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4 évaluations
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5 internautes sur 5 ont trouvé ce commentaire utile :
5.0étoiles sur 5 Human life experience in its most realistic form
This book has NOTHING to do with Alcott's Little Women in terms of style or subject matter. It is actually a form of reaction to the original book and Brooks' desire to fill in the blank of Chaplain March's Civil War experience, not merely in fluffy descriptions fit for letters sent to a sentimental readership. Some passages are unbearably tangible and goary, but they are...
Publié le Aoû 28 2007 par Patrick Savard

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1.0étoiles sur 5 A poorly crafty book filled with obnoxious and petty characters
March is a whining, self-pitying and irritating character who I repeatedly felt a strong urge to slap. Marmee is a one-dimensional, proto-feminist character who is very obviously cut from 21st century fabric and pasted awkwardly into a 19th century story. The plot is forced and full of unrealistic coincidences. As another reviewer aptly mentioned, the Marchs are petty and...
Publié il y a 1 mois par Mlle Fantine

› Voir plus de commentaires 3 étoiles, 2 étoiles, 1 étoiles

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5 internautes sur 5 ont trouvé ce commentaire utile :
5.0étoiles sur 5 Human life experience in its most realistic form, Aoû 28 2007
This book has NOTHING to do with Alcott's Little Women in terms of style or subject matter. It is actually a form of reaction to the original book and Brooks' desire to fill in the blank of Chaplain March's Civil War experience, not merely in fluffy descriptions fit for letters sent to a sentimental readership. Some passages are unbearably tangible and goary, but they are always counterbalanced with extremely real human feelings as well. A book one can read many times and still appreciate.
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1.0étoiles sur 5 A poorly crafty book filled with obnoxious and petty characters, Oct. 8 2009
Par Mlle Fantine (Kingston, Ontario, Canada) - Voir tous mes commentaires
March is a whining, self-pitying and irritating character who I repeatedly felt a strong urge to slap. Marmee is a one-dimensional, proto-feminist character who is very obviously cut from 21st century fabric and pasted awkwardly into a 19th century story. The plot is forced and full of unrealistic coincidences. As another reviewer aptly mentioned, the Marchs are petty and self-absorbed. The writing drags along painfully. How did it win the Pulitzer, of all prizes? This is one of the only times I have ever been really dissatisfied by Pultizer prize winner.
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5 internautes sur 10 ont trouvé ce commentaire utile :
1.0étoiles sur 5 Disappointed reader, Avril 1 2005
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This review is from: March (Hardcover)
Geraldine Brooks is a good writer but I did not enjoy this book. I have loved the book "Little Women" all my life and in fact enjoy everything written by Louisa May Alcott. I have read "Little Women" more times than I can say and also the other books detailing the lives of the same characters. Brooks' portrayal of Mr. March and Mrs. March bears no resemblance to the people that Louisa May Alcott wrote about. Her characters were extremely fine, cultured people and their poverty did not dim their faith in God or change how they lived. They were the sort of people who genuinely cared for others and never took advantage of anyone. Brooks' characters were petty and selfish.
If you truly love the March family, you cannot enjoy this portrayal of those characters. I was disappointed.
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6 internautes sur 13 ont trouvé ce commentaire utile :
2.0étoiles sur 5 Not a masterpiece., Mars 14 2006
Par Un client
This review is from: March (Hardcover)
The book was assigned by my book club. I had had zero interest in "Little Women" from which it is derived, had not read it, and worried that my interest in war was less than I needed to get through the read. Still, it was my first month at the book club and I really wanted to have read the book.

I found an audio clip of it on the Internet. It was a selection describing a battleground including the drowning of a soldier in such morbid and drawn out details that it put me off completely.

Two weeks past. I forced myself to buy the book. Two days later, I opened it and began to read. Half-way through the first chapter, I was almost in tears at the thought of having to read any more of it. And there were nearly 300 pages!

Second chapter: miracle of miracle, a flashback to earlier times, and much more interesting. Now there was humanity attached to the descriptions and I pushed on.

I finished 250 pages that night. Not that it was so captivating but because I wanted to get it done. Now with just 30 pages to go I can say this:

The language is definitely "period" and laborious. There are a few times when it is anachronistic like when Marmee refers to her potential future husband in terms of finding a suitable "partner" a term that has only recently become popular.

As for the gratuitous depictions of the first chapter, they were few and less horrific as the book progressed. I have to wonder why the author chose to open her book with passages that so deter the reader as to have them put the book down alltogether out of disguss as I nearly did. Shock and Awe?

This is not a book I would have read were it not required reading. I did not find it particularly well written. There are no "literary" passages that I want to remember or read again. With few exceptions, the florishes of language she uses do not contribute to embelishing the text, rhythm or flow of the words as they might have once by the Romantics. Neither did I derive much compassion for any of the characters, largely, I think, because none have much to offer, few have sufficient depth and coherence to be believable. Something of a Harlequin Romance without the romance. I certainly hope this book selection is not a sign of things to come in my book club.

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