5.0 out of 5 stars Handy Edition with Puzzling Introduction
A handy little paperback pocket edition of the great play you've read and seen many times. The 1994 Penguin Popular Classic edition is interesting because it includes twenty-two pages of introductory material about Shakespeare, his times, and the play itself, all written by an unnamed editor who uses the first-person and discusses editorial choices made in this version...
Published on Jan. 4 2004 by Richard R
2 of 2 people found the following review helpful
1.0 out of 5 stars Not as advertised
Can't complain about the price, but the cover illustration is wrong (wrong publisher), there are no 'textual notes', 'modern perspective' or 'further reading' etc. and the book is 84 pages, not 221+ (as according to 'Click to look...' nor 96 as stated in the product description section). Don't show me the 2004 Simon & Schuster edition if what you are selling (1993 Dover...
Published on July 14 2009 by Michael from Montreal
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2 of 2 people found the following review helpful
1.0 out of 5 stars Not as advertised,
Can't complain about the price, but the cover illustration is wrong (wrong publisher), there are no 'textual notes', 'modern perspective' or 'further reading' etc. and the book is 84 pages, not 221+ (as according to 'Click to look...' nor 96 as stated in the product description section). Don't show me the 2004 Simon & Schuster edition if what you are selling (1993 Dover Thrift Edition) isn't even close to what you're advertising.
5.0 out of 5 stars Handy Edition with Puzzling Introduction,
This review is from: Macbeth (Mass Market Paperback)
A handy little paperback pocket edition of the great play you've read and seen many times. The 1994 Penguin Popular Classic edition is interesting because it includes twenty-two pages of introductory material about Shakespeare, his times, and the play itself, all written by an unnamed editor who uses the first-person and discusses editorial choices made in this version. The editor emphasizes the fact that there are weaknesses and holes in the text, caused by Shakespeare's writing on a short deadline in 1606 and by the fact that later editors and actors and compilers probably cut-and-pasted large sections. The result, counsels the editor, is that some scenes (including Hecat's speech in III-v, and the witches' appearance in IV-i) is "probably not by Shakespeare".
This is rather a large leap. It may be true, but we have no way to know for sure. Other credible scholars (Levi, Bloom) note that these sections are unique, but do not aver that they are not by Shakespeare. In any event, it is rather interesting that this editor devotes so much space to this notion, and misses the opportunity to discuss other --more important-- elements of the play, such as the subtle poetry of Macbeth's speeches, the "post-Christian" religious significance, the blood-darkness-water themes, the parallels to Lear, or the political connections between Scottish Thanes and British Earls.
Another quibble is with the notes: all the text notes and vocabulary are at the end of the book, so an interested reader is constantly riffling back and forth. Penguin should have followed Folger's admirable lead and put the text notes on the same pages as the text itself.
4.0 out of 5 stars An amazing play,
Macbeth is one of Shakespeare's finest accomplishments. It is a good vs evil tale about a man, Macbeth, who apparently sees three witches, who are said to be prophets. He starts out as noble, serving the King of Scotland, and a brave and ruthless warrior ("unsealed him from the nave to the chops"). Repeated meetings w/ the three witches would have a profound effect on Macbeth, and his wife, Lady Macbeth. He slowly becomes deranged and hungry for power, and the entire play showcases his manipulative rise to the top, all the way to the point where he becomes the King of Scotland, and his eventual decline (also predicted accurately by the witches). It is full of awesome motifs, moral and interesting themes, great dialogue, action, and believable characters. The only reason I gave this 4 stars is because I had to read this my sophmore year of high school, and I had to analyze this book page by page, line by line, and the student teacher who taught it to us was obsessed with symbolism (like my sophmore teacher already was), and it diminished the appeal of the book to me, albeit slightly. Forget my past encounters in reading this book, because chances are they will not be helpful, but Macbeth is worth reading and analyzing, and it is easily one of Shakespeare's best plays.
