Top critical review
Informative but undistinguished
on May 23, 2004
The person who said "great subject, poor execution" pretty much nailed it. I enjoyed finally learning in detail about the background of Toole and the circumstances under which the novel was written, but this is basically a dry assemblage of facts with no real sense of Toole as a person or an artist. The correspondence between Toole and Gottlieb also says nothing enlightening about why Simon and Schuster wouldn't publish Confederacy and the authors don't even attempt a hypothesis beyond "they didn't like the Myrna Minkoff character very much". My own feeling has always been that Toole was ahead of his time. His brand of satire was far too dark and biting for the 1960s, and I think if the book had been published then there would have been an extremely negative public reaction to it - which might have been even worse for Toole than not being published at all. Either way, given the struggles he was having with depression and alcoholism it's unlikely he would have survived long enough for his true audience to emerge at the end of the following decade.
Note to the guy who thinks Thelma was the "ghostwriter" of Confederacy because her letter-writing style is so much like Ignatius Reilly's - you're overlooking the obvious. Thelma wrote letters to her son the entire time he was in Puerto Rico working on the first draft of the novel. Where do you think he got it from? Thelma may have acted as a sort of twisted Muse to Toole, but I highly doubt she was capable of conceiving of such a masterpiece of comic writing, much less committing it to paper. I suppose we should be grateful towards her for finally getting it into print, even if she was motivated by her own ego as much as anything else.