Customer Reviews

The Moonstone

5 star:		(20)
4 star:		(10)
3 star:		(4)
2 star:		(2)
1 star:		(3)

 

 

MoonStone absolutley has you on edge. It's unlike most books, instead of having a slow begining where they introduce all the cahracters, it goes straight to the plot. It's a tornado of emotion, but one that's easy to follow. The book enables you to feel the danger of death (over a misfit yellow diamond) around every corner. The plot never dies, it's impossible to put the book down once you start. It easily wins over your mind. You'll probably end up reading the same page twice just to get that complete feeling. It takes you back to the times of Victorian Ladies and Gentlemens. The book takes you away from your current life, and lets you enter into a totally new one. 5 stars easily earned

Wilkie Collins is a master storyteller, but like his other masterpiece, THE WOMAN IN WHITE, THE MOONSTONE would have been improved with a bit of editing. The Moonstone is riveting and wonderful, as the butler, Gabriel Betteridge,unfolds his version of the yellow diamond's disappearance.For the reader, the story bogs down as Miss Clack picks up the tale with her tiresome religious view of life. Action all but stands still, as there is not much in Miss Clack's lengthy prose to move the story forward to its conclusion. The reader is left yearning for more of the plot to be revealed, more details to cling to until the tale's final revealation.I felt more than a bit let down at Collins' ending to an otherwise fabulous story. Alas,the culprit was our hero, who had not purloined the stone, but had taken it with pure intent to save it, while under the stuporous influence of an opiate.Luckily, they all lived happily ever after--the stone went back to India and Frank and Julia tied the knot, and the secretly evil bad guy died.Happy ending!

T.S. Eliot was not exaggerating when he dubbed Collins' masterpiece "the first, the longest, and the best of modern English detective novels". The Moonstone, first published in 1868, is the magnum opus of suspense and intrigue that will surely please the avid mystery and/or classics buff.

The adventure begins when the priceless yellow diamond from India, known as the 'Moonstone', is brought to English as spoils of war and is bestowed upon the spirited Rachel Verrinder on her 18th birthday. Chaos soon commences. The valuable jewel is stolen that very night and the entire household falls under suspicion - including a hunchbacked maid, an assemblage of enigmatic Indian jugglers, and Miss Verrinder's cousin Mr. Franklin Blake. Suspicion of thievery does not even escape Miss Verrinder herself. The famed Sergeant Cuff is summoned to the house to try and make sense of the baffling mystery of the diamond's disappearance and the strange events that ensue.

The Moonstone is comprised of three novelettes and a handful of sub-sections, each narrated by three individuals (and a handful of other characters writing shorter supporting memoirs), with their own whimsical writing styles and detailed anecdotes about their adventures surrounding the jewel's disappearance and the aftermath. Their varying perspectives on incidents throw interesting light on the events unraveling around the reader. Introducing the novel is the household's elderly and garrulous manservant, Mr. Gabriel Betteredge, with his witty maxims and proverbial quotes from his personal bible, "Robinson Crusoe". The pious and almost-fanatical Miss Clack's cold recital of events, is followed soon after by Mr. Franklin Blake's narrative of events, and the mystery's final and most ingenious outcome. It will not disappoint.

I leave you with a bit of insight bestowed upon us by the lovable and amusing Mr. Betteredge:

"When my spirits are bad -- Robinson Crusoe. When I want advice -- Robinson Crusoe. In past times when my wife plagued me; in present times when I have had a drop too much -- Robinson Crusoe. I have worn out six stout Robinson Crusoes with hard work in my service. On my lady's last birthday she gave me a seventh. I took a drop too much on the strength of it; and Robinson Crusoe put me right again. Price four shillings and sixpence, bound in blue, with a picture into the bargain. Still, this don't look much like starting the story of the Diamond -- does it? I seem to be wandering off in search of Lord knows what, Lord knows where. We will take a new sheet of paper, if you please, and begin over again, with my best respects to you."

The Moonstone is a wonderfully written English mystery novel of the mid 1800s. It tells the story of the path of a stolen Indian gemstone. The path begins from the day it was stolen from the forehead of a sacred statue of the god of the Moon guarded by three Brahmins (or Indian priests) to and from its journey Yorkshire. While in Yorkshire, the stone is eventually passed down to Miss Rachel Verinder on the day of her eighteenth birthday and within the same night, the precious Diamond is stolen. In several narratives, the theft of the Diamond is described.

I believe that The Moonstone was a fascinating and well thought out mystery novel. Although I thought it was a little too lengthy near the end, this was only for the better. Collins uses eight different narratives to re-tell the story of the missing Diamond. The characters develop into believable and helpful elements of the story. The narratives allow Collins to achieve suspense, thrill, and mystery. In my opinion, he has successfully accomplished the true title of a classic mystery novel.

First published in 1868, Wilkie Collins' "The Moonstone" has been never out of print. This fact testifies the popularity of the book, but somehow because of the famous comment by TS Eliot, "The Moonstone" is likely to be regarded as 'detective fiction.' The fact is slightly different, and you have to keep that in mind before you read it.

The story is absolutely the classic style of "Who-Done-It." The Moonstone, a sacred Hindo stone is stolen from India, and makes its way to the peaceful Yorkshire countryhouse where the rich daughter Rachel Verinder lives with her mother. On her birthday night, however, immediately after the stone is presented to the young lady, it vanishes without a trace. So, who stole it? Or is it just 'missing,' as the inimitable London detective Sgt. Cuff thinks?