5.0 out of 5 stars And let the frame of things disjoint!,
This book is very difficult to read, not just because of the play's main theme -murder- as because of the main characters' stupidity, that baffles me. Blood and murder reign everywhere, as much as stupidity does. Nietzsche wanted to interpret Macbeth's evil as positive rebelliousness. But Nietzsche was too concerned to prove his rather boring Dyonisiac view of human nature to care about grasping the ironies of Shakespeare's genius. Rather than a celebration of ambition and evil, Macbeth is a play about the foolishness of a foolish couple who place too much faith in prophecy and turn to crime in desperation since, despite their love and lust for one another, Macbeth can't have children.
This is why it is Lady Macbeth who, because of her own unfulfilled motherhood, tries to lead her husband to murder somebody else's child, so as to restore his manliness to her eyes. And so she says to him: "Art thou afeard/ To be the same in thy own act and valour,/ As thou art in desire?"
The logic of Lady Macbeth is rather simple: "if you wish to do evil, how are you not "man" enough to do it?" Of course Macbeth does not want to look like a loser in front of his sexy wife, and, simply because of this vanity and his little intelligence, he leads himself into the hellish spiral of crime and murder that means the end of them both.
That Lady Macbeth is a hysterical woman with unsatisfied lustful desires is obvious when she becomes mad. That Macbeth is a fool is obvious in that he becomes a murderer for the only reason that he does not want to admit to himself that he is unfertile and that his wife is unsatisfied because of this.
5.0 out of 5 stars A gripping exploration of "black and deep desires",
"Macbeth," the play by William Shakespeare, is definitely one literary classic that still holds its own as a vital and engaging piece of art. Despite being a stage play, it also works superbly as a reader's text apart from a theatrical setting.
The plot begins thus: Scottish warrior Macbeth is told by three witches that he is destined to ascend the throne. This fateful prophecy sets in motion a plot full of murder, deceit, warfare, and psychological drama.
Despite being a lean play, "Macbeth" is densely layered and offers the careful reader rewards on many levels. Woven into the violent and suspenseful story are a host of compelling issues: gender identity, the paranormal, leadership, guilt, etc. In one sense, the play is all about reading and misreading (i.e. with regard to Macbeth's "reading" of the witches' prophecies), so at this level the play has a rich metatextual aspect.
Macbeth is one of Shakespeare's most unforgettable tragic characters. His story is told using some of English literature's richest and most stunning language.
5.0 out of 5 stars A journey into the macabre,
A dark and grim tale of murder and deceit, Macbeth emerges as perhaps Shakespeare's bloodiest and most demonstrably macabre of his tragedies. Is Macbeth motivated by unadulterated avarice, ambition, by the witches, or his wife? An interesting and mystifying conundrum for the ages. Macbeth, unique unlike other Shakespearean tragic figures, murders his victim, the noble and just Duncan, without any provocation, without having been purportedly wronged in any way, shape, or form.
Whereas Hamlet has just provocation in the wickedness of Claudius, Othello suspects Desdemona of infidelity, Brutus, in his reasoning, deems it a necessary evil for the republic to assassinate Caesar due to his ambition, conversely Macbeth murders others who have done him no wrong to speak of. Lady Macbeth, in her infinite guile and cunning, proves to transcend literature - as we all have known ruthless and amoral opportunists such as her. Macbeth, due to its authentic ingenuity, is among my favorite Shakespeare. How can you not enjoy such a sanguine and yet powerful play infused with such morose death and gloom?
