Customer Reviews

The Book of Five Rings

5 star:		(55)
4 star:		(17)
3 star:		(9)
2 star:		(5)
1 star:		(4)

 

 

Many of these books are difficult to understand because they are meant to be used as study and reference guides along with a teacher. The Book of Five Rings (of which I've read 3 of the 5, and am just a few pages away from finishing) is a treatise describing Musashi Miyamoto's personal school of fighting - the school of two skies. He eschews other schools as too this or too that. They concentrate, he says, on technique rather than what swordfighting is all about - killing your opponent.

The text is dry, and the sections are short. They are intended (a) for swordfighters, and (b) to be meditated on. The principals in this book would take a swordfighter years to master. In fact, at one point he says one should study for about 3 years (he gives a specific number of weeks) and then practice for 30 or so more years.

How does this translate into my life? I'm not sure. I don't have enough of a background in swordfighting, the culture, etc. to know how these concepts apply to my life. If perhaps I had a guide, in the form of commentary, I could more easily integrate these concepts into my life. As is, however, this book isn't of much use to me, except as reference for the day when I do have commentary.

I reccomend, instead, Cleary's Classics of Strategy and Counsel. This trilogy of books includes the Art of War, Mastering the Art of War, The Lost Art of War, The Silver Sparrow Art of War, Thunder in the Sky, The Japanese Art of War, The Book of Five Rings, Ways of Warriors, Codes of Kings (which includes several works), The Art of Wealth, Living a Good Life, The Human Element, and Back to Beginnings.

In addition to the text, there is often commentary, and supplementary material that can put the text in context and aid the student on his or her journey. Amazon lists several of these as the same book...

For whatever reason, the publishers decided to leave out portions of the text, and add a massive amount (about 40% of the already shortened book) of Japanese history with photos.

The history is great. The photos are. . . Photos.

If you've any interest in this subject, find a copy of the Shambhala Dragon Edition by Thomas Cleary. It's much more complete, much more more readable, and was actually translated by Thomas Cleary(!), a world reknown scholar on the subject.

This poor representation of such a powerful, important book almost relagates it to the dingy shelf of the "coffee-table book.", and that's a real same.

Okay, so I really have no clue as to what compelled me to buy this book. I hate to admit it but it looked "pretty" and it looked "historical," so I got it. I also love the Japanese film classics starring Toshirô Mifune as the ultimate samurai warrior. Many of them illustrate a combination of charm, sophistication, humor, even comedy, with violence, ruthlessness, and arrogance. The comparative lack of graphic bloodiness tends to focus the viewer on the human dynamics and art of the situation, and while some of these classics have been translated by the Hollywood film industry for Western tastes, what transpires still has a "foreign" feel. One sees the action and senses that something going on here is different, uncomfortable. Upon reading a few paragraphs of the Book of Five Rings : The Classic Guide to Strategy, I understood why.

For one thing, I had not understood that the character in the samurai collection that Mifune had been portraying had actually been an historic individual living in a unique period of Japanese history. Why I should have been surprised, I don't know, since the exploits of the likes of Pat Garret, Wyatt Earp, and Doc Holiday became the basis for a good deal of 19th and 20th Century pulp fiction, TV series, and movies in the United States. In fact, the period in Japanese history that the translator describes sounds not unlike the "Wild West." The sod busters and the ranchers have made their peace, leaving hundreds of gunmen unemployed. The lucky ones find work as lawmen while the unlucky wander the country looking to enhance their reputations by lethal confrontations to see who's "fastest on the draw." The winner may ultimately find a job as a peace keeper; the loser finds a spot on boot hill. In the case of the American western, the contestants use guns; in the case of the Japanese samurai, they use swords and other equipment. Still there seems something more to it. The something more, I think, is a philosophy, a school, an etiquette, even an art that leaves the Western mind a little uncomfortable.

With some of the techniques of sword work and battle strategy, I think that as Musashi himself informs the reader, it is very difficult to "write" how to do a mechanical task. One can only convey the "feeling" that performing such a task has for the expert writer on the subject. In modern times this facet of the learning process is overcome by photo illustrations, but even then only to a very limited extent. As the author points out, there is no substitute for experience with the process and practice, practice, practice. Even the very limited experience I acquired years ago when I took fencing lessons helped me picture more clearly some of the moves the author described.