The story sounds like Agatha Christie (who, like Collins, wrote stories about the British middle-class), but if you are looking for some ingenious 'trick' or something, you will be disapponited. The story is written BEFORE Sherlock Holmes is born, and though the basic elements of detective stories can be found here, Collins does not use them as you might expect the later writers like Conan Doyle do. I cannot reveal much, but I can tell you that the whereabout of the stone is not necessarily the primary concern of the novel.

The most strikingly original aspect of the novel is its characters. Remember, "The Moonstone" is primarily a Victorian novel, and Wilkie Collins is one of the best friends of Charles Dickens, who wrote "Great Expectations" which attacks the idea of 'gentleman.' The story is told by many characters themselves, and they unwittingly reveal the hidden side of their personalities in the narrative. The best case is the statement of Miss Clack, whose too religious attitudes conceal her surpressed curiosity (and perhaps love) for handsome philanthropist Godfrey Ablewhite. Clack's narrative, always amusing and in a sense grotesque, is one of the greatest among the 19th English novels.

About the mystery of the novel ... well, there are lots of them in there, but they are rather about how and why these colorful characters did certain things or didn't. Rachel Verinder, independent and strong-willed (Collins loved this type of females), certainly knows something about the missing stone, but she never talks about it. The housemaid Rosanna Spearman knows something about the 'smear' of the paint (one of the crucial points of the story), but she never talks about it ... until the time you know the reason. The 'mystery' is about these people, rather than about the Moonstone.

{ABOUT THE BROADVIEW EDITION by STEVE FARMER}

Broadview's edition of "The Moonstone" comes in handy for academic use, so let me record the details of the book. It has Mr. Farmer's informative introduction that follows the modern critical readings of the book. Plus, you see the novel's contemporary reviews, and the play version of "The Moonstone" (which Collins himself made for the stage) and even the reviews of that play. You also get the excerpts of the letters concerning the novel and the play, and the brief newspaper accounts of the real-life cases of Constance Kent and Northumberland Street (both of which became part of the story). The long (and well-chosen) list of select bibliography is included.

You may not find the same thrill as you have in Doyle or Christie, but "The Moonstone" is still a good example of great storytelling. Read it like you read Dickens, another great storyteller.

"The Moonstone" is made a TV show starring Greg Wise in UK in the late 1990s. This version is also great, keeping the atmosphere of the original novel intact. Find the video and see it.

It was T S Eliot who described Wilkie Collins' "The Moonstone" as "the first, the longest, and the best of Modern English detective novels". Not everybody might agree with this, but all practitioners, readers, and fans of detective fiction will find much to admire and enjoy in this magnificent 1868 publication.

Although not exactly the first example of detection novels, it provides the archetypal sleuth, Sergeant Cuff, an astute though idiosyncratic detective who leads the chase to the solution of the mystery, easily surpassing the dim-witted local police authorities. It also explores the full potential of the whodunit formula.

Arguably, it is still the longest example of detective fiction. Unlike most other serialized novels of its era, this one is meticulously plotted. You'll find red herrings, suspense, the unexpected, climaxes that overwhelm or fizzle out, and a satisfying denouement. It is narrated largely by some of the principal characters. All are revealed in well-rounded perspective while carrying forward the story line. The most popular has always been Drusilla Clack, "that rampant spinster", a self-righteous tract-dispensing lady who likes to eavesdrop and to be judgmental.

Is it the best? I would unhesitatingly award it the prize, while welcoming other internet browsers to name other contenders.

Wealthy internet browsers are recommended to download the unabridged audio reading of the book. It is a novel that reads well, and the full length reading available is a model of its kind. Naxos has produced an abridged version. It has the benefit of multiple readers, but most of the charm and all the atmosphere seems to disappear in the abridgment process. Book format will put you in touch with the original text and, provided you have the leisure and disposition for tackling a 20 hour read, will provide your imagination, your mind and your literary appetite with rich material.

Considered the first English detective novel , this is a cannnot- put-down
book .This is because the reader and the detectives share the same information , cleverly edited by Collins . This is all told in a long , leisurely novel which I highly recommend . It has an amazing , weird Victorian end .
I read this book as I had just finished rereading The Woman in White by Wilkie Collins which I love !

This is a book worth reading many times. I pick it up every couple of years and enjoy it more and more every time. Collins mocks and sympathizes with his characters at the same time. The mystery is fun. The plot is a bit slow. The characters make the book well worth the time. They are like old friends with all of the forgivable faults and quirks that mark the best of friends.

I understood that The Moonstone is a classic so I decided to read this to be culturally literate. Well the story line may be interesting but the writing is atrocious. It is curricular, bloated, and seemingly pointless. The characters just keep rattling. A lot of writers fill in the story with descriptions of time and place to give an atmosphere to the story. This writer (Wilkie Collins) just fills it with unrelated trivia. Every once in a while I would go back a few pages to see what I must have missed. When I read again there was nothing there to miss. Ether Wilkie is extremely monotonous or other writing from this period is and I am just now lucky enough to find out. I talked to others about this and they said; "Now you know why Sherlock Holmes is so popular"

I understood that The Moonstone is a classic so I decided to read this to be culturally literate. Well the story line may be interesting but the writing is atrocious. It is curricular, bloated, and seemingly pointless. The characters just keep rattling. A lot of writers fill in the story with descriptions of time and place to give an atmosphere to the story. This writer (Wilkie Collins) just fills it with unrelated trivia. Every once in a while I would go back a few pages to see what I must have missed. When I read again there was nothing there to miss. Ether Wilkie is extremely monotonous or other writing from this period is and I am just now lucky enough to find out. I talked to others about this and they said; "Now you know why Sherlock Holmes is so popular"