5.0 out of 5 stars Second book in the Budayeen trilogy
Cyberpunk is a genre with which I have never had great affinity. My previous attempts to read it (“Virtual Light” by Gibson and “Feersum Endjinn” by Banks) failed in impressing me, though, ironically, I have ventured into writing (also) this sub-genre of science fiction. In short, I suspected that the problem wasn’t the sub-genre in itself,...
Published 1 month ago by Anakina
3.0 out of 5 stars Slightly Less Fun than the first
This sequel to When Gravity Fails finds former lowlife gumshoe Marid Audran suddenly becoming the right-hand man of futuristic Cairo's godfather, Friedlander Bey. Marid's transition from near-destitute scum to wealthy and powerful is more than a little awkward for him, since he had always prided himself on his independence. It's also somewhat awkward for the reader, since...
Published on Dec 21 2001 by A. Ross
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5.0 out of 5 stars Second book in the Budayeen trilogy,
This review is from: A Fire in the Sun (The Budayeen Cycle) (Kindle Edition)
Cyberpunk is a genre with which I have never had great affinity. My previous attempts to read it (“Virtual Light” by Gibson and “Feersum Endjinn” by Banks) failed in impressing me, though, ironically, I have ventured into writing (also) this sub-genre of science fiction. In short, I suspected that the problem wasn’t the sub-genre in itself, but that I had come across the wrong titles, at least for what concerned my personal tastes. In fact, I have always had a lot of fun in reading more recent books in which the cyberpunk element was important but not dominant (as the Void Trilogy by Hamilton).
Luckily, when I started reading Effinger’s books I had no idea of being in front of one of the fathers of cyberpunk in its period of greatest development, the 80s. This shows how the labels sometimes do more harm than good. I had only two books of the series, which I got at different times, without even knowing that they were connected. As soon as I started reading the first, and I was captured by it, I immediately strove to find a copy of the third, because I knew I would’ve needed it very soon.
Having read all of them in a row, I decided to review them together, because it’s hard to judge them separately without being influenced by previous or subsequent readings.
The Budayeen trilogy (it would be more correct to call it a series, since the author had planned at least two more books, which unfortunately he had no time to write before his death) is not only cyberpunk. The story is set in two centuries, in a rough neighbourhood, the Budayeen, in an unspecified city in the Arab world. In the future imagined by Effinger people get their brain “circuited” to be able to insert some modules that provide the individual with new knowledge, skills, and even personalities. The cyberpunk element is provided by this technology, which is in fact one of the few science fiction elements in the story. Here science fiction is just a tool to tell the story of the characters and especially for much of the first book (but also for large parts of the others) the same story would work just as well if told in a context outside of speculation fiction.
Regarding now, thirty years later, this imaginary future, it appears full of anachronistic elements, like an alternate universe or just a universe outside of time.
The Budayeen is actually a metaphor for the French Quarter of New Orleans (Effinger had never hidden that), with its nightclub, where it seems it’s quite difficult to find a woman who is genetically such, and with its organised crime. Added to this is the exotic touch of having inserted it in the Islamic world, which is represented accurately with all its contradictions, even more evident when imagined in two hundred years. The relationship of the characters with the Islamic religion, the respect towards it, accompanied with the most illegal actions is a smart reference to the contradictory but sadly real Catholicism-mafia binomial, which cannot help but make you smile. It’s a little like saying that in the future, while changing the people, places and even religion, the results you get are always the same.
Beyond this setting, the novels by Effinger all revolve around the figure of the protagonist, MarÓd Audran, a private detective, who is a drug addict, a cautious (not to say cowardly), flawed, but very human character, trying to make ends meet by doing more or less legal chores, between a hangover and the other, supported by various kinds of pills (depending on the occasions: for sleeping, against anxiety, for staying awake, and so on), and risking to be killed at any moment. In all this MarÓd, who tells his story in first person, never loses his self-deprecating humour, even in the worst situations. In short, he is a likeable rogue, indeed a very nice antihero.
I laughed so much in reading these novels, but what makes them so good is their unpredictability. Effinger doesn’t follow patterns. The story is realistic thanks to the way in which events happen almost randomly, just like in real life, without logic. You never know what will happen in the next page and you cannot help but keep reading. So every day I found myself waiting with trepidation for the time when I would go to bed and pick up the book.
