From Publishers Weekly
Columbia University fiction professor Kirshenbaum (Hester Among the Ruins) mixes biblical lore with Brooklyn culture in her latest novel, a tragicomic tale of mah-jongg, thwarted love and the mysteries of faith in 1970s Carnarsie. Valentine Kessler, a lovely, slightly spacey Jewish teenager who's "the spitting image of the Blessed Virgin Mary as she appeared to Bernadette at Lourdes," is the book's enigmatic center. Around her swirl the shifting allegiances of high school friendships, the neighbors ("The Girls") with whom her mother trades gossip and mah-jongg tiles, and the increasingly desperate lives of two of her high school teachers, John Wosileski and Joanne Clarke. While cold, disappointed Joanne, who's got her eye on John, sabotages her chances at love, ?ohn, who privately aches for Valentine, succumbs to inertia, exhausted by the "thought of rallying" against life's challenges. Kirshenbaum's rendering of these two allows for painfully funny insights, but tenderhearted readers may wish their lives were a little less miserable. Much more fun are "The Girls," four middle-aged housewives. From Judy Weinstein, the queen of gold lamé, to Valentine's obese mother, Miriam, who substitutes food for passion, they are vibrant and warm ("Girls. Girls. Are we gabbing or are we playing?"). Kirshenbaum's narrative style is a little restless, relying more on clever snapshots than fleshed out scenes, as she jumps from one character's perspective to the next. But she gracefully mixes comic takes on familiar domestic scenes with the poignant story of Valentine, who wants to be the Blessed Virgin but also to experience sexual pleasure. Complications and heartache abound, but they're mitigated by Kirshenbaum's humane humor and sly wit.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Booklist
Kirshenbaum's novels are smart, funny, and provocative. Her last book,
Hester among the Ruins [BKL Ja 1 & 15 02], is a spiky inquiry into the aftermath of the Holocaust. Her latest, set in a Jewish enclave in Brooklyn, is a quicksilver fable that manages to be at once ironic and mystical, tender and edgy, loaded with shtick and downright subversive. Miriam, once voluptuous, now enormous, has lovingly raised her daughter, Valentine, solo after her adored scamp of a husband scampered away. Miriam finds solidarity and kinship with the Girls, her immaculately groomed, perpetually chattering, kindhearted, mah-jongg-playing friends, but none of them knows what to make of Valentine, a serenely beautiful yet severely klutzy teenage recluse. Of course, still waters run deep--Valentine has developed two secret and life-altering obsessions: one with her nerdy math teacher and the other with the Virgin Mary, whom she eerily resembles and eventually emulates. Writing with diamondlike clarity, high imagination, mischievous wit, and a whole lot of chutzpah, Kirshenbaum ingeniously and daringly inverts biblical tales and social mores to tell an exhilarating story of a living deity in an attempt to illuminate the obdurate mysteries of the human heart and the truly cosmic dimensions of love.
Donna SeamanCopyright © American Library Association. All rights reserved
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