5.0 out of 5 stars last of a great cycle,
By A Customer
shakespeare's great tragedies are really plays which illustrate the archetypal struggles of men at particular stages of their lives. 'hamlet' is the story of a young man who in his 20's first enters the world and is confronted with the hard facts of life, the presence of evil. it's a stage we all go through, and how we deal with it, what choices and compromises we make, decides whether we move on to the next stage. 'othello' is the story of a middle-aged man in his 40's who has reached the pinnacle of his career but is confronted with troubling questions about his own identity - ie, he has a mid-life crisis. despite his success, othello's inablity to see himself differently from how his society sees him proves to be the one weakness that iago exploits to destroy him. and 'king lear' is the story of a man in his 60's who must learn to let go the reins of power and retire from the world. lear's inability to do this wisely or gracefully proves to be his undoing. in the same way, then, 'macbeth' is also a story of a man at a stage of life. here, it's a man in his 30's who has to decide how far he is willing to go - and how much he is willing to compromise - to climb to the top of his career. macbeth makes the wrong choices and loses all. but it's the same question facing many people in their 30's who, having established a foothold in the world in their 20's, spend the next decade scratching and clawing to see how high they can climb.
so shakespeare's cycle of great tragedies is really about the stages in a man's adult life and the critical struggles that he faces along the way. in overcoming these struggles, each man also faces questions about his own identity and his relation to the world. since these are such fundamental questions we all ask ourselves - who we are, what is our place in the world - it's easy to see why these plays are considered the greatest in world literature. they touch us in the deepest ways possible.
5.0 out of 5 stars The Bard's Darkest Drama,
William Shakespeare's tragedies are universal. We know that the tragedy will be chalk-full of blood, murder, vengeance, madness and human frailty. It is, in fact, the uncorrectable flaws of the hero that bring his death or demise. Usually, the hero's better nature is wickedly corrupted. That was the case in Hamlet, whose desire to avenge his father's death consumed him to the point of no return and ended disastrously in the deaths of nearly all the main characters. At the end of Richard III, all the characters are lying dead on the stage. In King Lear, the once wise, effective ruler goes insane through the manipulations of his younger family members. But there is something deeply dark and disturbing about Shakespeare's darkest drama- Macbeth. It is, without a question, Gothic drama. The supernatural mingles as if everyday occurence with the lives of the people, the weather is foul, the landscape is eerie and haunting, the castles are cold and the dungeons pitch-black. And then there are the three witches, who are always by a cauldron and worship the nocturnal goddess Hecate. It is these three witches who prophetize a crown on the head of Macbeth. Driven by the prophecy, and spurred on by the ambitious, egotistic and Machiavellian Lady Macbeth (Shakespeare's strongest female character), Macbeth murders the king Duncan and assumes the throne of Scotland. The roles of Macbeth and Lady Macbeth are tour de force performances for virtuosic actors. A wicked couple, a power-hungry couple, albeit a regal, intellectual pair, who can be taken into any form- Mafia lord and Mafia princess, for example, as in the case of a recent movie with a modern re-telling of Macbeth.
Nothing and no one intimidates Macbeth. He murders all who oppose him, including Banquo, who had been a close friend. But the witches predict doom, for Macbeth, there will be no heirs and his authority over Scotland will come to an end. Slowly as the play progresses, we discover that Macbeth's time is running up. True to the classic stylings of Shakespeare tragedy, Lady Macbeth goes insane, sleepwalking at night and ranting about bloodstained hands. For Macbeth, the honor of being a king comes with a price for his murder. He sees Banquo's ghost at a dinner and breaks down in hysteria in front of his guests, he associates with three witches who broil "eye of newt and tongue of worm", and who conjure ghotsly images among them of a bloody child. Macbeth is Shakespeare's darkest drama, tinged with foreboding, mystery and Gothic suspense. But, nevertheless, it is full of great lines, among them the soliloquy of Macbeth, "Out, out, brief candle" in which he contemplates the brevity of human life, confronting his own mortality. Macbeth has been made into films, the most striking being Roman Polansky's horrific, gruesome, R-rated movie in which Lady Macbeth sleepwalks in the nude and the three witches are dried-up, grey-haired naked women, and Macbeth's head is devilishly beheaded and stuck at the end of a pole. But even more striking in the film is that at the end, the victor, Malcolm, who has defeated Macbeth, sees the witches for advise. This says something: the cycle of murder and violenc will begin again, which is what Macbeth's grim drama seems to be saying about powerhungry men who stop at nothing to get what they want.