MarÓd slips into a mess after another. When you think it couldn’t become worse than that, well, it becomes worse. But for better or worse he pulls himself out, meaning that he survives.
In the first book he investigates some murders, tries to prop up his affair with the beautiful dancer Yasmin (of which he is very much in love), who hasn’t always been a woman, tries to avoid ending up under the control of Friedlander Bey, the “mafia boss” of the Budayeen, and of course not to get killed.
In the second one he finds out about an obscure program, called Phoenix, because of which many people are killed, and finds himself working with the police.
In the third one he ends up in exile in the Arabian Desert, where he lives for a while with the nomads. This book seems almost split in two, with one part set in the desert and another in the Budayeen that are completely separate.
Effinger was a great author and this is proved by the skill with which he used the various narrative techniques.
One thing I particularly liked is the narrative device which shows us the scenes where MarÓd is wearing a personality module (called moddy). Suddenly it goes from first to third person, creating a distance between the reader and the character that simulates the feeling that the latter must have while the control of himself is filtered by a software, while his consciousness is almost put aside, as if he were a spectator. In reading these scenes you really have the impression of living in a kind of altered state, a bit as it happens to MarÓd himself. Especially fun is when the protagonist tries a moddy of Nero Wolf and feels more fat and totally uninterested in women.
The same trick is used in the two scenes set in virtual reality (in the second book), while MarÓd and Chirinda are playing a game. The scenes do not make the plot advance, but Effinger wrote them anyway and they are still very enjoyable just because of the feeling of “filtered participation” they give and that distinguishes them from the rest of the novel.
Another aspect that I appreciated is the tendency of the author to show MarÓd at some point in the story and then make him put the pieces together, often overshadowed by his memories, of what happened before, with a transition to a flashback that imitates the way with which memory works. MarÓd goes back in thoughts and shows us everything that happened, even for many pages, up to the point of apparent tranquillity from which the chapter has started. So little by little we finds out that he is in a big trouble from which it is impossible to imagine how he will manage to come out. Often this realisation is followed by a plot twist that worsens even more things for him, if possible.
Due to the absence of patterns and for the thin vein of imperfection that crosses all the books, each of them is characterized by a melancholic or bittersweet ending, but which is always open. And, given that Effinger died before writing the books that followed, these endings entitle us to imagine what happens next.
In this regard, I would add that there is a posthumous collection of short stories, “Budayeen Nights” (I’ll review it separately), which includes a series of writings by Effinger including the beginning of the fourth book, and above all a story starring MarÓd (although his name is never pronounced) that allows us to take a look at his future where apparently he has freed himself from the control of the “mafia boss” of the Budayeen and has a fairly quiet life, even if sometimes he gets involved in dangerous investigations.
The three novels in the Budayeen trilogy are: “When Gravity Fails”, “A Fire in the Sun”, and “The Exile Kiss”.
If you have the opportunity to get them, don’t miss it.
Rita Carla Francesca Monticelli, author of Red Desert - Point of No Return
3.0 out of 5 stars Slightly Less Fun than the first,
This sequel to When Gravity Fails finds former lowlife gumshoe Marid Audran suddenly becoming the right-hand man of futuristic Cairo's godfather, Friedlander Bey. Marid's transition from near-destitute scum to wealthy and powerful is more than a little awkward for him, since he had always prided himself on his independence. It's also somewhat awkward for the reader, since after a while, it gets old watching him get treated like a marionette. Friedlander Bey reorders Marid's world to separate him from his former friends and life by placing him on the police force, giving him his friend's bar, and giving him a Christian slave. Of course, you can't really refuse gifts from Friedlander Bey, so Marid toils at his job investigating various intrigues against his master. Thus, even more so than in the first book, he's the reluctant hero with a conscience of sorts.
The story starts with Marid in Algiers, searching for his mother and his roots. It doesn't quite work out as well as expected, and soon he's back in Cairo under the thumb of Friedlander Bey, working for the police, running around trying to figure out who's murdering little children and prostitutes. The killings may or may not be linked to Abu Adil, a rival to Friedlander Bey, but Marid doesn't really get going until an obviously corrupt officer keeps thwarting him and his reluctant partner gets killed. This element gets a little hokey, as his relationship with the partner goes through all the phases familiar to us from buddy-cop movies. The action gets a little convoluted as Marid bounces around, and the setting's novelty isn't as compelling as in the first book. Still, it's an interesting mix of Chandler and Dick, and if you like it, you should definitely check out Jonathan Lethem's Gun, With Occasional Music. Followed by The Exile Kiss.
