Customer Reviews

Orlando

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"Orlando" is a fictional biography whose subject in the beginning is a sixteen-year-old boy in the Elizabethan era and in the end -- three hundred years later -- is a thirty-six-year-old woman. This is not a novel about transsexuality, as such a premise would indicate, but it is a statement about sexual identity and gender roles in English society as only an author like Virginia Woolf could make, territory not even the brazen D.H. Lawrence could traverse with much confidence. It is a lyrical tour de force in which Woolf displays her considerable talent for subtly describing moods and scenery, but most surprisingly, it demonstrates her sly sense of humor and satire.

Orlando's gender alteration is naturally the central event of his preternaturally long life, but his aging only twenty years over a course of three centuries is certainly no less bizarre. To describe the circumstances under which he becomes a woman or explain the logic by which he ages so slowly would be giving away too much in this review, nor would it really help to recommend the novel to one who is not yet persuaded to read it, so I will be silent on that account, saying only that these outrageous devices fully succeed as vehicles to explore Woolf's theme of femininity with respect to English cultural and historical frames of reference.

The novel examines the effect of gender alteration on Orlando's amorous and professional capacities. As a young nobleman in the Elizabethan court whose interests are swordsmanship and poetry, he is engaged to an aristocratic Irish girl, has a torrid affair with a Russian princess, and meets a silly woman who, resembling nothing so much as a hare, calls herself the Archduchess Harriet. After serving as an ambassador in Turkey, Orlando becomes a woman, joins a band of gypsies, and returns to England where he (she) must handle the legalities regarding his dukeship because of his new gender. As a woman, he manages to gain the romantic attentions of famous writers like Pope, Dryden, and Swift before eventually marrying and having a son. Some surprises ensue, but let it suffice to say that Orlando is not the only androgynous character in the novel.

An underlying, and highly controversial, implication is that every human being harbors aspects of both genders, mainly psychological, but Woolf goes so far as to make them physical in order to press the point. Although the idea may seem tame now, "Orlando" may have set a precedent for cross-gender role-playing when it was first published in 1928. The novel is very much ahead of its time; it has a sort of nonchalant sophistication that characterizes the type of magical realism that was to become a large part of European-influenced literature throughout the rest of the twentieth century. My admiration for Virginia Woolf only increases with each novel of hers that I read, and "Orlando" is in my opinion the best yet.

No lover in the world ever wrote a valentine more exquisite than Virginia Woolf's tribute to her lover Vita Sackville-West. That tribute was "Orlando: A Biography," a magical-realism tale about a perpetually youthful, charming hero/ine who traverses three centuries and both genders -- and Woolf's writing reaches a new peak as she explores the hauntingly sensuous world of Orlando.

Orlando was born a young aristocratic man in the time of Queen Elizabeth I, and when the dying monarch visited his home she became his new court favorite (and briefly lover). His passionate, curious personality attracted many other women over the years -- until he fell in love with Sasha, a mercurial but faithless Russian princess (supposedly based on Sackville-West's ex-girlfriend). Bereft of true love, he devoted himself to poetry and entertainment.

But then he's assigned to be an ambassador to Constantinople, and something strange happens -- while a bloody revolution rages, he sleeps for a full week... and wakes newly metamorphosed into a woman. With the same mind and soul but a female body, Orlando sets out on a new life -- and discovers that women aren't quite as different from men as she once thought.

"Orlando: A Biography" is a very weird book, and was even more so when it was written since "magical realism" didn't exist as a literary style in 1928. Virginia Woolf makes no explanations about Orlando's immortality or unexpected gender switch. It's simply accepted that once he was a man, and then she became a woman, and that s/he has lived from the Elizabethan era until at least the 1920s (and who knows, maybe Orlando still wanders among us?).

