Customer Reviews

Modern Classics Wide Sargasso Sea

5 star:		(25)
4 star:		(19)
3 star:		(13)
2 star:		(9)
1 star:		(12)

 

 

I did not read this book out of choice...it was cruelly forced upon me by the board of education. I am extremely upset by Jean Rhys' lack of originality in molesting characters immortalised by Charlotte Bronte in her classic. This book was painful to endure.....it is much better used as firewood.

Jean Rhys's enduring 1966 novel has been one of the more unique opuses of my reading experience - for, though it's been some two or three years since I've read it, I've been stumped - unable to form any very distinct or profound impression. Even at this point, I can only say that WIDE SARGASSO SEA is an ingenious work of poignant contradictions.

I actually first heard of this book a few years ago, when I rented a movie by the same name. I watched that movie and, despite a few minute clues, did not until the very end recognize it as being prequel to one of my all-time most beloved novels: Charlotte Bronte's JANE EYRE. This story chronicles the untold tale in Bronte's novel - the history and mystery behind Mr. Rochester's secret in the attic unveiled, the madwoman in the attic endowed with a soul. "Bertha" Antoinette Cosway-Mason is a Creole heiress living in Jamaica and Dominica in the 1830's whose isolated and tragic upbringing is augmented by the cultural chaos of that place and that time. Shunned by both the English and white population and the recently freed slaves, then further burdened by her manipulative relatives and insane mother, Antoinette's childhood and early adulthood was as intensely oppressive as was the beauty of her surroundings. The first chapters of this novel are told in her voice - and what a marvelous voice it is - such richness, such poetry - "Great splashes of sunlight as we ran up the wooden steps of the refectory. Hot coffee and rolls and melting butter. But after the meal, now and at the hour of our death, and at midday and at six in the evening, now and at the hour of our death. Let perpetual light shine on them." The tempo simply flows right through you; it is beautiful.

Rhys's lyrical prose is beyond doubt a manner of genius; and I do believe this book is worthy of a classic. It really could have been brilliant, but it is riddled with flaws. First of all, the language is so exquisitely overflowing that it's almost a distraction. Yet within the context of the first section of the story - Antoinette's voice, encompassing her life before her marriage - I suppose may be overlooked and given up to the whims of the narrator.

The second section, however, is from Mr. Rochester's point of view - from his first acquaintance with his bride and to their home in the West Indies, nearly through the balance of their time together on the islands. Rochester, who at the time is a very young English gentleman: a second son raised within the stringent confines of British landed gentry - arrives in a place totally alien to anything he has ever known, completely wide-eyed and ignorant of everything, from the temperamental weather patterns to the quirks of the denizens of that place. Yet Rhys gives him a lush, worldly and poetic voice, not at all unlike that of Antoinette's. In fact, when the narration switches briefly back to her, it's only distinguishable by studying closely the sway of the narration and pronoun use. Antoinette, incidentally, never refers to Rochester by name at any time during the entire book. Truly, though the author had essentially free reign with the character of "Bertha," as that entity was only faintly drawn out in JANE EYRE, she was considerably restricted when it came to Rochester. In drawing him out, Rhys has failed on two counts: the first in that his language sounds too embedded within the lyrical rhythms of the alien landscape he supposedly fears and does not understand, to ever ring true for a young man of his circumstances; the second in that, notwithstanding the anger and bitterness felt toward his father and elder brother, Mr. Rochester's actions in this story do not in any way ring true to the man as Bronte wrote him. He's barely recognizable.

The third, and final, portion of the story reverts back to Antoinette's point of view - this time from the garret room of Thornfield Hall. Though the writing here remains quite pretty, the narration completely loses its coherence. This loss may be construed as understandable - as the narrator would by now be quite mad - but it just doesn't strike true. The language is inconsistent - smooth and flowing in places, choppy in others. The tragic consequences of a bitter young man's revenge and a damaged young woman's confusion gets entirely lost here in the author's imposingly scattered prose.

