1 of 1 people found the following review helpful
5.0 out of 5 stars Response to unhappy book club reader
At first, your club's poor opinion of TRANSIT shocked me. Then I recalled that I'd recommended it to a friend who also ran a book club in NYC; her friends were not quite as dismissive as yours about the book, but they too found it difficult to understand. Without meaning in any way to deride your taste or that of your circle, I can only speculate that TRANSIT disappoints...
Published on Dec 25 2000
2.0 out of 5 stars Mislead by Other Reviews
Based on these recommendations, I selected "Transit of Venus" for my book club. Result: Everyone hated it. The writing style is affected to the point of being unintelligable. All readers agreed that the story was borderline absurd and the plot scattered and poorly constructed. At best, I consider this book a case study of highly stylized writing and poor...
Published on Oct. 29 2000 by Ingrid T
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2.0 out of 5 stars Mislead by Other Reviews,
Based on these recommendations, I selected "Transit of Venus" for my book club. Result: Everyone hated it. The writing style is affected to the point of being unintelligable. All readers agreed that the story was borderline absurd and the plot scattered and poorly constructed. At best, I consider this book a case study of highly stylized writing and poor editing. I learned my lesson to never subject my fellow book clubbers to a book based solely on recommendations!
1 of 1 people found the following review helpful
1.0 out of 5 stars The Transit of the Tedious,
By A Customer
How lucky, there are books for every taste. But some books are so overdone and pretentious, one must assume some of the more glowing reviews are sponsored by the friends of the writer or the publisher. Surely, without the motivation of a book club, most of us would put down this pinkie-in-the-air soap opera after the first chapter. It is not time well spent unless you are in jail and have read everything else six times.
1 of 1 people found the following review helpful
5.0 out of 5 stars Response to unhappy book club reader,
By A Customer
At first, your club's poor opinion of TRANSIT shocked me. Then I recalled that I'd recommended it to a friend who also ran a book club in NYC; her friends were not quite as dismissive as yours about the book, but they too found it difficult to understand. Without meaning in any way to deride your taste or that of your circle, I can only speculate that TRANSIT disappoints because modern eyes are less than eager to embrace its very different style. You call it 'affected'; yet I assure you that I can usually spot affectation before the cover opens, and Hazzard is in no way guilty of such. There is to me a beautiful and rare RHYTHM in her writing. It is musical and poetic in the best senses of those words, and readers largely accustomed to the fourth-grade syntax and tone of most modern popular novels will, I suppose, feel lost. As for its being 'unintelligible': my turn to be lost. The lives of two sisters are followed, and that's all. They're followed with exquisite attention and fatalistic power, but followed plainly.
5.0 out of 5 stars A transit worth taking,
So why on earth would anyone want to read The Transit of Venus? Some say the writing is pretentious: Supercalifragilisticexpialidocious. That word came to mind last year while I was reading Shirley Hazzard's 2003 National Book Award winner, The Great Fire. Yet I couldn't stop reading. Since I wound up loving that book, I decided to try this one, which won the National Book Critics Circle Award more than two decades ago (1980). Midway through my reading transit, on June 8, 2004, a Transit of Venus occurred, the tiny planet moving like a dot across our gigantic sun. (In 1769, James Cook set sail in the H.M.S. Endeavor to study a Transit of Venus and found Australia, hence the tie-in with this novel, which is primarily an Australian woman's transit through love and life.)
Reading Shirley Hazzard is like climbing a mountain, agonizing over the rocks and rarified air during the long, arduous uphill climb. Struggle is not the same as suffer. Most modern books are downhill sloped, where the reader floats or speeds effortlessly toward a simplistic conclusion. A Hazzard novel is more vertically inclined, where one needs to stop on occasion to catch a breath, and then, when the climax comes, you are on a mountaintop, not the valley floor. It is not a transit intended for aliterates, much less illiterates. Hazzard might not be the author for you if you don't know, and don't care about, the meaning of words like "impercipience" and "abnegation." Also, if you're less than thrilled with such lines as "Magnanimity shaped a sad and vast perspective," and "My task, as I see it, is to adumbrate the sources of his entelechy," then you might want to move along to another bookshelf.
However, if you want to read one of the finest novels ever written, grab a dictionary, take your time and don't miss a single clue in The Transit of Venus, such as the one embedded insignificantly in the middle of the first page. The importance of which is revealed only near the end of the novel. Hazzard does that to you; if she tells you, almost as an aside, that a trivial character is going to die one day soon, it could later on grab you by the gut that the mention was a portent of an even greater tragedy.