And Woolf's writing is at its peak here. Her prose is soaked in luxurious descriptions that constantly tease the senses -- silver and gold, frozen flowers, crystalline ice, starlight and the exquisite expanses of nature's beauty. At times the sensual writing seems almost feverish, and Woolf adds an almost mythic quality by inserting spirits of feminine virtues (Modesty, Purity and Chastity appear to try to hide Orlando's feminine body), and by having her hero/ine encounter great poets, queens and men of the sea.

And Orlando him/herself is a truly fascinating character -- s/he can be sweet, passionate, romantic, wild and melancholy, and s/he has an almost magnetic charisma. He starts off the story as an elusive romantic teenager, suffers a heartbreak that matures him as an artist, and post-metamorphosis she becomes a woman of the modern world. Both in mind and body, Orlando is a very different woman at the end than the boy s/he began as.

"Orlando: A Biography" is a truly spellbinding book -- Virginia Woolf's prose enthralls the senses while her main character explores the boundaries of gender. A must-read, for everyone.

just read this book. gender issues are so fascinating, especially when addressed by one of the masters.

After exploring the literary genius of Virginia Wolff within her book "Mrs. Dalloway", I was eager to read other books by her. My brother's name is Orlando. My mother had been reading the book while she was pregnant with him and loved the book so much that she named him after the main character. Of course I had to read it. I have never read anything like Virginia Wolf's books before. Orlando is probably the best book I have ever read. Her style is so creative and enjoyable. This is a fantastic read. The movie is also good.

very good story, incredible themes.. took a little long to get into..

Once you get into the flow of Woolf's tangled web of a world, this book is at the same time poetic, philosophical, and a beautiful social commentary. I love it!

Woolf's skill of imagery in writing is amazing. Her love of her character Orlando is apparent in the gentle way she carries him/her from the 15th century to 1928. I wanted to jump into the story, sit beside Orlando, ride a horse beside him, and kiss him as a man and then again as a woman. A stunning read and one that should be on any well-read person's read and read again list...enjoy.

This fake biography (complete with counterfeit photographs and an index) is not Virginia Woolf's greatest novel by any means--but even the least of her works must rank among the finest of early twentieth-century fiction.

The "plot" seems more appropriate to a Heinlein novel: a boy raised during the Elizabethan period becomes a woman, lives until the 1920s, and ages only 36 years. During the past century, the novel's reception has evolved much like its lead character: while early critics and readers praised the book as a literary parody bordering on farce, later generations have regarded the novel more as a commentary both on sexual roles and on the oppression of women. Some readers will see Orlando as representing, in human form, the evolution of literature (it's telling that the only other character who lives as long as Orlando is a critic); some will focus on the novel's presentation of gender and sex. Both interpretations (and others) seem to be equally valid--which is why this book is so powerful even today.

One of the most charming (and surprising) qualities of the novel is Woolf's refusal to take herself or her book seriously. At times, the novel is laugh-out-loud funny. She mocks her own style (she interrupts one of her infamous run-on paragraphs with "nature ... has so much to answer for besides the perhaps unwieldy length of this sentence"), and she even makes fun of the book's very concept (when Orlando is not doing much of anything, Woolf exclaims: "If only subjects ... had more consideration for their biographers!"). "Orlando" infuses everyday life with both wit and elegance; or, as Woolf puts it, "when the shrivelled skin of the ordinary is stuffed out with meaning it satisfies the senses amazingly."

"Orlando" is such a playful novel, full of richness of characters and commentaries. Written as a love letters of sorts to Woolf's lover Vita Sackville-West, "Orlando: A Biography" follows Orlando from the years of Queen Elizabeth I's reign to late 1928, from the time he was a man to the time she became a woman. With this book, Woolf tried to give a fantasy life to her lover, where she could be a man and be her own person, instead of subject to society's ways. And by itself, it's such a gorgeous story! Especially with the fascinating asides where Orlando is addressing the reader.

On top of the beautiful imagery and quirky central character, that tricky Virginia Woolf brings us scary, unusual ideas and makes us listen...and care...and laugh...and see the world in a new way. Isn't that what art does?