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by David Carpenter
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by George Bowering
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by Sinclair Ross
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by Guy Vanderhaeghe
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by Margaret Laurence
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Obasan opens in 1972 with Naomi, a second-generation schoolteacher, still dealing with the emotional and psychological aftermath of her childhood experience. She recalls the historical events so coldly chronicled in official documents. Letters and journals kept by her aunt, Emily Kato, help colour these recollections, as does her reunion with surviving family members upon her uncle's death. Her uncle's widow, Obasan, the once strong and graceful woman who raised Naomi, is now blind and crippled by age and time. The contrast between her current condition and the memory of her enduring strength becomes the painful but intimately compelling centre of the novel. Obasan is autobiographical; Naomi's experiences mirror Kogawa's own. This fact contributes to the power of Kogawa's prose, but her remarkably poetic writing and eye for image and symbolism are what elevate this deeply moving novel to the status of Canadian classic. --Jonathan Dewar
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