Part of the difficulty in connecting with the author's experience as he performs the various actions of sword fighting may be that this book is a translation from the Japanese, was originally written in an older version of the language, and embodied an ancient version of the culture itself, one that is no longer available even to modern Japanese let alone a Western translator. A warrior of Musashi's time may well have connected far better with the similes he uses than a modern person. The unique benefit of this fact, however, is that a great deal can be read into the work. Part of this is the author's intention, but part of it is due to the very ambiguity of the work. Just as the author himself suggests, the reader who does not concentrate on the words but allows the mind to float over them makes all sorts of interesting discoveries. For instance a book on dealing with problem people suggested a technique much like Musashi's "To Know the Times," essentially to match the rhythm and intensity of the subject until one can gain control of that rhythm to de-escalate it. His "To Become the Enemy" immediately brought to my mind the individual characters of Civil War generals Robert E. Lee and his opponent George McClelland. As Musashi suggested, the enemy always feels he is outnumbered which means that a few may defeat many if they are trained in The Way. Or as Lee is reputed to have said before a battle, "The Army of the Potomac is a very good one, unfortunately General McClelland brought himself along." Lee understood The Way. He knew that McClelland's personality, or lack of The Way, produced vast armies of the enemy in his mind.

In all a very interesting and surprising book, one I expect to read again and again to mine for concepts. For a slender 95 pages, the author, like a good poet, has packed each word with a maximum of information because they encapsulate concepts and principles.

On the surface this book appears to be about the martial arts, warfare, swordplay. However, a careful reading with an open mind will surprise the reader not particularly focused on those aspects. Readers who've trained themselves to read complexity and symbolism as an overlay for everyday life experiences will find a strategy for the human life experience hidden here barely beneath the surface. It's only one strategy, and not necessarily the one you'll choose to lead your own life, but it's still worth studying and comprehending. In fact, readers completely unfamiliar with martial arts will find many 'lessons in life' worth digesting.

I believe it's worth the time and effort for study in the same sense as classic Chinese and European works of similar ilk.

This book has a singleness of mind and directness that are hard to describe. It is about one thing only, and about forging oneself into the tool that can do that one thing.

The writing is earthy and practical. However blunt and direct it may seem, I get the impression that the translator softened its style. The second translation in this book, from about the same time, is more literary, more refined, and alludes to a much wider range of the educated person's reading. Next to Musashi, and embodying so much of what he disdained, it simply looks foppish.

I do technical work. Much of the process of design and debug has the feel of facing intelligent, determined opposition. For that reason, large parts of Musashi's advice seem true and fresh. He advises that a warrior to become master of all tools, not some just some favorite - today, he would call that the "golden hammer." In 'Letting Go Four Hands,' he advises a prompt change of attack when the first assault deadlocks. In 'Mountain and Sea Changing,' he advises against repeating an approach that has already failed against a given opponent. All those are things that work as well in the lab as on the battlefield.

The Five Rings should be in the library of any professional, artist, or technical worker. Cleary's translation is modern and readable. I would give it five stars, except that so many classics from China and Japan discuss not only tactics but strategy as well. It's not about any flaw in this book, but about the excellence of the other books that this one complements.

Musashi manages to fit into about 100 pages the perspective of Oriental thinking. He works out a system which is a considerable oracale. All is one to him and this is, although sometimes hard to recognize, his vehicle of success. One with the eastern philosophy of natural order Musashi puts into a very small literature a heart of iron and a spirit of fire. Maybe he will be refined yet.

Small book which allows you to look at things from a different perspective. Every time you read this you will find something new to learn from it.

I found this book difficult to digest because, unlike Art of War, it doesn't contain clear 'do's and don'ts'. Instead it talks of doing things with certain 'feelings' with the ultimate goal of becoming formless. There are multiple levels of meaning such that on first reading there seems little sense. After contemplating a passage you develop a minor understanding. After expert application, another understanding, and so on. A Westerner can better understand this book after reading The Chrysanthemum and the Sword. Even so, it has taken me almost two years of martial arts training to begin to understand the concepts in this book.

Yes, the concepts are applicable to modern life. But are they effective? Maybe.

Don't know whether my Taiwanese/Chinese background gives me bias. However, I'm quite used to read abstract/doctrine books like this one.

When reading books like this (or Confucius, Sun-Tse), my philosophy is - you need to pay attention to every word, and every word is a starting point, instead of an end. Thus, the book just provokes you to think more, to think through the "Way", instead of teaching you everything. You are your own teacher.

I think - from this book, the more important teaching is on the spiritual vs. technical. Thus "the Way of the warrior is resolute acceptance of death" makes me think a lot.

Do you know why Musashi called it - book of the Ground, the Water, etc.? That'll be an interesting teaching as well.

Overall, I like the book a lot, though I have difficulty to understand all the English words. I might find a Chinese version or I need to learn Japanese. I recommend this book to everyone who wants to think through "the Way of warrior" by themselves.

The things Musashi says in this book are well thought out and are true. But today in America there is no use for this book and worse no way to apply what I teaches in our modern American society. So way to incorporate it or drain all of its knowledge out if you don`t join so underground samurai clan and practice the Art of the Way in a Dojo or something. I can`t use anything in here. not Practical today. Useless.,