Commentaires client les plus utiles
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5.0étoiles sur 5
The Weston experience- an introspective look, Jui 13 2004
A fascinating introspective look into the mind of one of the great American photographers of the beginning of the 20th century, Edward Weston. With his intricate, yet simple, and sometimes abstract images, Weston created a world of his own together with his "one true love," his camera. By evidently pouring his soul into every entry of his daybooks, Weston makes the reader gain a greater understanding of his technique and extraordinary eye for beauty. The chronological organization of entries takes the reader from Weston's days in Mexico through his days in California.
Not only writing about photography, Weston describes his many acquaintances (his encounters with Stieglits are most interesting), his dinner parties, his adventures in a foreign land, his romantic dealings, etc. It was interesting to read of his take on Mexico of the 1920's. Also interesting is the glimpse into the life of a struggling artist who depends of every "sitting" to survive...the life of a true artist. The pairing up of his writings with sporadic clusters of his wonderful photographs enhanced and completed this Weston experience. Alltoghether a fascinating compilation of thought, highly recommendable.
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5.0étoiles sur 5
An intimate look into the mind and soul of an artist, Janv. 9 1998
This book stands alone in the annals of art history. No other book gives such an intimate view into the day-to-day trials of a working artist. Weston, who from time to time fostered ambitions of becoming a writer, genrously shares his thoughts and his experiences over a 15 year period, culminating in a remarkable portrait of the artist as a human being. While literary critics may have occasion to fault his prose, which at times seems flowery and verbose, given his Victorian-age education this can be forgiven of him. Weston takes us through his decision to leave his family and travel to Mexico, where he chronicles not only his own work, but that of other artists. He writes of the bullfights, love affairs, the scenery, and of the many unforgettable characters he met along the way. Weston moved in many circles, and thoroughly enjoyed himself, whether his company be artists or revolutionaries. He shares with the reader his many instances of self doubt, of guilt, and of poverty. He also shares his many triumphs, as his original photography begins to garner commercial success. We see Weston as an art critic, giving unflinching opinions of the works of Diego Rivera, Carlos Orozco, Robinson Jeffers, and a host of others. He is no less honest in his evaluation of his own work. Included in the volume are 72 extremely well-reproduced photographs divided into the various periods of his photographic life. We are givin a behind-the-scenes look at how these photographs were made, from both the artistic and the technical point of veiw. Most importantly, the Daybooks is not just for photographers or Weston afficianodos, but for anyone who appreciates a well-written autobiography of a remarkable artist.
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