I am sure that, judged in its own right, this novel can quite easily be classified as a work of art. But loving JANE EYRE as I do, I am sorely unqualified to make the distinction. Yet I cannot deny that I was mesmerized by the overwhelmingly lush impact of the writing in WIDE SARGASSO SEA. Sick with a lingering fever and lamenting his fate, the young bridegroom makes the trudging maiden journey with his new bride to their honeymoon house in an island place called Massacre ~ "Everything is too much, I felt as I rode wearily after her. Too much blue, too much purple, too much green. The flowers too red, the mountains too high, the hills too near. And the woman is a stranger."

Ah, yes indeed ~

If you are a big Jane Eyre fan (like I am) and this book intrigues you, you may feel compelled to read it (like I did). I'm rather ambivalent about the book. Part One was very good, the story of Antoinette's life before she meets Rochester. The rest of the book seemed rushed and the plot was lost. After Part One, I found the characters lost appeal also and I started to not really care what happened to them. Overall, it is a short book and a quick read, and enjoyable to a point.

This book is a reworking of Jane Eyre by a Creole writer. It drags on and on, employing multiple narrative perspectives, shifting from one to the next and back again. Very atmospheric with strong pathos throughout, I just didn't enjoy the story. Don't expect to be uplifted. The plot just dragged on towards the inevitable. Rochester was not at all a sympathetic character. If Jane Eyre created a wronged madwoman and left her in the attic after a brief visit, Wide Sargasso Sea creates an absolutely mean Rochester whose behavior seems too manufactured as a feminist revenge.

The gimick is known: this novel tells the story of Antoinette "Bertha" Cosway-Rochester before her inprisonment in the atic as depicted in Charolotte Bronte's Jane Eyre. Rhys has managed to bring a previously undeveloped character to life and to return her dignity to her. This novel examines race issues in the Carribean while it depicts the romance-gone-sour that lead to Rochester's brooding, tormented personality from Jane Eyre. Recommended.

Wide Sargasso Sea by Jean Rhys is a pretty good novel. It was difficult to get into at first, but in the middle of the novel the story line begins to unfold. Throughout the novel the speaker changes and at times it was hard to determine who was speaking. I would recommend this book to those who have read Jane Eyre because those people would get more out of it and the connections between the two novels. This book would be a great beach book, since most of the novel is set in the Caribbean, true paradise.

Wide Sargasso Sea is both a critical response to Jane Eyre and a tribute to it; and obviously it also stands on its own as a powerful, important, brilliant work. Rhys explores the implications of postcolonial life in the Caribbean, and embodies the contradictions she herself experienced as a Creole woman writer, within the strife experienced by Antoinette. Her lyrical power is enormous, her writing is beautiful and concise, and the psychology and history presented in the novel, through a tale at once personal and universal, is amazing. This is a complex work, an important modernist text, which explores identity, race, sanity, and love, questioning reality along the way. Read Rhys, she knows what's up...

As a fan of Jane Eyre, this book offered a whole new of realm of perception and distortion to Bertha/Antoinette, Rochester's mad wife. I would recommend this book for anyone who has read Jane Eyre, and would like to view the novel from an entirely different angle.

I didn't realize when I started this book that it was about Jane Eyre's Rochester's mad first wife - I probably wouldn't have read it as I have never cared for Jane Eyre (too passive for me) and thought Rochester a bloody clot. At the end when I realized who everyone was, I 1) immediately realized WHY I had never liked Rochester (I was right all those years, he is an ass) and 2) read it again. It's as different from Bronte's writing as Jane is from Antoinette; really lush and sensual. By the end of the second reading I disliked Rochester doubly one for pushing poor Antoinette over the edge and two for playing with poor ol' Jane's emotions. He really was a jerk. ;)

i can only say that i finished this book in 2 days (4 sittings) and for about a week, it travelled with me wherever i went like a perfume of a loved one who has left the country for an indefinite amount of time.
i found myself reading some parts outloud.
a real "story-book".