Although The Transit of Venus is populated by several interesting characters, and is propelled by their sexual liaisons, the central story concerns the trio of Caroline (Caro) Bell, Ted Tice, and Paul Ivory and the mystery that directs, and warps, their relationship even into middle age. We're told right off that "Edmund Tice would take his own life...in a northern city, and not for many years." The book never explains why, and does not need to, once the reading is done.
In the beginning, Caro, "established as a child of Venus," has come to England from Australia, along with her sister, Grace. Both sisters, orphans, are beautiful. While the "fair" Grace settles for a wealthy but unsatisfying married life, dark-haired Caro works for a time as a shopgirl and dallies with strategically-married Paul the gorgeous playwright, while Ted the astronomer can only simmer and settle for Caro's enduring friendship. When Caro marries a wealthy New Yorker, it seemingly dashes any hopes Ted may have for finally winning Caro's love. But in Caro's transit through life, such stability is not destined to last, and perhaps Ted has one last chance to possess the woman of his dreams.
As they move through the Fifties, Sixties and Seventies, we see a lot of the other characters, including Grace and Caro's half-sister, Dora, who seems to revel in misery, and Grace's husband, Christian Thrale, a government bureaucrat. Though interesting and well defined, these characters, and others, are largely irrelevant to the main plot, and I found whole chapters on them to be side rails that simply divert the reader temporarily off the central track. This does not mean the reading is not worthwhile; these diversions establish depth of character, and character exposition is one of Hazzard's strong points. A couple of my favorite lines compare a woman to her car parked outside: "Circular lamps, set over the mudguards, were glassily unlit like Tertia's eyes... Outside the window the car was kinder because suggestive of fluency and eventual animation." A cold woman, for sure.
Nevertheless, it is the Caro-Ted-Paul saga that leads to a revelation worthy, perhaps, of M. Night Shyamalan, and a "Sixth Sense" type of turnabout, one that makes you realize things are not quite what they seem. And it shifts the novel from a complex love story into another genre altogether. Any reader who fails to read the final three chapters misses out on the great reward; and to appreciate those chapters, you must read all the others related to these three main characters. Ironically, it is Ted, with his one disfigured eye, who is the most clear-eyed of them all when he thinks, "...the tragedy isn't that love doesn't last. The tragedy is the love that lasts." He also observes, "Even through a telescope, some people see what they choose to see. Just as they do with the unassisted eye... Nothing supplies the truth except the will for it." And with these sentiments, he opens up the novel's heart.
With so many one-or-more-books-per-year "celebrity author" tomes now afloat in the sea of modern publishing, where the term "author" too often takes the secondary dictionary meaning, "one who assumes responsibility for the content of a published text" (meaning, not the actual writer), isn't it of value to strive through a work that has the feel of complex authenticity? Here, in The Transit of Venus, we can be fairly certain this is the genuine voice of Shirley Hazzard. Isn't it worth the price of admission to read not just a rare and beautiful voice, but a true and honest one as well?
Take the Transit.
3.0 out of 5 stars Ambitious and admirable, but not successful,
The reasons Shirley Hazzard's best-known novel doesn't succeed are not the same as readers fear when they start it. Her burnished lapidary prose and her characters' extremely aphoristic way of speaking can seem initially offpyutting, but once you realize she knows what she's doing exactly on the level of the sentence you trust her and let her run with it. But Hazzard's sense of control at the larger level of plot is less steady. The novel, which describes a huge span of time (25 years) in the lives of two sisters and the people with whom they gather in an academic's house in England in the 1950s, is an admirable attempt to cover the arc of many lives over a period of years as they occasionally cross paths in ways as transcendantly as the astonromical event mentioned in the title; the big narrative surprises at the end seem to undo much of what you thought about the characters before, but since there are so many characters to keep track of you end up feeling more confused and cheated than entranced. You wind up admiring what Hazzard is trying to do but left feeling she couldn't quite pull it off. Some of the ancillary narratives embedded within the larger narrative are first rate, however, and I have to say I am going to read her other novels regardless of my dissatisfactions with this work.