5.0 out of 5 stars Cheers George,
By A Customer
As mentioned, this is the second book in a (currently) three book series. Sadly, there won't be a fourth, as George Alec Effinger died last year. It looks like we'll get a taste of it, with "Budayeen Nights" being due in September 2003. From what I've read, this is a collection of short stories and is not the 4th novel we've been waiting for.
In this book, Marid works as a policeman in the Budayeen (a walled portion in an anonymous Islamic city, where pretty much anything goes) and making sure that his patron's interests within the police are taken care of. At it's heart, like the first book, it's a mystery...but one with a colorful (to say the least) cast of characters. There is a focus on cybernetics, landing the book squarely in the cyberpunk sci-fi genre, but the electronic gizmos are not the focus of the story. The levels of sex and drug use, and to a slightly lesser extent the violence, in these books is astounding but I don't feel it took anything away from the story.
5.0 out of 5 stars G Effinger - One of the Unsung Heroes of SF,
By A Customer
The 3 books (so far) of the Audran series are some of the best SF that has been available in recent years. Sadly often a mix of bargain bin chance find or out of print& unobtainable it can be very difficult to get hold of them, but when you do the satisfaction is all the greater.
The premise behind the series is brilliant. It places the characters in a cyberpunkesque middle east landscape but rather than in the course of one book turning characters into world beating superheroes - the characters remain grounded in an often seedy but very consistent universe. There are real shades here of Phiip K Dick at his best. It may not be SF for juveniles (wish fulfillment if any is darker and a lot more adult).
People in this series spend much of their time doing very human things (evasion of reality & difficult questions through drink, drugs or media being the most common). These books certainly live up to one valuable SF trend of holding a mirror to current daily life.
5.0 out of 5 stars Don't Miss it!,
This review is from: A Fire in the Sun (Mass Market Paperback)
This book is the second in a series of books (3 so far) about Marid Audran. In this book, he searches for his past while trying to stay alive as a cop, investigating strings of murders... The excellent blend of cyberpunk technology, mystery, and action make it a great story, and I have read it 5 or 6 times so far.
0 of 1 people found the following review helpful
4.0 out of 5 stars A pretty good sci-fi read,
By A Customer
This book is very uneven, with many strengths and many weaknesses. Though I haven't read the first book in the series, which seems to be out of print, the plot here is more or less self-contained. Marid Audran has had "corymbic implants" (which allow chips to interface to his brain) installed and payed for by Friedlander Bey, who also employs him. Friedlander Bey is a sort of Muslim mob boss with a vast network of influence across the middle east. He has Audran working as a liason to the local police station, though it's not clear what he actually does for Bey before he is unexpectedly assigned street duty with another cop. The book opens with unanswered questions about Audran's past and leads to a variety of intrigues involving Bey, Audran's mother, his cop partner, and Bey's rival, Reda Abu Adil.
The sci-fi and fantasy aspects of the book, mainly involving the devices characters can plug into their brains to alter their behavior or sensory input, are imaginative and very good. Many of the character depictions are also quite good, for instance, Kmuzu, Audran's Christian slave, and the twisted Abu Adil, who uses something called Proxy Hell chips that you'll have to read about yourself. However, the plot and the world the book is set in are not 100% convincing. For instance, it remains very unclear why religion is such a big part of Effinger's world, with characters uttering Muslim expressions right and left but religion not integrated into their lives in any meaningful way. Another problem is that the first-person narrative contains many annoying banalities that don't fit with the main character's personality at all. He is supposedly a street-wise hitman and advisor to a powerful mob boss, but makes annoyingly obvious remarks and expresses absurdly simple-minded views on Islam and religion in general. Overall, however, I still recommend the book if you're looking for a good sci-fi read and don't have anything else on your list.
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A Fire in the Sun by George Alec Effinger (Paperback - Feb. 21 2006)
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