4.0 out of 5 stars
Still the best, March 26 2002
My sentiments very much tend to echo those of the previous reviewer.
This book remains indispensable for any serious collector of classical music. I have made numerous purchases based on the recommendations in this book and have been rarely disappointed (in particular with the sterile Naxos recording of Bruckner's motets - rather buy the Jochum on DG).
My reservations are twofold:
1) Too little report on action at the independent classical labels, eg: Martin Jones' excellent second cycle of Spanish Piano Music for Nimbus remains unreviewed. Various excellent Russian recordings devoted to Grechaninov's choral works exist (Chandos, Olympia) but the only one reviewed is (needless to say) a British one.
2) Glaring ommissions. Composerwise I'll stick with Pavel Chesnokov - probably the most important Russian composer composing almost exclusively choral works. Excellent recordings were released by Olympia, but no mention. As regards compositions, I was disappointed by the paucity of reviews of Sarasate works for violin and piano (other than the Zigeunerweisen and the Carmen fantasy, which are almost mainstream) - Rachel Barton and Itzhak Perlman come to mind.
Still, an excellent guide.