- Mass Market Paperback
- Language: English
- ISBN-10: 0061054895
- ISBN-13: 978-0061054891
- Product Dimensions: 17.2 x 10.9 x 2.7 cm
- Shipping Weight: 204 g
- Average Customer Review: 4.3 out of 5 stars See all reviews (51 customer reviews)
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Most helpful customer reviews
1 of 1 people found the following review helpful
3.0 out of 5 stars
ooooh dare I give a pratchett book 3 stars?!,
By laugh all you want, but when I read about how Susan laughed at the swing he tried to make for her it brought tears to my eyes... I absolutely love Pratchetts work. I also love music so I was ready to love this book. but, what can I say? it was kinda boring- not one of his best. there wasn't enough plot for 380 pages. and the ending was a bit hazy. I'm not even sure what happened there. but still, 3 stars on the Pratchett scale is about 5 stars on any other scale. better buy Small Gods or Carpe Jugulum instead, and save that one for later!
5.0 out of 5 stars
maybe more like 4.5,
By Brian "Brian" (Ohio, United States) - See all my reviews It was nice to follow Death on one of his journies to find himself and it is always great to hear from the Grim Squeaker (Death of Rats) again. Good book.
4.0 out of 5 stars
For the most part holds up on its promises.,
By Kam (Las Vegas) - See all my reviews I used to be into rock music a number of years ago, but I grew out of it as I began to take notice of just how pointless all the angst associated with the scene really was; the fact that all the bands sounded the same, I suppose, must have also played a part in my disenchantment. Whatever the case, this installment in the Discworld series struck a chord with me as it began to make note of all the conventions that go along hand in hand with the music; spike-studded leather clothing, you could say, goes along pretty well with the entire scene--but outside of that, you really can't justify its usage with any other point. For a while, it's great to see Pratchett introduce element after element on the ground that "it just *fits*"--at least, until the end of the novel approaches, and you realize that what has been parodied is really nothing more than the superficial elements of it all. But it's all fine and dandy, because when things begin to grow stale, our attention is turned towards Death's granddaughter's approach to her newly-inherited vocation, and the more intimate details of Death's home. I don't know if any details on the latter may have been dispersed in previous installments of the series (as I've only read a handful), but what's here is a hoot--it's a neat little way to make Death a more palatable, charismatic character. The most problematic issue at hand, though, seems to be the conclusion of the novel--we're treated to dozens of terse passages that try to build up momentum for a situation so clichéd that it almost lacks any sort of impetus whatsoever, and at the end of it all you're left scratching your head at what seems to be a rushed, indolent excuse for an ending. And if you read over it, you'll realize that the passages relating to the Patrician are but a waste of time--nothing he does is important enough to progress the story, and since Pratchett forgets about him by the end (or middle) of the book, it seems like the reader is expected to have done so as well. So I'll forget, and imbue the inner recesses of my mind with the opinion that "Soul Music" is a great frivolous read. There's really not enough reason here to regret having spent my money; in fact, for more passages with C.M.O.T. Dibbler alone, I'd probably be willing to fork over twice as large an amount.
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