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2 of 3 people found the following review helpful:
1.0 out of 5 stars
Possibly The Worst DVD Transfer Ever, May 4 2003
Before you read further, I highly recommend the MASTERWORKS edition recently released. Also, I absolutely love this film. You can read everyone else's reviews to reinforce that opinion. But Fox Lorber? A disgrace they are. The whole movie is shifted to the top of the screen, leaving a giant black bar on the bottom of the screen. If that's not bad enough, the bright yellow subtitles are on the very bottom, making your eyes sore from moving them up and down constantly at a larger degree. The subtitles are burned in, so taking them off is not an option at all. The picture is completely not remastered, colors are way-off. It seems their only master was a worn out VHS copy that was at a Blockbuster down the street. To see what i mean by all this, get yourself the MASTERWORKS edition, and compare the restoration demonstration, the old DVD copy is just what the un-remastered material looks like. I warn you, this is better off as a very expensive drink coaster than a preservation of art. Kurosawa rolled in his grave when this was released....
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5.0 out of 5 stars
Now I see why my friends love this so much, Aug 16 2007
"Ran" is the first film I've watched by Akira Kurosawa. Now I'm a huge fan of his work thanks to my Amazonian friends who had already seen it. When a legend like Kurosawa, does a King Lear adaptation at the tender age of 75, one would expect a small-scale film concentrating on the human elements of the story. That he produced an epic of such proportions makes a further evaluation of the great man's contribution to cinema necessary.
"Ran" is set in medieval Japan and follows the basic King Lear narrative closely. Lord Hidetora is an aging warlord and, wanting a peaceful retirement, decides to divide his kingdom up amongst his three sons. After banishing the youngest, Saburo, for pouring scorn on the idea, Hidetora finds himself an unwanted obstacle to the older two. After repeated humiliations, pride forces Hidetora into vain wanderings on the open plain, his state of mind declining as rapidly as his entourage.
The film sets itself the unenviable task of trying to explain the precarious position man holds within the universe. Man is seen to be elevating himself to such a level that he dreams of challenging the very laws of nature. Hidetora has achieved his status through deception, callousness and violence; his notion to wash away the blood he has spilt in happy retirement is scornfully thrown back by the elements. The speed and manner in which he is forced to lie in the bed he has made for himself should serve as a warning to all.
The films large set pieces, particularly two quite stunning battle sequences, are staged magnificently, but 'Ran' is no empty epic. The characters and their motivations are fully explored and the tension built up by the dialogue fully compliments the action. With an ending which offers no redemption 'Ran' paints a bleak picture - the colors and brushstrokes it employs however, turn it into a dazzling masterpiece. The battle scenes are some of the best I have seen. One point - the second main battle reminds me of 'Zulu' with the soldiers lined up on the skyline shouting down. The makeup used on Hidetora to mimick the Noh theatre makes this film that much more dramatic.
Don't expect to be uplifted with a standard samurai flick. This is one of the most historic beautiful films I've ever seen. Before you watch this try placing this on big screen with good color registration and good sound because Kurosawa uses as much of the screen as he can.
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5.0 out of 5 stars
Lust for Power and Madness, Jun 15 2006
The story line is superb ... the scenery is stunning and gorgeous, vast mountains and green valleys, walled castles and fortresses. Hidetora, the aging warlord, holds a conference with his three sons and local chieftains on a mountainside. He announces his decision to relinquish the leadership of his kingdom to the eldest of his three sons. Only one son, the youngest, dares to speak up and state that during his lifetime he has known only war and fighting, he predicts the same after the transfer of power. He believes there will be power struggles between his two older brothers due to jealousy. The youngest brother personally has no desire to be warlord. Hidetora planned to leave one castle to each of his three sons. He has each son hold an arrow and asks them to break it in half, which they easily do. He gives them in succession, three arrows bundled together, representing the unity of the family, none can break the bundle. This is Hidetora's example of how the family will remain strong if they remain unified. He envisions the House of Ichimanji to be powerful and his eldest son to be overlord of the kingdoms attained during Hidetora's own reign of power. In his anger, Hidetora banishes the youngest son accusing him of defying his wishes ... Yet Subarua, the youngest, holds his father in esteem and respect throughout the predicted battles which come to pass.
Hidetora visits Taro's castle after the power transfer and finds his concubines have to bow and kneel to Taro's wife, Sue'. They are forced to move out. Hidetora discovers after the transfer of power, he is no longer respected. Sue' married into the family to consolidate land holdings and property attained as the spoils of war, a war in which her parents were murdered. She harbored revenge in her heart ever since and now urges her husband to fight his brother, Jiro. Hidetora's court jester creates a mocking song about Taro being like a gourd, spinning this way and spinning that way, implying he can not make a sound decision and stick with it. At a family gathering Taro hears the song and is outraged ... In a surprise move, Hidetora and his guards leave to visit Jiro. Hidetora discovers he is not welcome there either, not at all what he expected. He left abruptly ...
The treachery to gain power and control over the lands and castles by the two older brothers consumes them. As predicted by Subaru, the younger brother, war is inevitable. Local chieftains must decide where their loyalties lie, which brother to support. Hidetora goes into hiding. Eventually he goes mad. His only guard and caregiver, the jester, does not leave his side. This film contains very strong battle scenes. The desire for control and power is the true motivator for both older brothers. Loosely based on Shakespeare's King Lear, this Japanese version is astonishing in scope and grandeur. The costumes and scenery are fabulous. In the film, there are tender moments between the jester and Hidetora. There are moving scenes where Jiro's wife escapes to find her brother who was blinded in a past conquest and lives alone in a cottage ... The producers and directors create a phenomenal ending and conclusion. At some point, Hidetora reawakens from his madness long enough to recognize the impact of his decision on his family and the near destruction of the kingdom he once ruled. The ending is climactic and leaves a major impression on the viewer. The film is spectacular.
Erika Borsos (erikab93
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