 
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5.0étoiles sur 5 (2 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 An Unforgetable Evening, Mai 31 2004
Par Thomas J. Bradley (Guilderland, NY United States) - Voir tous mes commentaires
(REAL NAME)   
This review is from: Words and Music (VHS Tape)
I'd just returned from the Berlin Air Lift with my honorable discharge papers and a purple heart proudly pinned on my chest. It was the most wonderful years of my life.

I worked in the mess hall, but I got injured while delivering a cup o' Joe, as we called in them days, to General Lucius Clay. The danged driver let the clutch pop and the Jeep ran over my foot.

I'd seen that General Clay any number of times and was most impressed. Did you know he was the durect descendant of ole Henry Clay, the man who said he'd rather be goldanged right then president. Now there's a man who shoulda been president instead of that danged old Eisenhower. The General, not Henry.

I seen Ike, as we called him, numerous times too, always pouring sugar and creamer in his Joe. Never trusted a man who used both.

Anyway, my foot was getting better and I decided to get out of the house. Ma, God rest her soul, was always telling me go rake this, go pick this and go milk that and she was getting on my nerves, although it warn't her fault. She missed Pa since his tractor rolled in '39. He was drunk acourse, but we all missed him all the same.

I was going to the Strand and figured I'd call my old buddy Bob Eshbach about going. Well, his sister CeeCee was home from college (not many women went then, no need for more educated fools in the world) and we got chatting and I asked her out despite the fact she musta had a real bad cold because her voice all husky.

I picked her up in the Model A I'd bought for $5. She looked elegant in her green and orange komono, covering her kabukied up white-as-snow face with that little pink fan, a' batting her eyes at me.

I was enamoured and said the first word that came to my mind: "Golly." I was going to follow up with "Am I mistaken, CeeCee, but have you grown about seven inches and beefed up since we last met," but a gentleman never asks a gal if she's beefed up. It ain't polite. Pa taught me that with a whipping.

We rode along quiet for a while, both bursting with anticipation for the evening when I said "We're going to the Strand. That okay? Have youu seen the movie? Shucks, I don't even know what's playing."

"Tom, it's 'Words and Music.' Do you know anything abour it?" she replied.

"It's about them musical brothers, the Strausses or something, ain't it?"

"Rogers and Hart. Lorenz Hart was gay, you know. Does that bother you?"

That peeved me some, asking a question like I was rube or something. "Gay! Bother me? Hecks bells, no. Any feller who wrote about the corn being as high as an elephant's eye or an all decked out surrey ought to be gay. Them's wonderful, happy songs, especially to farm people like me. CeeCee, sometimes I'm gay. Not around, Ma of course. She wouldn't approve. In Berlin I was gay any number of times."

Why I could see her blush through her pancake make up as she fluttered her fan, cocked her head and cooed in a gravelly sort of way, "Oh really."

Well we got there on time and settled in with pop corn and pops. I didn't think Mickey Rooney was gay at all in his portrayal of Hart...just Academy Award level acting. While watching all the wonderful technicolor singing and dancing about small hotels and mountain greenery, I drank a big RC Cola so about half way through when Lena Horne started to pipe up, I excused myself for the little boys room.

When I returned, CeeCee had our box of pop corn on her lap and right away tilted it toward me and asked "Want some, hun." Well I reached in there and there warn't a lot of popcorn left, but a surprise at the bottom like the Cracker Jacks has.

It was a real eye opener.

We dated the rest of the summer, until she was drafted and sent to Korea and mysteriously disappeared from the ship taking her there.

Whenever I see "Words and Music" (And it's daily since I bought it at Amazon) I think of my poor CeeCee.

It is a wonderful movie, just right for them that's four to them that's 104, and I ain't referring to no sick bed temperature. Buy it today. You'll love it.

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5.0étoiles sur 5 COOL movie!, Janv. 4 2004
Par Un client
This review is from: Words and Music (VHS Tape)
Judy, Mickey, Vera-Ellen, Gene, and an ever-so-cute June Alyson in "thou swell"! She, along with all her cast members give a spectacular performance!
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