Customer Reviews

Green Magic: The Sacred Connection to Nature

5 star:		(2)
4 star:		(2)
3 star:		(0)
2 star:		(3)
1 star:		(1)

 

 

This book is a gentle, straight-forward presentation of a family-taught magical tradition. It includes a Craft heritage of magical conduct rules, energy points, energy movement, and spell crafting based on a distinctive set of spell types different from what you would learn in a typical course on Wicca. The author makes a distinction between Wicca and Witchcraft while also showing how they interrelate, and she elaborates on her personal practice in an easy to follow manner. She doesn't claim to have the "one true way" but is putting into print what she has learned so others can use this in their own practice. It is this moderate approach that makes the vitriolic, and even slanderous, review by Leslie Akers so offensive-like sneeringly changing the "i" to a pretentious "y" in "Craftwise" as though Moura had done this, which she had not. Moura says she is a third generation Witch that she knows of and explains a little about how the practices of her mother and grandmother were kept hidden from the public by their use of Catholic references. Akers seizes upon this to misrepresent her words, revealing that reviewer's personal sense of inadequacy: "like you and I, she chose to be a witch...she is a first generation witch." Contrary to what Akers insinuates, Moura doesn't talk about "folk traditions" but she does talk about a family heritage and the use of spells and how to move energy. She also includes a refreshing theory about how magic works psychologically, based on how the mind processes information. It was a real eye-opener to learn that everything we think of as happening now is actually past tense because of the time it takes for the information to get through our brains. Knowing this can help you to change the future by using the subconscious input to direct the conscious reactions! But Akers is especially angry about her Celtic-Iberian heritage (from Galicia in Northwestern Spain) and even does a diatribe on her "possible" backgrounds! She doesn't say she has no clue about her heritage, only that she won't allude to people she is not certain about, but she has enough information to make an assumption or two. I think it's pretty honest when someone is willing to limit their background talk to the essentials instead of going off about how they are related to some historic figure or an ancient priestess sect somewhere in the dim past. She sounds very practical and grounded in the here and now-good for her! Just look at the other reviews posted by Akers-4 in one day!-and the axes being ground to a nub become clear, and the true personal demons that underpin the obvious anger are revealed: "the Neo-Pagan or Wiccan or whatever community...these people just make up stuff and pass it off as traditional or ancient...they don't respect the folkways of the people they are ripping off...As a person of Celtic origins (Scot, Irish, Welsh) I am tired of these windbags using my heritage to make money." So that's what this is all about-Akers is the-one-true-Celt! Akers mentions a review done on a Moura book (Origins), and says her other book is "based in 19th century colonial imperialism, not to mention racism". In that book, what she really says is that the Celts trace back to
India-and it was nineteenth century racism that kept this connection out of the mainstream until only recently. The other remark Akers makes about the Rom Gypsy) flamenco thing is a little misleading since flamenco evolved from a combined heritage that includes Andalusian Gypsy (in Southern Spain), Arabic/Moorish, and the chant form of India--so the Roms of Eastern Europe don't do flamenco since that branch didn't travel the same route as the Gypsies who settled in Andalusia. Akers' remark about her use of "el" in her Craft Name is stunning: "El is a Hebrew God and has no place in any Celtic or Indian or Brazilian pantheon." She doesn't say this is a deity in her pantheon, but she uses it as a word for "God"-which it is-to show that "God" is both God and Goddess. It's a Craft Name, not the religion. Akers is so busy sniping at shadows that the wonders of the book are overlooked. The Green Magic book sticks to the topic of the title and focuses on magical workings without any hang-ups over rituals, trappings, and fussing over ancestors. She tells what she was taught, and gives her readers just the unembellished facts-and that's what makes this book so useful! It's a great read and it's a book that finally goes beyond the usual introductory level.

I loved the Green Witchcraft series, but that was about four years ago. Since then I've read *many* other books (about 75 in my now five years of study) and have had my own experiences with magic in that time. I had genuinely expected a continuation of the Green Witchcraft books with a more indepth look at magic of the Green Witch. What I got was a dull rehashing of what I've read in most of the books that I consider Wicca 101 material that made me just about fall asleep in the first few *pages* - seriously.

If you're just starting out, this is a *great* book for looking at magic. But, as the author says, much of it is the same as presented in the Green Witchcraft series - so if you've read those, is there really a point to reading this one? For someone that's read a lot already or has been practicing a long time, it's just the same old stuff rewritten and will most likely make you want to return it for a refund.

And, as a side note: Is it just me, or is Ms. Moura just playing off the success of her Green Witchcraft I & II with all her other "Green" books?

