Customer Reviews

Cabal

5 star:		(4)
4 star:		(4)
3 star:		(3)
2 star:		(1)
1 star:		(1)

 

 

and here's why:I've been a huge fan of his movies,starting with the hellraiser and finishing with lord of illusions,however the only book I've ever read of his was a thief of always and it left me with an unformed opinion of the author,so I've decided to check out some more of his books.Cabal was the one I was interested in the most,because two of the stories have been turned into movies it seemed like an easier introduction to the author as an writer and not a film maker.Was I wrong,first of,it seems that the movies,especially "lord of illusions" were not based but merely suggested by the story "the last illusion",which would be fine,except that the story was so tragically inferior to the movie,that it's hard to believe it was written by the same man.And that one was the best short story in the book,so hopefully it says something about the rest.Cabal is overall the most interesting and well developed story,however it somehow appears as a middle of something bigger and better.That and strangely poor developed and not highly likable characters,in my opinion,were the strong minuses of Cabal.
As far as the writing itself goes,the author seems to have an uncanny ability to go from highly eloquent to plainly crude and vulgar within the same page.It's fairly transparent that the author is british and that his favorite words seem to be spittle and innards,his favorite subjects are monsters and creatures of darkness,whom he writes of so creatively and vividly,one can only wish he would pass on some of that passion to his human subjects.
In short,this was not an enjoable read and I can only hope that the author got better with time,because I managed to aquire quite a few of his books and I would hate to think them a waste.Stick to the movies.

Monsters have always played a large part in our collective subconscious. They lurk in shadows, under beds, at the ends of dark alleys. Monsters are always with us, in one form or another. Clive Barker realizes this. Barker also realizes that sometimes, the monster we don't know is far more preferable than the ones we do.

Cabal is Barker's ode to the monster -- not as a fearsome predator that only lives to destroy, but as a misunderstood creature that is alternatively loathed and envied. We despise the monster because we wish to be one ourselves.

Boone is a young man who is teetering on the brink of insanity. While he has been getting treatment under the watchful guise of Dr. Decker, he is still unsure if he is well. When Decker proclaims Boone a subconscious serial killer, with eleven confirmed victims under his belt, Boone decides that his only option is to find Midian, the place where the monsters play. What Boone discovers is an underworld of loneliness and despair, as the monsters of the world attempt to live their lives in peace, uninterrupted by the insanity of humankind.

Barker presents the readers with individuals who truly live their lives on the edge, daring life, limb, and soul to satisfy their primal yearnings. In Boone, Barker has created another dissatisfied loner who craves acceptance, believing he cannot function in normal society. Barker understands the human heart, and isn't afraid to admit that not all desires are the same. Just because one person's desires may differ from anther's does not necessarily make that person wrong. It's all a matter of perspective.

Monsters are monsters, first and foremost. Barker is one of the strongest purveyors of the human condition. Cabal contains some truly stomach-turning scenes, which is to Barker's credit. While he sympathizes with the monster, he knows that it must be true to itself in order to be complete. Like humankind, a monster must accept what it is in order to survive. Barker does not shy away from the blood and gore that invariably follow such a creature.

Yet this book strikes me as being more like one of Stephen King's weaker novellas or a movie treatment than a Barker novel (it was made into the movie Nightbreed). Even Barker's shorter works are more suspenseful and interesting; this lacks the pizzazz that his other works show.

Part of what has always made Barker such an interesting writer is his mixing of the profane with the sacred, his ability to juxtapose the horrible with the holy. In his stories, men find redemption as monsters. What is lacking in this novel is the religious aspect that has been present in everything else. There is also no personal dilemma for the main characters. Man discovers he's a killer, runs, becomes a "human monster." That's pretty much it. Regrettably, there isn't much more to the story than that, even though we are forced to confront the one theme running through the work: Anyone can be a monster if they try hard enough.