2.0 out of 5 stars Jane Austin, Not,
Jane Austin without character. First the characters are very shallow and uninspired. Second the characters have no character. They are not torn between right and wronge, well at least not in the first 147 pages, I would have stopped long before this were it not for my book club meeting. The most entertaining part of the work so far is I find myself casting the movie. Hmm, I think Jude Law as Paul, Catherine Zeta Jones perhaps for Caro, obviously Nicole Kidman or her pal what's her name for Grace. Perhaps Henry Thomas for Ted, and throw in Anthony Hopkings and Emma ? that should be enough star power. Anyway I'm back to work on this, must finnish by the 13th
4.0 out of 5 stars Beautifully written but puzzling,
Shirley Hazzard's "Transit" is a beautifully written story of the pain of ordinary life. Two orphaned sisters from Australia make their way to London to begin their adult lives, and a chance encounter in a theatre between Grace, the "blond pretty one," and her future husband irrevocably changes the lives of all of them. Grace and Caro have an innate dignity and intelligence that puzzles and attracts in the staid English society of the time, where they refuse to be pigeonholed into the category of the shabbily genteel. Grace's story is of the ordinary life--an unremarkable husband, children, home--yet her safe world is so easily shattered when she meets a young doctor caring for one of her children. Caro's world is one of passion and pain, as she (rather inexplicably) falls in love with the charismatic Paul Ivory, failing to realize how corrupt he really is.
The characters in this novel continue to puzzle me several weeks after I finished the book. Caro's intelligence and poise are at odds with her almost lifelong passion for Paul. This is especially hard to understand when one reaches the end of the novel--when Caro learns several shocking secrets about Paul, she admits she suspected some of them, which makes her love for him even more inexplicable. Hazzard also badly neglects the character of Adam, Caro's eventual husband.
On the other hand Hazzard is right on target with Cora, the half-sister who raises Grace and Caro and never gets over the burden she was required to assume. And Hazzard's handling of Christian Thrale, Grace's husband, is masterful--at the beginning he seems a nice enough, unassuming man, but as he becomes more successful in government Hazzard subtly reveals, through a casual remark, a brief thought of Grace's quickly suppressed, what an insufferable, pompous fool he's become.
Despite all, this novel threatens to end happily. I admit a happy ending may have been a letdown, but Hazzard's alternative feels like a quick escape. Did she not know how to wrap it up? Nevertheless, I stayed up halfway through the night to finish it. Despite its flaws this novel is worth your time.
2.0 out of 5 stars The Emperor's New Clothes,
Shirley Hazzard obviously has great literary gifts, but I nevertheless regard this novel as a failure. The characters are lifeless, one-dimensional and stereotyped, the plot slow-moving, and the language overly ornate. The most vibrant characterization is of Dora, the professional martyr, who raises her two younger sisters, (the protagonists), after they are orphaned. Hazzard captures the essence of a woman whose joy in life is complaint, and whose ultimate weapon is the suicide threat, but no other character is more than a paper doll, clothed in fancy phrases and incongrous metaphor. Most of all, this novel is about Shirley Hazzard. It screams "Look at me! I can write! I am wise! You will have to work if you want to decipher my meaning." But was it worth the time?
3.0 out of 5 stars Dangerous liaisons,
Basically I liked TRANSIT OF VENUS. Ms Hazzard is adept at characterization, and there are many gems along the way about human psychology and relationships.
At the same time, the novel seems to adopt the premise that only adulterous affairs are interesting or passionate. Every character seems to indulge in one--or two or more. I'm not a churchgoer, so my objection is not that of conventional morality, yet I do value loyalty, faithfulness, and commitment. Even if one fails at these, they seem to be the standard that one should try to meet.
SPOILER: Caro is the protagonist, but Ted turns out to be the moral center. As Caro discovers at the crisis/climax, it is longsuffering Ted who has uprightly refused to take unfair advantage of an amoral rival in his quest for Caro's love. And it is this discovery--from the rival himself after he has lost interest in Caro--that causes Caro to suddenly love Ted. One problem, Ted is married, to a woman whom he had earlier desctibed as "all things lovable" (or words to that effect). And yet in a moment, he leaves her for Caro.
As a contrast, I recently saw THE HOURS (Nicole Kidman, Julianne Moore, Meryl Streep, Ed Harris), and found it both intriguing and touching. It dealt with love WITHIN marriage--and yet it did not show that this love solved all problems. It showed people remaining true to those they loved--but it also showed that even such love is not enough. The Julianne Moore character, for instance, is loved, but feels the love as oppression. Yet she does not seek another man, but considers only suicide or abandonment of her family as escapes.
Perhaps the comparison is not fair, since the tone of THE HOURS is more tragic than that of TRANSIT--but still......
5.0 out of 5 stars A richly constructed book,
By A Customer
I just finished the Transit of Venus and enjoyed it so much. As the other reviewers have noted, it does require you to pay close attention. But there is great reward in doing so. It is filled with rich imagery and universal truths that resonate with the reader. It has remained very much in my mind since I finished it. If you are willing to take your time and challenge your mind a little more than with the usual modern novel, you will be in for a wonderful journey.
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The Transit of Venus by Shirley Hazzard (Hardcover - March 1980)
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