2 of 2 people found the following review helpful
on November 23, 2002
This most recent Transmetropolitan collection takes a distinctly darker turn as Spider and his 'filthy assistants' go underground and Spider's health begins to suffer. More than ever before, Ellis' social commentary on his dystopian City hits close to home. Previous collections have satirized the decadence and sloth of modern American life by exaggerating it in daringly hilarious ways, but _Spider's Thrash_ descends to address modern-day social problems more directly. Although the issue on child prostitution presents a still more corrupt and degraded world than the one we live in now, the issue on the deinstitutionalization of the mentally ill and their subsequent homelessness is not exaggerated at all. Ellis' demonic president, The Smiler, also seems creepily relevant to the post-9/11 attack on civil liberties, particularly when Spider quotes the newsfeeds as saying, 'The President is officially 'studying the constitution to protect the people from outmoded language and ideas therein.''
If it sounds like this collection gets a bit preachy, it does, and plot continuity suffers as a result. But those of us who have come to know and love Spider and his mad quest for the truth aren't likely to stop reading. As director Darren Aronofsky (_Pi,_ _Requiem for a Dream_) says in his introduction, 'Profanity + anger + revolution + cynicism + drugs + cigarettes + truth + justice - fair = Spider Jerusalem. . . . A true original.'
on November 13, 2002
Your friendly neighborhood outlaw journalist is back. Warren Ellis combined the humor of Palahniuk, the prose of Hunter S. Thompson, and the anarchic sensibilities of British punk rock into the greatest comic book character of all time: Spider Jerusalem. The comic is consistently funny, satirical, and eye-opening. Ellis uses the medium for his trademark brand of cynical social criticism...and it shows more than ever in this collection. Spider gives the big F-YOU to the government, and corporate America in this trade. He branches out on his own, publishing his column illegally for no money. This time neither the president nor the paper can censor him. God help us all. I definately recomend this trade to any fans. You must read this, it's Ellis and Robertson at their best.
Spider is confronted by those who oppose him. He has established himself with an underground publishing and is now speaking uncensored. It was a great trade, where half was the main continuing storyline, then the other half of the book is Spider looking at the crazy people and the children put into foster care. He analyzes the past of the city and gives you a larger look at the city he lives in. A nice look at Spider looking at the things that the city tends to ignore, showing he cares and pays attention to the castaway and broken people. We also get a small glimpse at the ever godly Spider suddenly showing a weakness. Love this book and can't wait to see the progression.