The evil are rarely punished, and the innocent cannot be allowed to survive within Cabal. Most particularly, sometimes, love can cross the boundary between life and death. Cabal is possibly the closest Barker could ever get to writing a flat-out romance novel. Boone and his girlfriend Lori go through the pits of Hell to be with each other. The love thing really doesn't work with the plot, however. It's nice to see that he's able to observe the intimate human relationship, but I felt that too much time was spent on them being "lovey dovey" instead of "hey honey, can you help me get normal again?" The love thing took over too much of the plot. They basically travel the battlefield of the final confrontation between man and his demons with over-the-top dialogue and some observations about the human heart and how that affects our decisions.

I also found parts of the novel rather preachy. How much dribble can we actually take about "the human condition" and "the human heart" and "human desires" and "human society," etc., etc. There's only so much of one person's opinions/observations that I'm willing to accept. This novel is chock full of Barker's thoughts on society, people and passion. For the most part, I would have rather he kept his opinions to himself.

Despite these complaints, I do recommend the book. It's a short read, and Barker makes the point that in the end, it doesn't matter who the monsters are, what dreams we have, what wishes we have, what lives we live: we are all monsters. How we come to accept it is what makes us human.

This is a great fantasy novel from Barker (It is NOT one of his horror stories). The book draws you in with the great character protrayals. The ending was a little weak and I felt like he left it open for a sequel, which hasn't appeared yet. But all-in-all, if you liked Weaveworld or Imajica, you will like Cabal also.

Good, violent, creepy stuff. Barker has done better, but not much. I enjoyed it alot.

Though it isn't as precise as say, The Inhuman Condition, nor as epic as say, Weaveworld, it is still a wonderful collection of stories to stir the imagination and haunt the dreams.

Cabal, the title story is great. It is a spellbinding vision of magic and horrific malice. Decker has to be one of the most vile villains of novel history, and I love the sympathetic picture that barker paints for his clan of people. The story flows too, I finished that thing in a flash. It just kept me turning the pages.

But, the real gems of this book are to be found in two of the stories that accompany the title novel. How Spoilers Bleed and The Last Illusion are both hair raising stories and I think the former is one of the very best short stories I've ever read. This is a great book!!! Barker rules!!!

Barker is strong with making hateful characters romantically appealing, and turning them aside from evil. Surely his early short stories are rife with the injustice caused by the unloved, and the unloved being punished for their helpless causation; but Barker has expressed his feeling that no one deserves spite and hate is always entirely biased and only justifiable from a selfish point of view.

Anyone who would think Barker's novels weaker than the movies made of these books and stories is really saying they cannot gather the subtelty and beauty of his novels. (The one exception to this is the short novel The Hellbound Heart, truly weakly wrought, not very astounding as an analysis of human interaction, and just a blatant statement of Barker's individual style of horror. As such, it is useful; otherwise, it is foul.)

Cabal among all mature works of Clive expresses love for the terrorized, and sympathy, compassion for those marginalized and weakened by society. Even the serial killers can be loved, even the perverts are people and worth compassion and are adorable; not only in Clive's fiction, but to an extent in the real world... to a very large extent, in the real world too.

Cabal is one of Clive Barker's earlier books, and while It does not have the depth or captivating imagery of his previous book "The Damanation Game", it is still a fine read. Canadian readers will enjoy the fact the story is set in Northern Alberta. While another reviewer preferred the movie, I think it paled in comparison to the book... Barker is one of the truly great Horror-Fantasy writers of all time and one needs to condition themselves to his style... He weaves not only horror and fantasy... he spins equal amounts of black comedy and erotosism into his work... A real balancing act.

Start with his books of blood (a series of short stories) and then read Damnation game (his first full-length novel) and you will soon find yourself suspended in his worlds.... There are wondefully wicked and horrifying places... You'll love you stay!

