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Please please transfer this to DVD, then send me a copy. I saw it on tv and laughed so hard.
D

PLEASE RELEASE IT ON DVD IN THE US!

Julia Walters and the rest of the cast, blow apart the idea that kinky people are any different from the rest of us. Somehow the message I always get from this film is: "We're all kinky to someone out there."

Some of the lines have entered my speech. The naughty school girl scene: "No boys, just girls..." is guranteed to make me laugh... "Mistress Christine, this one wants GOLDEN RAIN!"

Please make this available on DVD!

My favorite film of all time. I see that it was FINALLY released on DVD in the UK in July 2003. When is it coming on one of those shiny plastic disks in the US???

you'll enjoy the movie far more if you do. This movie is based on the real life of a prostitute turned professional dominant in England. I like that the main character is human and not a shallow prodom as is common in movies and tv shows claiming to show the kinky world. I think the movie shows the gritty reality of such work because we see her work her way up, adapting to a worldview that she did not have previously, and frankly providing a safe space for a variety of people to explore their sexuality and kinks. There aren't tons of beautiful bodies here to look at because that is not the reality of the scene community or even the prodomcommunity. Yet we the viewer feel like the main character grows to appreciate the kinks even if she never shares them; I never feel that she does regardless of the fate that she makes friends with several clients. Its a great way to generate discussion in a BDSM organization or maybe even get you and your partner discussing things.

A witty, if sometimes oddly coy attempt by director Terry Jones to re-create the eventful career of "luncheon voucher madam" Cynthia Payne. The wonderful Julie Walters was an ideal choice to play the role of Christine Painter, a prostitute who always has her eye on bigger and better things. Julie Walters puts in an extremley effective and enduringly fascinating performance as she displays different dimensions to her character. Walters heart was in the right place and carries the film convincingly. The fast, witty scripts race along with Walters always sparkling in every scene and is given superb support from Shirley Stelfox as Shirley and Danny Schille in the role of transvestite, Dolly. Its jolly approach almost encapsulates the naughty seaside postcard humour of the Carry On films and infact the last half hour of the film where the police begin raiding the brothel Walters is running could easily be titled Carry On Whoring. Whilst the sad aspects of prostitution is merley glossed over the film on the whole stands as an excellent comedy, packed with superb performances and fast, furious scripts. Cheerfully British!

My review will be brief which in no way reflects the enthusiasm I have for this film which brilliantly shows a side of the sexual scene heretofore unbeknownst to me. While presented with wit and humor, the unusual sexual preferences are also treated with dignity and a certain tenderness. Always excellent, Julie Walters (of "Educating Rita" fame) exceeds even herself as she cleverly portrays the marvelous madame in this apparently true story.

This film has a preface that it is fiction, and though the writer David Leland was inspired by a book by Cynthia Payne - the infamous British Madam - this is not the story of Cynthia Payne. The disclaimer is repeated at the end, and then we see that the production consultant was Cynthia Payne. Perhaps there was a legal necessity for Madam Payne and the film-makers to provide this escape clause, since the film's madam, named Christine Painter, was charged with possessing obscene material for gain and running a brothel. What makes this madam's brothel different is that Christine's clientele is gentlemen over 40 with a taste for kink, though the bondage and discipline we see is very mild. You would have to be extremely prudish to be offended by such behaviour. What makes these scenes so funny is how ordinary the customers are, which only reinforces the hypocrisy of the laws that consider prostitution a crime, and the insight the "tarts" have into men's sexuality. I loved the line "When the balls are full, the brain is empty", and the madam's argument that wives would never be wanting for anything as long as they kept their men "de-spunked". As Christine, Julie Walters delivers a brilliant comic performance. She is a no-nonsense uppity woman, constantly in motion, who has never cared for sex but enters into the business for economic reasons. The ads posted in a shop window are deliberately double entendre-d eg large chest for sale, french polishing available. Walters looks surprising voluptuous here though as she becomes more successful she starts to resemble a drag queen. When she attends her sister's wedding, there is a confrontation scene with her father, and we see what a fool he is for not appreciating her. Director Terry Jones came from the Monty Python group but it is to his credit that the humour is not juvenile or in poor taste. Walters does have an odd scene where she is suddenly in an exotic location and spying on a couple having sex, another where a revolving camera glorifies her romantic fantasies, and the circumstances of a missed "normal" date hint at that old chestnut that whores are doomed to die lonely. But overall the tone is light and positive. Special mention is made of Shirley Stelfox as the stern "Nanny", and Danny Schiller as the maid with an undetermined sex.