4.0 out of 5 stars foul is fair...,
This review is from: Macbeth (Mass Market Paperback)
Macbeth is one of Shakespeare's more gloomy plays. It is downright grim. It starts grim and only gets blacker... ...It is one of Shakespeare's better plays
Macbeth is one of Shakespeare's more ambiguous main characters. Motivation is always a big question with him. Sure, he is hungry for power. Yet he also needs prodding from several quarters to take most of his actions.
Lady Macbeth is really no different. She comes off as eager for evil early on, but is utterly shocked by its repercussions. Her attempt to go against nature leaves her absolutely unhinged and thirsting after guidance--only to find despair. In this regard, Shakespeare anticipates the psychology of Dostoevsky.
Macbeth is also one of Shakespeare's most supernatural plays. Regardless of whether one wants to debate the reality of Banquo's ghost, there are forces at work in Macbeth that are often unseen, but which drive the plot. The witches and all the unnaturalness come up against the forces of nature (the trees) and the divinely appointed King.
The most remarkable thing about this play is, for me at least, that it becomes a true tragedy only in its last moments. Only when all the stuff has hit the fan, and he has realized his doom is eminent, does Macbeth show the courage and nobility of a true tragic hero.
Macbeth is a great place to start if you are new to Shakespeare. It is a fun place to return if you're not.
5.0 out of 5 stars Lay on, Macduff!,
While I was basically familiar with Shakespeare's Tragedy of Macbeth, I have only recently actually read the bard's brilliant play. The drama is quite dark and moody, but this atmosphere serves Shakespeare's purposes well. In Macbeth, we delve deeply into the heart of a true fiend, a man who would betray the king, who showers honors upon him, in a vainglorious snatch at power. Yet Macbeth is not 100% evil, nor is he a truly brave soul. He waxes and wanes over the execution of his nefarious plans, and he thereafter finds himself haunted by the blood on his own hands and by the ethereal spirits of the innocent men he has had murdered. On his own, Macbeth is much too cowardly to act so traitorously to his kind and his country. The source of true evil in these pages is the cold and calculating Lady Macbeth; it is she who plots the ultimate betrayal, forcefully pushes her husband to perform the dreadful acts, and cleans up after him when he loses his nerve. This extraordinary woman is the lynchpin of man's eternal fascination with this drama. I find her behavior a little hard to account for in the closing act, but she looms over every single male character we meet here, be he king, loyalist, nobleman, courtier, or soldier. Lady Macbeth is one of the most complicated, fascinating, unforgettable female characters in all of literature.
The plot does not seem to move along as well as Shakespeare's other most popular dramas, but I believe this is a result of the writer's intense focus on the human heart rather than the secondary activity that surrounds the related royal events. It is fascinating if sometimes rather disjointed reading. One problem I had with this play in particular was one of keeping up with each of the many characters that appear in the tale; the English of Shakespeare's time makes it difficult for me to form lasting impressions of the secondary characters, of whom there are many. Overall, though, Macbeth has just about everything a great drama needs: evil deeds, betrayal, murder, fighting, ghosts, omens, cowardice, heroism, love, and, as a delightful bonus, mysterious witches. Very many of Shakespeare's more famous quotes are also to be found in these pages, making it an important cultural resource for literary types. The play doesn't grab your attention and absorb you into its world the way Hamlet or Romeo and Juliet does, but this voyage deep into the heart of evil, jealousy, selfishness, and pride forces you to consider the state of your own deep-seated wishes and dreams, and for that reason there are as many interpretations of the essence of the tragedy as there are readers of this Shakespearean masterpiece. No man's fall can rival that of Macbeth's, and there is a great object lesson to be found in this drama. You cannot analyze Macbeth without analyzing yourself to some degree, and that goes a long way toward accounting for the Tragedy of Macbeth's literary importance and longevity.
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Macbeth by William Shakespeare (Mass Market Paperback - March 10 1998)
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