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on April 3, 2003
This is the third book in The View from the Mirror tetralogy (after A Shadow on the Glass and The Tower on the Rift, and before The Way Between the Worlds).
Dark Is the Moon starts in the tower of Katazza, where Tensor has just opened a gate to the Nightland. In the process, Rulke the Charon has managed to escape from his imprisonment of a thousand years, while Karan and Llian have been sucked throught the gate. Mendark, Malien, Tallia and Yggur have to overcome their differences and ally against their common enemy and try to use the power of the Rift to seal the Nightland. Karan and Llian's lives are at stake.
And so in the Nightland, Karan and Llian have no choice but to team with Rulke, or they'll be trapped forever. But in the battle, the new alliance draws to much power from the Rift and Katazza collapses over them. Thanks to that diversion, Karan manages to escape throught the gate and lands in the rubble of the destroyed citadel. However, Llian is still stuck with Rulke, who compels him to tell the Histories but finally lets him go five days later. When with Karan they catch up with Yggur, Mendark, Shand and the others, everyone suspects he's become Rulke's spy.
After crossing the Dry Sea again, the group realizes that their only chance to beat Rulke is to make a replica of the golden Flute, a legendary artifact that is said to have the power to open the Way between the Worlds. But for this they need Aachan red gold, which is extremely rare, and information on how to use the instrument.
In this thrid volume, all roads diverge, to converge again at the end for another confrontation: Mendark sets off to Havissard in search of the gold, Yggur goes back to Thurkad where his army is at war, Tallia and Shand go look for young Lilis's father, and Karan wants to go back to her estate in Gothryme to see how her people are faring. Llian accompanies her, and on the way they stop in Chanthed, where lies the College of the Histories, and where he thinks he might gather new information for his Great Tale.
In the meantime Faellamor, with the help of her always faithful Maigraith, is searching for a way to break the Forbidding and tries to link with fher far away kin, the Faellem, and ask them for help. They manage to open a gate to Havissard.
Dark is the Moon is of the same quality as the previous books in the series, that is, full of entertaining adventures and well written, but nothing outstanding, although the characters have started to grow in depth, and me to consider reading Ian Irvine's next series, The Well of Echoes. But on to the fourth and final volume first.
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on August 15, 2006
The two sentences repeated in my review title will undoubtedly haunt me for a long time to come. They are uttered by a prisoner, left to rot in the darkest, deepest dungeon in the land. He repeats these words everytime he hears any kind of a noise filtering down through the grate that is the only entrance to his tiny cell. I get chills just writing about it here.

In Dark is the Moon, Ian Irvine has created a world where even the most insignifigant character can capture your imagination. The story is character driven, and even though the narrative is clunky and inelegant in places, the characters will have you involved and coming back for more. Unlike many books I have read in this genre, the characters in Mr. Irvine's works grow and change as events dictate. Each character, is living, flawed individual, just as in real life. This series, which starts in "The view from the Mirror" is well worth the time invested in reading it.
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