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A Delightful, Fascinating Look at 19th Century Paris through Visiting American Eyes
on June 10, 2011
"Learn to do good;" -- Isaiah 1:17 (NKJV)
This is the most engaging history book I've read so far in 2011.
While I was in college, I focused my studies on 19th century France because almost every possible variation of human history occurred there at some point between 1789 and 1914. In the course of those studies, I became very familiar with how French people and Europeans saw Paris. But it never occurred to me to apply the special lens of how visiting and expatriate Americans experienced the City of Light. I feel extremely grateful to David McCullough for conceiving of and brilliantly executing this book.
I should mention that I have read in great detail how 18th and 20th century Americans saw Paris. How I missed reading about the 19th century is beyond me.
One of the fascinating themes is how Americans went from being humble learners, seeking to gain from greater French knowledge of the arts and medicine, to being influential innovators bringing new influences (such as Morse's telegraph, Edison's electric lights, and John Singer Sargent's portraiture). Paris itself stretched to become a bigger stage on which technical progress was shared through the various exhibitions.
To me one of the best aspects of this book was becoming a little bit familiar with fascinating Americans who I didn't know much about before such as painter George P. A. Healy, American minister to France Elihu B. Washburne, and sculptor Augustus Saint-Gaudens.
Naturally, Paris itself is the biggest character and David McCullough treats her with proper reverence.
I was particularly charmed by the descriptions of difficult Atlantic crossings in sailing ships, riding in French stagecoaches (diligences) to Paris, and how the newly arrived reacted to seeing their first French cathedrals, especially the one at Rouen.