Green magic is Anna Moura's personal take on Witchcraft. If you like her personal take that's great. Use whatever makes you happy.
However, one should cast a dubious eye on a person that claims her personal take is the basis for all Witchcraft. All Earth-based religions such as Druidism and Wicca and Witchcraft teach a reverence for the Earth. That's theoretically what makes them different from the main stream religions of the Western culture (i.e. Christianity, Judaism, & Islam.) So like nothing new there.
On one hand Ms. Moura claims to be a third generation "craftwyse" person, but then says she has distanced herself from her mother's religion. In other words, like you and I, she chose to be a witch. Therefore she is a first generation witch. Good for her! Why do we need to fudge our religious heritage. It just looks better on the resume, huh?
I knew many people when I was growing up, who were Catholics, who didn't go to church and they had their own family and folk traditions from Lithuania, Latvia, Latin America, Spain, the American Southwest, Italy, Ireland. This did not make them witches. There are many people of Catholic and Protestant background that read the Tarot, know astrology, delve into spiritism (the communication with the dead), but don't consider themselves witches. They consider themselves Christians.
Ms. Moura cannot, and freely admits this, really tell you were her "witchy" heritage comes from. She has a Portugese Brazilian grandmother, but says there is a Celtic-Iberian heritage. First of all, many people have ended up in the Iberian peninsula of Spain. Not just Celts. Ms. Moura connects these Celtic-Iberians (and thus her heritage) to the Indus Valley in other of her books (a theory based in 19th century colonial imperialism, not to mention racism). Brazil is also a country of wild constrasts and a mix of religions. Her heritage could be Candomble (Brazilian Voodoo) or any other mixture of native traditions with European, Spanish, and African. It could be Romany in nature. The Rom came out of the Sind in India in the Western Middle Ages, and yes, they traveled all over Europe including Spain, where they gave us Flamenco dancing, among other things.
For a person who wants to lose her Judeo-Christian Catholic roots the "el" in her balance name is very odd. El as in Daniel, Gabriel, Raphael, Michael. El is a Hebrew God and has no place in any Celtic or Indian or Brazilian pantheon.
So basically Ms. Moura's take on Witchcraft is no better or worse than any other personal take on Witchcraft. If you like it, enjoy it.

I'm not a very big fan of Ann Moura, but I have to say that I really liked this book despite the lack of spells. I loved the tables of correspondences in appendix a. She covers all the aspects of spellwork and provides clear and easy to follow instructions. Her other book, Green Witchcraft:Folk Magic, Fairy Lore, & Herb Craft, provides some background into her work, but this book is great by itself, too. A must have for the spellcrafting section of your Book of Shadows.

This is a very good book. She explains how magic works, energy working and how to use this energy depending of the type of magick youre using. Don't even read the review before me..this person doesn't really know what magick is..

First of all, magic comes from the heart not the psyche, second they kept referring elsewhere for the important information, third of all they kept citing rituals when magic is closer to prayer than ritualistic behavior, and finally Druidism would have been far more appropriate to this concept. There was nothing Green about this magic book, green magic is directed toward life and living things; the worship of Wicca deities does not make it green.

Don't read the section before me. This person uses this rating system to bash me. If you want a book of magic with less symbolism, and more about using energy directly, read Earth Power and its sequel Earth, Air, Fire, and Water by Scott Cunningham. Green magic is made "green" because it is efficient and portable, and like I have said, this teaches magic that is neither.

In this installment of the Green Tradition, Ann Moura explores energy working. While this may seem very a general topic, Ms. Moura has tied this all in with her own tradition of Green WitchCraft.

All the components of working magic are here, and tradition or no, they can be applied across the board in any tradition where the individual wants to work magic. This reads as a basic 101 to a 202 primer on working with energy, energy manipulation, components of spell working and all the ritual and tools associated with this.

I was pleased to see someone finally approach magic as the energy work it is and work through the basics without the mumbo jumbo. Her section on energy is good, and her discussion on purpose and method will spark some conversations.

This is a good companion to her previous books, and is a good working primer on spellcasting and energy working. If you found her other books on her Green WitchCraft path your path, then this is a good continuation of that work.

I have to say I was so excited about recieving this book . finially a witch book made for someone like me who is called to use medicines etc. of the forest .
this book is not it and you very quickly realize how this woman is making it up as she goes along .
I did read reviews on amazon.com first and one reviewer who is a devote wiccan said the same thing I did but it I just didn't beleive the review I wanted the title etc. to be what I wanted ( duh ) I'm a live and learn person I guess . spirit led . I think I should write my own book so others can see what a true green witch is ;-) nothing to do with buying expensive books thats for sure .
save your money unless your into fiction then it is a good story