Mondo Cane: Collection

Start your experience with "Mondo Cane," "Mondo Cane 2," and "Women of the World." These are the first three films made by the two moviemakers, and are arguably the quirkiest. These three documentaries capture some of the oddest rituals practiced by peoples throughout the world. We see strange and bloody religious rituals in Italy, the grotesque lengths women will go to retain their youthful appearance, animals dying from radiation poisoning in the South Pacific, shark hunts, the horrific effects of Thalidomide, primitive peoples in New Guinea building shrines to airplanes, and so many other diverse oddities that it simply staggers the imagination. Many scenes are tame to modern eyes, some are still shocking, and several are just plain amusing. For example, you will laugh yourself sick over the "slap the faces" concert seen at the end of "Mondo Cane 2," although the participants look decidedly unhappy over their performance. There are plenty of extras on these three discs, including poster stills, trailers, and a few other worthwhile goodies; the picture quality is so good, so crystal clear, that the colors simply take your breath away.

Perhaps the most controversial film made by Prosperi and Jacopetti was "Africa Addio" ("Farewell, Africa"), an attempt to document the changes in Africa during the time when the European imperial powers granted independence and withdrew from the continent. Ultimately accused of racism by critics for their unflinching portrait of a region gone mad, "Africa Addio" reveals in grisly detail the monstrous crimes committed by indigenous Africans against the remaining white settlers and the local wildlife. Large segments of the film show poachers brutally killing animals in the parks set up by Europeans. Moreover, the killing extends to humans as civil wars break out across the continent, with Africans killing each other, slaughtering Muslim minorities, and battling white mercenaries. Two executions caught on camera eventually resulted in charges against Gualtiero Jacopetti, who stood accused of orchestrating the killings for the camera (he was eventually exonerated). As tough as this film is to watch, try and look past the bloodshed and enjoy the panoramic scenery found in nearly every scene. Africa, despite all of its troubles, truly is a beautiful land.

Nothing will prepare you for the nightmarish images in "Addio Zio Tom," (Goodbye Uncle Tom) a film made to counter charges of racism stemming from the "Africa Addio" experience. Fashioned as a sort of pseudo documentary where the filmmakers go back in time and visit the American South during the slave era, the movie is a grim look at the degrading conditions faced by Africans brought here as chattel. Every scene is absolutely mind blasting stuff, a horrific recreation of such abhorrent activities as the breeding of slaves, the formulation of scientific racism, hunting down and killing escaped slaves, the sickening conditions of the slave ships, the slave markets, and a billion other objectionable situations. The filmmakers based their film on written records and accounts of slave life, ultimately using the issue of slavery to make a statement about contemporary (1960s and 1970s) American race relations. Be sure and watch both versions: the English language cut is an entirely different film from the director's cut. Both are grueling experiences tempered only slightly by Riz Ortolani's FANTASTIC musical score (Ortolani scored "Mondo Cane" as well and snagged an Academy Award nomination for the song "More" from that film).

"The Godfathers of Mondo" provides plenty of information about the collaboration between Prosperi and Jacopetti, Ortolani's musical work on the films, and a chronological discussion of each film. The impression I took away from the "Mondo Cane" films was the silliness of humanity in general, how we all do ridiculous things in our everyday life and never give any of it a second thought. At the same time, we are capable of particularly vicious activities that we never give a second thought to, either. With "Africa Addio" and "Addio Zio Tom" the whole scope of Prosperi and Jacopetti's documentary style changed. These films dwell on human beings as barbarians engaged in enormous bouts of cruelty and bloodshed. One of the filmmakers says in "The Godfathers of Mondo" that violence is a part of life that should appear in any attempt to document the human experience. I agree wholeheartedly, but that doesn't make these two films any easier to watch. Thanks, Blue Underground, for a truly memorable experience.

The first two discs are Mondo Cane and Mondo Cane 2. Mondo Cane is certainly a milestone and in fact this entire genre of "shocking documentaries" which where made by Euro filmmakers is better known as the 'mondo' genre. Essentially Mondo Cane is a strange journey into some of the more bizarre and macabre places with the camera voyeuristically witnessing all kinds of oddities and bringing them back for the curious viewer. Mondo Cane 2 continues this tradition. The third disc Women of the World is similar but all the footage is tied together by a common theme of the varied roles women play in different parts of the world.

The next 2 discs are the cut English language version of Africa Addio and the Italian language uncut version. Considered by many to be the greatest mondo doco of all time, the crew head of into Africa during it's transition from colonial control. While the majority of this focuses on the interactions of white and black and some long sequences on the fate of wildlife with laws protecting them diminished (countless animals are gunned down and speared in these scenes and hippos are dismembered) what sets this apart is the aftermath of several massacres caught on film. Later the crew hook up with a group of mercenaries (these nuts look as though they just walked of col. Kurtz's compound in 'Apocalypse Now') and go on a mission, filming a couple of executions.

After the English language print was recut to exclude much political commentary and the censored version was released the film makers came under fire and accused of exploitation, racism and some even called them murders (accusing them of paying for the executions). Being labeled racists must have really angered Jacopetti and Prosperi resulting in them making Addio Zio Tom (Goodbye Uncle Tom) in order to prove that they are not racist.

The next 2 discs are Goodbye Uncle Tom in the cut English version and Italian Language directors cut (this disc alone in worth the price of the set). The butchered English version done little to mend their reputations as in order to have it released alternate versions of scenes were shot and some extreme (but easily justified) politics were omitted. In essence it became a different movie.

The director's cut of Goodbye Uncle Tom is one of the most amazing films I have ever seen. While some scenes are mondo filmed modern 70's events in America, the majority of this film is a departure of the mondo formula as they have made a regular motion picture with actors and sets under the pretense of them traveling back in time to shoot a mondo doco on the slave trade in America pre civil war. All these scenes are set up based on factual accounts and are unsparingly brutal and authentic, literally using 1000s of extras. The sweeping photography and epic scale of this film as we are taken into various aspects of slavery make for a simply breathtaking motion picture experience.

Some people have claimed these scenes are a false representation, by pointing out silly little things like "there probably wouldn't be so many slaves in the house" and "they wouldn't be allowed to jump on the bed like that" as well as others who are infuriated by this film claiming that "it was never as depraved as this" but once again this film is clearly well researched quoting writers of the time and besides how could any people who kept slaves not be "depraved" anyway? Gone With the Wind this certainly is not. Roots, while well made and genuinely heartfelt, is pure sacarine by comparison. Steven Speilberg made the typically cowardly film 'Amistaad'. How can this courtroom drama depicting Europeans as being cruel to slaves and Americans liberating them via the righteous legal system be hailed as "tackling slavery head on" when it completely ignores the 200 years of slavery in America? Goodbye Uncle Tom is clearly a one of a kind spectacle and in my humble opinion the best disc in the set.

The final disc is a doco on the filmmakers themselves, rounding out what is an awesome boxset!