Customer Reviews

Home

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Rybczynski's elegant prose makes "Home: A Short History" a perfect fireside companion -- not least because he'll make you think about why you positioned your most comfy chair beside the fireplace, how your nice halogen reading light has transformed your evening hours, and whether you'd ever have even been permitted to sit down at the court of a French king.

If Tom Wolfe's "From Bauhaus to Our House" is a savage indictment of modern architecture, Rybczynski's book is no less disappointed but even more careful to show how far back in history architects went astray from the guiding principle of 'how to keep humans comfortable'. Till I read Rybczynski, I hadn't realized that 19th century women were more concerned with the sensible flow of activity from room to room in a house, and more interested in time/labor saving innovations such as electricity, than were the architects of the time: they were still preoccupied with the regularity of the façade rather than the sensible use of space inside the home.

In fact, I'd add a third book to add to your fireside reading about the home and its development in modern times: "A Place of My Own: The Education of an Amateur Builder", by Michael Pollan. (His meeting with the unlucky souls who live in a Peter Eisenmann home is worth the price of admission...)

This book is an exploration into the meaning of the word "comfort" and its place in the home. Rybczynski begins the volume with an examination of the Sixteenth Century painting by Durer "Saint Jerome in His Study". He describes each of the objects and furnishings visible in the paining in turn, noting that they are not particularly conducive to comfort or reflective of individuality. Rybczynski goes on to describe how this painting may be representative of the era in which it was painted, how houses at the time had many occupants and were spaces where people lived communally, but not necessarily as a family in the present sense of the term. He argues that in the Sixteenth Century, the nuclear family as a residential unit was non-existent, since children were sent away to live and work with others at a young age, and households always included many unrelated servants or apprentices. It was only later, as the concept of the nuclear family became more established that the need for privacy came to the fore, and private and public spaces began to be differentiated within the house. Later developments in technology, especially plumbing, ventilation, and lighting also came to influence housing design. One of the themes of the book is how the field of interior design has often been faced with the conflict between what looks good and what feels good. Rybcynski stresses that often the style of a design wins out, leaving the residents with the very least in comfort (to the point of having to carry their toothbrushes to and from the bathroom for lack of proper storage there, for instance).

Some of Rybcynski's discussion is quite interesting, particularly that concerning the influences French, Dutch, and British cultures have had on the development of houses and homes over the centuries, especially in North America. It would have been interesting to consider some of the influences of other world cultures on housing styles as well. For example, certainly Spanish and Arabic cultures have had a strong impact on house design and interiors of North American homes. However, considering such topics for the sake of completeness might have taken the book too far afield. In order to explore the concept of comfort with respect to design, Rybcynski has selected only a few examples of cultures and designers to explicate his points.

The book is academic in style, although quite accessible and engaging for the general reader. Sources are listed in the extensive endnotes, and there is an index.

I found Home by accident three years ago. Since then I've become a Rybczyski fan. This man knows how to write and has lots of thought provoking things to say about the relationship between people and their buildings. I recommend all his books. Witold is on my list of the top ten people I'd like to meet at a soiree.

Traces the evolution of the European-influenced home from medieval times to our present age. Rybczynski describes how the home evolved from an uncomfortable, group dwelling-place into a private, comfortable, abode for family. As a professional designer it helped me gain a deeper appreciation for the social innovations that are necessary in order for design solutions to be accepted and incorporated into our daily lives.

Each chapter features a painting or photograph to which Rybczynski makes reference within the chapter's text. This approach is highly informative, but leads to my only two complaints about the book (rationale for only 4 stars);
1) Mediocre quality of the images.
2) Only a single image per chapter. The text would have benefited from additional visual references to illustrate the chapter points.

I first read this book 14 years ago and it changed my life. This book is a must for anyone buying or building a home. You will never look at a house in the same way again, and you will appreciate good and functional design as never before . Your understanding and excitment at the things that make a house a pleasant home will be enhanced more by this book that any academic or popular text on the subject that I have seen or read. The author weaves together the historcal and social aspects, as well as design, in an intriguing tale. This is truly absorbing reading, you will not want to put it down. It is plainly and simply, very well writen. Rybczyski speaks as one of us.

Se trata de un libro entretenido e interesante,que se puede leer fácil y rápidamente una vez superado su primer capitulo, excesiva y superficialmente decorativo.

El autor sigue a la vivienda a traves de los cambios que la transforman lo largo de la historia, cambios en la privacidad, en la comodidad, en la eficiencia...

Para tratar estos y otros temas se analizan las transformaciones en las las diversas estancias de la casa así como en las relaciones entre ellas y se presta atención a las diversas escalas, desde las leves modificaciones en el mobiliario hasta la repercusión en la vivienda de los grandes avances tecnológicos como la electridad.

Particularmente interesante: la introducción y evolución del concepto de ergonomía en la cocina -un invento norteamericano como reitera sin cansancio el autor canadiense.

As the subtitle says, it's the history of an idea. He traces the development of "home", as different time periods have concieve of it, from Middle Ages to Modern. I read this book around the same time I read William Manchester's 'A World Lit Only By Fire' and this book provides a far, far example of 'a portrait of an age' than the one that was supose to! I wrote this review because most I read seemed to be architecture and furnishings related. This book works as social history, too. You can't seporate home--family dwellings--from the society those families make up.

I am currently reading this as part of the curriculum for a History of Furniture class. Rybczynski puts some heart into an otherwise academic study. He looks at the way in which houses were organized within the cultural and economic scope; yet digs in deep as to the evolution of the HOME. It is very thought provoking as to how I am organizing and using my own home, very beneficial in the development of my business consulting in "Smart Home" design, and has made me look at the end of the century expectation of our homes in a whole new light. If he reads this, thanks for your approach. It has broadened my horizons (if not improved my spelling!!)

I love this book. I love the topic, analyzing the humble dwellingplace for its universals. I love the way he has organized by those very topics rather than by the detail of historic era or functional object. "Home" liberates the whole topic to a level whidh allows the reader to consider what all people have in common for their needs and ambitions, and it inspires such optimism for it demonstrates how resourceful people naturally are. The reader feels so much more aware of mindless routines and can delight in the choices of continuing what is habit or deliberately designing a new tradition. For this reason I like using the book with middle school and high school students. It is too long for the time allowed in the school calendar, but it suits a jigsaw approach of different groups of students studying one of the conceptual chapters and applying the insights to their own lives. The reading level is challenging but appropriate if students are not expected to read too much of it in too short a time. This is one of those treasured volumes that suits the purest progressive tradition of education: it is based on authentic experience which helps students find meaning in their real lives here and now, all the while stretching their capacity to see logic in the world. A nice companion to it is "House" by Tracey Kidder for its similarly direct and quiet manner of discussing the decisions people make, alone and collaboratively, to improve their living situation. Like "Cod", this book should be the way students learn history: focused on a recognizable topic and connecting years and years of interaction between people as it describes the everyday personal consequences of innovation and competition. 'Home: a short history of an idea" needs more than five stars, and it needs to be widely available to schoolchildren, perhaps by individual chapter.

I read this book for a graduate class in architectural interiors and it is truly delightful. Rybczynski presents simple truths that make so much sense-- these are presented in clear, layman's terms; easy for anyone to understand and very enjoyable. I've since been searching for more of his work.