Weezer

I picked up this book expecting much better from Barker who, even with his less serious work is still a very effective writer. Unfortunately, this book was pure fluff. Basically, Boone, the main character, is convinced by his psychologist that he is a serial killer (guess who really is) and winds up having the law after him. He runs, his girlfriend follows him, his psychologist follows her, he becomes the messiah of a cult made up of monsters living in hiding under a graveyard in Canada after he is bitten by one of them, and there are battles with local villagers and the psychologist. This book can be read quickly in one afternoon and strikes me more as being one of Stephen King's weaker novellas or a movie treatment than a Barker novel (it WAS made into the movie Nightbreed). Even Barker's shorter works are more suspenseful and interesting. Still, it is fun, light reading, but if I wanted to experience a B-movie plot I would have rented a movie instead of spending the afternoon reading a book from someone I expected much better from.

Clive Barker is the greatest author in the Horror genre simply because of his technique. He weaves and creates a complete world for the reader to step into and experience the words he writes. I felt like I was standing in that seemingly abandoned town of Midian, waiting for those "monsters" to come take us where Boone felt he belonged. I felt every emotion on those pages. Thank you, again, Clive Barker, for a wonderful read.

Monsters have always played a large part in our collective subconscious. They lurk in shadows, under beds, at the ends of dark alleys. Monsters are always with us, in one form or another. Clive Barker realizes this. And Barker also realizes that sometimes, the monster we don't know is far more preferable than the ones we do.

CABAL is Barker's ode to the monster, not as a fearsome predator that only lives to destroy, but as a misunderstood creature that is alternatively loathed and envied. We despise the monster, because we wish to be one ourselves.

Boone is a young man who is teetering on the brink of insanity. While he has been getting treatment under the watchful guise of Dr. Decker, he is still far from unsure that he is well. And when Decker declaims Boone as a subconscious serial killer, with eleven confirmed victims under his belt, Boone decides that his only option is to find Midian, the place where the monsters play. What Boone discovers is an underworld of loneliness and despair, as the monsters of the world attempt to live their lives in peace, uninterrupted by the insanity of humankind.

Barker has always had a, shall we say, fondness for the darker impulses of man. In his BOOKS OF BLOOD series, and his novels THE HELLBOUND HEART and THE DAMNATION GAME, he presents the readers with individuals who truly live their lives on the edge, daring life, limb, and soul to satisfy their primal yearnings. In Boone, Barker has created another unsatisfied loner who craves acceptance, believing he cannot function in normal society. Barker understands the human heart, and isn't afraid to admit that not all desires are the same. But just because one person's desires may differ from another's, does not necessarily make that person wrong. It's all a matter of persepctive.

Barker plays this need of Boone for a family off his other two main characters, Lori and Decker. Lori, like Boone, also cries out for her desires to be sated. She desires Boone. And in a very touching love story, Lori proceeds to travel the paths of Hell in order to be with him.

Dr. Decker's needs are also front and centre, but his needs are admittedly not of the same vein as Boone and Lori's. Without giving too much away, Decker's needs are far more primal than Boone's, and more insidious in their rationality. Boone wants a family. Decker wants no more families, ever. Decker, rather than the monster-lover Boone, is the real evil, the calm that masks the storm.

But monsters are monsters, first and foremost. Barker is one of the more unusually vivid purveyors of the human condition, and his tale leaps from one grotesque to the next. CABAL contains some truly stomach-turning scenes, which is to Barker's credit. While he sympathizes with the monster, he knows that the monster must be true to itself in order to be complete. Like humankind, a monster must accept what it is in order to survive. And what a monster is, is a monster. And Barker does not shy away from the blood, gore, and vivisections that invariably follow such a creature.

Part of what has always made Barker such an interesting writer is his mixing of the profane with the sacred, his ability to juxtapose the horrible with the holy. In his stories, men find redemption as monsters. The evil are rarely punished, and the innocent cannot be allowed to survive. And somtimes, love can cross the boundary between life and death. CABAL is possibly the closest Barker could ever get to writing a flat-out romance novel. Boone and Lori go through the pits of Hell to be with each other. They travel the battlefield of the final confrontation between man and his demons. In the end, it doesn't matter who the monsters are; we are all monsters. How we come to accept it is what makes us human.